1,721,060 research outputs found
¿Una transición post-republicana? El cainismo de los años 1936-1975 en las ucronías de Jesús Torbado y Fernando Díaz-Plaja
No full textIntroduzione. La lingua transispanica del trauma. Violenza di Stato e narrazione tra Spagna e America Latina
No full textLe penne dell'orco. I difficili rimedi nel trattamento ospedaliero per adolescenti con grave psicopatologia
No full text"Il saggio letterario come strumento critico: la riflessione contemporanea sulla non-fiction"
No full textIl contributo intende prendere in considerazione una peculiare categoria di saggi che nella contemporaneità stanno diventando a tratti la norma in ambito critico quando si vuole portare avanti una discussione sulla natura della non-fiction. La descrizione di questa instabile entità è spesso abbordata da critici e practitioners ricorrendo al saggio come mezzo: il che provoca una mise en abyme ricca di implicazioni teoriche, in quanto il saggio, appartenendo alla categoria non-fiction, si trova gravato dell’oneroso compito di descrivere, sostanzialmente, se stesso. Questa procedura metaletteraria verrà presa in analisi in alcune delle sue realizzazioni contemporanee più tipiche ma al contempo più estreme: Truth in Non-fiction (2007) a cura di David Lazar; Metawritings: Towrads a Theory of Non-fiction, raccolta di interventi (2012) coordinata da Jil Talbot, e infine Bending Genre: Essays on Non-fiction, editata a quattro mani da Nicole Walker e Margot Singer (2013
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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