1,722,231 research outputs found
Maurice M. Kay, Sr.
No full textCaptain Maurice M. Kay portrait in his uniform. Image displayed (72 dpi JPEG), Master image (600 dpi TIFF)
Maurice M. Kay at Controls in Cockpit
No full textMaurice M. Kay at controls in cockpit. Image displayed (72 dpi JPEG), Master image (600 dpi TIFF)
Maurice M. Kay in American Airlines uniform
No full textPortrait of Maurice M. Kay in his American Airlines uniform. Base FV photo by Wottke 1947 October 2. Image displayed (72 dpi JPEG), Master image (600 dpi TIFF)
Maurice M., Monteil, C., Vie quotidienne et horaires de travail.
No full textGrossin W. Maurice M., Monteil, C., Vie quotidienne et horaires de travail.. In: Revue française de sociologie, 1966, 7-2. pp. 250-252
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Dredging the lagoon in front of the Deauville Club, Santa Monica, Calif., January 6, 1939.
No full textSanta Monica Public Library Image Archives.
N53
Digital object 4718 img0053Photographed by City Engineer Maurice M. King
Dredging the lagoon north of the Santa Monica Municipal Pier with the dredge, Anita, in front of the Deauville Club, December 15, 1938.
No full textSanta Monica Public Library Image Archives.
N51
Digital object 4718 img0051Photographed by City Engineer Maurice M. King
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