1,721,040 research outputs found
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles
No full textZEITGENÖSSISCHE TONDICHTER : STUDIEN UND SKIZZEN / MAX CHARLES
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles ; [Folge 1] ([Folge 1]) (1)
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles ; Neue Folge (Neue Folge) (1
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles ; Neue Folge
No full textZEITGENÖSSISCHE TONDICHTER : STUDIEN UND SKIZZEN / MAX CHARLES ; NEUE FOLGE
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles (-)
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles ; Neue Folge (Neue Folge) (1)
Titelseite (1)
Widmung (2)
Vorwort (3)
Inhalts-Verzeichniß (4)
Max Bruch (5)
Woldemar Bargiel (14)
Dr. Robert Franz (19)
Franz Lachner (33)
Victor E. Neßler ... "Trompeter von Säkkingen" (55)
Josef Rheinberger (61)
Dr. Franz Xaver Witt (69)
Giuseppe Verdi (77)
Camille Saint-Saens (97)
Charles Francois Gounod (110)
Peter Iljitsch von Tschaikowsky u.d. russ. Musik (118)
Ein Virtuosen-Duo: Professor August Wilhelmi (Violine) (130)
Ein Virtuosen-Duo: Gustav Láska (Kontrabaß) (143)
Rezensions-Anhang über die ersten beiden Bände ... (153)
Cover (160
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles ; [Folge 1]
No full textZEITGENÖSSISCHE TONDICHTER : STUDIEN UND SKIZZEN / MAX CHARLES ; [FOLGE 1]
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles (-)
Zeitgenössische Tondichter : Studien und Skizzen / Max Charles ; [Folge 1] ([Folge 1]) (1)
Cover (1)
Titelseite (3)
Vorwort (4)
Inhalts-Verzeichniß (6)
Franz Liszt (7)
Richard Wagner (22)
Dr. Hans von Bülow (54)
Joachim Raff (63)
Max Erdmannsdörfer und Frau Pauline (72)
Dr. Carl Reinecke (82)
Dr. Johannes Brahms (90)
Anton Rubinstein (103)
Edvard Grieg (114)
Eduard Lassen und der Goethe'sche Faust (124)
Joseph Joachim ... "in Ungarischer Weise" (137)
Cyrill Kistler (144)
Nachwort des Verfasers (156
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The reception of French opera in Amsterdam (1830-1839)
No full textThe present thesis addresses the essential questions regarding French Opera and musical theatre in Amsterdam in the 1830s. An initial presentation of the existing favourable historical and cultural circumstances in the Netherlands explain how French-language musical theatre was able to attain such a high, albeit presently overlooked, degree of importance in the Dutch capital. By taking into account the theatres where these works were seen and heard, it is possible to determine how numerous French stage genres were adapted to the reality and limitations of these theatre halls. The presentation and analysis of the repertoire performed in these theatres, announced daily by the Dutch press, have made it possible to establish performance statistics and determine trends in the popularity of certain genres among the audience. By laying out the intricate network of agents involved in the performance of these works, it was possible to explore the dynamics that existed between local and foreign artists, the directors that hired them, the critics that passed judgement and the audience that acclaimed or rejected the show. Theatre life in 1830s Amsterdam was vibrant with French stage works, performed either in their original language or translated into Dutch or German, making the capital of the Netherlands an important hub for French opéra, opéra-comique and comédie-vaudeville; and a brilliant jewel on the crown of the Francosphere. La présente thèse aborde les questions essentielles concernant la place de l'opéra et du théâtre musical français à Amsterdam dans les années 1830. Une présentation initiale des circonstances historiques et culturelles favorables présentes aux Pays-Bas expliquent comment le théâtre musical français a pu atteindre un degré élevé d’importance, bien qu'actuellement ignoré, dans la capitale néerlandaise. En prenant en compte les différents théâtres où ces œuvres ont été vues et entendues, il est possible de déterminer la façon dont les nombreux genres scéniques français ont été adaptés à la réalité et aux limites de ces salles de spectacle. La présentation et l’analyse des répertoires joués dans ces théâtres, annoncés quotidiennement par la presse néerlandaise, ont permis d’établir des statistiques et ainsi déterminer les tendances chez le public de la popularité de certains genres. En arborant le réseau complexe d’agents impliqués dans l'exécution de ces ouvrages, il a été possible d'explorer les dynamiques qui existaient entre les troupes locales et les artistes en tournée, les directeurs qui les ont engagés, les critiques qui les ont jugés et le public qui a acclamé ou rejeté le spectacle. La vie théâtrale à Amsterdam dans les années 1830 était riche en œuvres scéniques françaises, jouées soit dans leur langue d'origine, soit traduites en néerlandais ou en allemand, faisant de la capitale des Pays-Bas un haut lieu français de l'opéra, l'opéra-comique et la comédie-vaudeville; et un joyau brillant sur la couronne de la Francosphère
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