1,720,976 research outputs found
Representaciones imaginarias en la dramaturgia argentina de la postdictadura: Camino de cornisa de Alejandro Finzi
Full text linkCon este artículo nos proponemos indagar en determinados lineamientos poéticos desarrollados en la dramaturgia de la Patagonia Argentina durante los años de la postdictadura. Para lograr este objetivo, tomaremos como eje de estudio las representaciones imaginarias evidenciadas en los textos teatrales del período 1986-2003, y a su vez acotaremos nuestro análisis a un caso testigo: Camino de cornisa de Alejandro Finzi.
With this article, we propose to investigate certain guidelines developed poetic drama of Patagonia Argentina during the years of the post-dictatorship. To achieve this goal, we will take as the axis of imaginary representations study evidenced in the texts of the period 1986-2003 and, in turn, delimit our analysis on a test case: Camino de cornisa by Alejandro Finzi
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Discursos de alteridad en la dramaturgia regional de la posdictadura argentina
Full text linkLas secuelas de la última dictadura militar en Argentina se observan en diversos aspectos culturales, entre otros, en la concepción de “alteridad sospechosa” que el régimen instaló en los campos sociales para justificar sus políticas represivas y genocidas. De este modo, con la reapertura democrática, el arte en general y el teatro en particular, asumieron, con responsabilidad estética, la tarea de resignificar aquellos discursos sobre la otredad ominosa legada. Por consiguiente, en el presente artículo abordaremos las respuestas poéticas que la dramaturgia regional ha enunciado como estrategias de resistencia, con el fin
de aportar a los nuevos procesos comunitarios e intersubjetivos sobre el pasado reciente. Para indagar en este problema, apelaremos a herramientas hermenéuticas de la literatura comparada y la sociología de la cultura, aplicadas al análisis de las obras teatrales de Alejandro Finzi y Carlos María Alsina, escritas en la Patagonia y el noroeste argentinos, en el periodo1983-2003
Alteridades históricas en clave de animalidad.
Full text linkLa vigencia y reproductividad de la concepción esencialista de un otro-interior en distintas prácticas y discursos culturales ha obtenido en las dramaturgias argentinas de diferentes regiones del país un evidente campo de resistencia simbólica y política. Con base en este diagnóstico, en el presente artículo acotamos el objeto-problema a las figuras de alteridad histórica representadas en las dramaturgias de la Patagonia y el noroeste argentinos (período 1983-2008), en particular, aquellas figuras que han sido elaboradas en clave de animalidad. Para esta exploración, delimitamos el análisis textual a un corpus de casos estratégicos, según nodos comparados que resultan de un sistemático trabajo de archivo literario y escénico. Los resultados obtenidos ofrecen, en primera instancia, un mapa observacional sobre las figuras poéticas que contribuyen a refutar las lecturas homogeneizadoras y reduccionistas del otro-interior
Arte e Investigación | Número 24
No full text- Ser artista de provincia. Una lección de casa en los muebles de Beatriz González | Adryan Fabrizio Pineda Repizo
- Operaciones críticas sobre espacios escénico-regionales. Los casos Patagonia y Noroeste argentinos: 1992-2008 | Mauricio Tossi
- Dark academia: la estetización del conocimiento | Tadeo Masís González
- Lo performativo en las artes visuales. Lectura metodológica de la construcción de la categoría | Lucía Wood
- Un hombre es cualquier habitación en la que esté. Pete Campbell y la domesticidad masculina en Mad Men | Milagros VillarFacultad de Arte
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