11,813 research outputs found
Ritual in the Damascus document and the Gospel of Matthew
This thesis examines the ritual content of the Damascus Document and the Gospel of
Matthew, demonstrating how community identity is constructed and developed through
the interpretation of the Law represented in each. The content is arranged according to
the ritual typology of Catherine Bell, which organises ritual into six categories:
calendrical ritual, rites of exchange and communion, political ritual, rites of passage, rites of affliction and rites of feasting and fasting. Analysis by type enables comparison and comment on the features and effects of ritual. I identify the Scriptural precedent for the discussions of ritual and any similar texts from the same period. These two ritually dense texts provide a great deal of material representing different perspectives on ritual
function and obligations within a Jewish community setting. The Damascus Document is a non-sectarian legal text from the Second Temple period. The Gospel of Matthew presents the narrative of Jesus with considerable comment on ritual matters, reflecting an audience steeped in Jewish ritual praxis while looking towards an eschatological inclusion of Gentiles who adhere to Jewish obligations. Each offers an insight into a community dissenting from aspects of mainstream Judaism without withdrawing completely. Each community maintains traditional ritual obligations to some extent, but claims additional information clarifying the correct interpretations of the Law. This thesis analyses how they negotiate the practical, and often theological, issues that accompany their distinct practices, creating a community identity through ritual
Primary Care Activity Level 2022 - Preliminary Report by the UMass Chan Analytics Group and MassHealth
UMass Chan Medical School has worked with the Massachusetts Executive Office of Health and Human Services (EOHHS) since 2014 to develop risk models for MassHealth to account for how social determinants of health (SDH) and medical complexity jointly predict total health care cost.i The Primary Care Activity Level (PCAL) framework was originally developed by Ash and Ellis in 2012 to calculate risk-adjusted bundled payments for comprehensive primary care in a commercially insured population.ii It was designed to recognize patient differences in the expected cost of all services that primary care practitioners (PCPs) should be providing. Payments based on PCAL are higher for medically and/or socially complex patients than for less complex ones.
In 2023 MassHealth is implementing a Primary Care Capitation program for Accountable Care Organization (ACO) primary care (PC) practices, which extends value-based payment to the provider level. Complex patients need more PC services to manage their needs than less complex patients do, yet such differences in patient complexity are not adequately reflected in fee-for-service reimbursements for primary care procedures. Here we present the development of a PCAL model that can be used to adjust primary care capitation payments based on the health status of each member; the model has been fit to MassHealth-specific data and in consideration of the state’s policy goals
Structural Rearrangement of the Serotonin Transporter Intracellular Gate Induced by Thr276 Phosphorylation
Molecular dynamics trajectories for Structural Rearrangement of the Serotonin Transporter Intracellular Gate Induced by Thr276 Phosphorylation by Matthew C. Chan, Erik Procko, Diwakar Shukla
Marianne Chan: 47th Annual ODU Literary Festival
Marianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. She is the author of All Heathens (Sarabande Books, 2020), which was the winner of the 2021 GLCA New Writers Award. Her second collection, Leaving Biddle City, was published from Sarabande Books in July of this year. Her poems have appeared in Poetry, Best American Poetry, New England Review, Kenyon Review, Michigan Quarterly Review, and elsewhere. She is an assistant professor of creative writing at Old Dominion University and teaches poetry in the Warren Wilson College MFA program for Writers
Inauguración del XXIII Simposio Román Piña Chan. Zonas Arqueológicas en Contextos Urbanos. <p>XXIII Simposio Román Piña Chan.Zonas Arqueológicas en Contextos Urbanos<p>
El acto inaugural del XXIII Simposio Román Piña Chan “Zonas arqueológicas en contextos urbanos”, tuvo lugar el 6 de noviembre de 2018, en la Escuela Nacional de Antropología e Historia (ENAH). El Simposio fue inaugurado por el Antrop. Diego Prieto Hernández, Director General del Instituto Nacional de Antropología e Historia, en compañía de otras autoridades del INAH así como investigadores, docentes, alumnos y público en general.</p
Anyuon Chan
abstract: Anyuon left his village in 1989 during the middle of the night.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 22Region: Bahr al GhazalThis picture and bio was donated to the Lost Boys Found project from The Arizona Lost Boys Cente
Marianne Chan, 46th Annual ODU Literary Festival
Marianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. After she earned her B.A. in English from Michigan State University, she went on to study poetry at the University of Nevada, Las Vegas, where she earned her MFA.
Marianne is the author of All Heathens, which was the winner of the 2021 GLCA New Writers Award in Poetry, the 2021 Ohioana Book Award in Poetry, and the 2022 Association for Asian American Studies Book Award for Outstanding Achievement. Her poems have appeared in Poetry Magazine, New England Review, Kenyon Review, Michigan Quarterly Review, and elsewhere. Between 2017-2019, she served as poetry editor for Split Lip Magazine. She is a Kundiman fellow.
She lives in Norfolk, Virginia . She is married to the fiction writer Clancy McGilligan
FMM Haikus
Introduction: This past week I had a writing session with the students in my Structural Inequity, Advocacy, and Justice Pathway in the medical school. I asked the students for some short writing -- 6-word stories, haiku, 55-word stories, and poetry. I share some of them below. I also share with you some of their sentiments about having time to reflect and write. "I used to write much more often (prior to med school), so I really enjoyed this session" (Matthew Hudson UMass Chan '26) - "This session reminded me why I chose an English major during college!" (Elizabeth Waltman UMass Chan '26) - "Thank you for the opportunity to reflect creatively about meaningful medical experiences. I wrote these haikus about some experiences I had in LPP and hospital sessions and wanted to share them with you. The last one I wrote about my grandmother who has since passed from a late detection of cancer she had been complaining about for a while before being diagnosed*. Thanks again, this session really helped me today. I had no idea how nice it would be to take a break from being strictly clinical." (Liana Brooks UMass Chan '26
Lindemans wines advert reel, circa 1970s
1. Ben Ean “Waterfront Tables” -- 2. Ben Ean “Café”; -- 3. Ben Ean “Boatshed”; -- 4. Leo Buring Leibfrauwine “Hubert Arriat” -- 5. Leo Buring Leibfrauwine “Matthew Chan” -- 6. Cellar Pack "Smile" -- 7. Rhinegold Supreme "Let the good times flow".-- Cleaned by ScreenSound Australia 1 December 2002
An ethnographic portrait
Despite a resurgence of academic interest in Myanmar since the "opening" in 2011, little research exists on the growing urban middle-class, and even less on women. This paper is an ethnographic portrait of Chan Chan, a "modern", unmarried 33-year-old middle-class Burmese-Buddhist woman living in contemporary Yangon. I examine how she conceives of agency, and produces herself as an agent. I then analyse how she seeks to carve out agentive spaces for herself while performing "appropriate" femininity from typically subordinate positions. To do this, I examine her practice in pursuit of her projects: in relation to me, to her parents, in her desire to marry, in her imaginations of a husband, and in her pursuit of a better rebirth. Contextualising Chan Chan as a subject in broader societal discourses, this paper throws light on how woman like her do life in contemporary Myanmar, in a time when established discourses on women‘s "high-status" are being increasingly challenged
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