106 research outputs found
Moth Eaten Rag (World premiere)
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
For Astor (World premiere)
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Faded Curtains (World premiere)
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Nonchalance (World premiere)
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Silver Pearls (Australian premiere)
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Birthday Rag
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Peggy's Minute Rag
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Mezmer (World premiere)
No full textElena Kats-Chernin, piano ; Nicole Canham, clarinet ; Virginia Taylor, flute ; Matthew Ockenden, bassoon ; Miroslav Bukowsky, trumpet ; T'ang Quartet.CANBERRA INTERNATIONAL MUSIC FESTIVAL 2010.ABC Classic FM broadcast 2011Off-air broadcast recording. Copied under Part VA of the Copyright Ac
Eyewitness Lineup Identity (ELI) database : Crime videos and mugshots for eyewitness identification research
No full textWe thank Alice Durston, Jacqueline Matthews, and Samantha Luckman for their support in recording the images. We also thank Wayne Collins, Robin Canham, Matthew Hinkins, and the Video Identification Parade Electronic Recording (VIPER) Bureau for loaning a recording booth. Images in the database were not quality assured by the VIPER Bureau, and the authors accept full responsibility for their quality.Peer reviewe
The Outward Female Vision: The Struggle Against Enclosure in the Novels of Charlotte Bronte
No full textThe good of Villette in my opinion Miss is a very fine style; and a remarkably happy way (which few female authors possess) of carrying a metaphor logically through to its conclusion. And it amuses me to read the author’s naive confession of being in love with 2 men at the same time; and her readiness to fall in love at any time.l So begins William Makepeace Thackeray’s letter about Villette and its author Charlotte Bronte (1816-55), "the poor little woman of genius," "the fiery little eager brave tremulous homely-faced creature."2 While Thackeray twice praises Bronte for her style and an enjoyable novel in his responses to Jane Eyre3 and Villette, in his later review he assumes a more condescending, paternalistic tone. Although in 1847 he correctly identifies the author of Jane Eyre as a woman, he does not center his assessment of the novel on her female nature. But in speaking of Villette to Lucy Baxter in 1853, Thackeray notes that he "can read a great deal of [Bronte's] life in her book, and see [s] that rather than have fame, rather than any other earthly good . . . she wants some Tomkins or another to love her and be in love with.
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