6,537 research outputs found
Zechariah and the Gospel off Matthew: the use of a biblical tradition
No full textThis thesis examines the use of Zechariah traditions in Matthew's Gospel. It analyzes and interprets the ways Matthew transmits, alters or adds Zechariah traditions to his sources. Instead of looking at portions of the Gospel in light of Zechariah 9-14 only, this study addresses the entire Gospel and all of Zechariah. In focusing on Zechariah tradition, the thesis has kept the following considerations in view. First, the content and function of Matthew's explicit uses of Zechariah are examined. Second, ways in which tradition derived from Zechariah may have exerted influence on portions of the gospel sub-structure are identified. Third, it explores the extent to which Matthew alludes to characteristic Zechariah themes. Together, these components illuminate how Matthew's Gospel incorporates its Zechariah material, whether alone or in combination with other prophetic traditions. Thus the methodological approach of the thesis is not only grounded in classical methods of biblical criticism but is also open to recent literary methods. In addition to explicit citations, numerous allusions and echoes of Zechariah tradition are present in Matthew. They appear in Matthean materials and in traditions Matthew has taken from Mark and Q. Because the focus of this thesis is open to both the Gospel and the Zechariah traditions in their entirety, two important observations have been made. First, traces of Zechariah material are found in the Infancy and Gaililean healing Narratives as well as in the Passion Narrative. Not only is the impact of Zechariah 9-14 observed, but important sections of Zechariah 1-8 are also discerned in Matthew's narrative structure. Moreover, Matthew's Son of David Christology is enriched and partially defined by Zechariah's prophet-shepherd imagery, as well as by the royal messianic motif
'Woe to you, hypocrites!' : law and leaders in The Gospel of Matthew
No full textThis thesis seeks to move beyond the impasse in Matthean scholarship that posits the reason for conflict in Matthew 23 with the authorial community. A framework is developed that allows the possibility that the gospel was received and understood by a widespread, general audience that itself was not necessarily embroiled in conflict. Multiple complementary methods are used to analyze how an ancient audience might expect conflict and work through its development in the narrative. Analysis of comparative biographical literature and of Old Testament references and allusions shows that readers could expect in literature the type and intensity of conflict exhibited in Matthew 23. The gospel's internal narrative development provides unity to the conflict episodes in Matthew 9-23. It also offers rationale for the escalation of conflict for which Matthew 23 is the summary. Chapter One: The Shape of the Discussion surveys representative works including redaction, social scientific, socio-historical, narrative and genre critics, to understand the options for studying conflict in Matthew. Reader-response oriented genre criticism provides language for framing reader expectations. Chapter Two: Expecting Conflict examines expectations that can be associated with Matthew's use of the Old Testament and by comparison with ancient biographies. Chapter Three: The Conflict Builds works systematically through each of the points of contact between Jesus and the leaders of Israel in chapters 9-22 organized by three topics: legal interpretation, the identity and authority of Jesus, and the character of the leaders. Chapter Four: Woe to You takes up the task of examining Matthew 23. The analysis of Matthew 23 identifies three components in the summary of conflict: Jesus presented as the model for his audience, Jesus' final denunciation of the leaders, and the presentation of Jesus as God’s representative. The multi-methodological approach used in this study of Matthew 23 suggests a narrative that invites the reader to rethink how one knows and understands God. The study thereby provides an alternative to the assumption that conflict reflects the immediate experience of a narrowly conceived authorial community
M. Walker Wallace, Salt Lake City, Utah: five interviews by Gregory C. Thompson and Anne P. Peterson, 2012
No full textTranscript (26, 23, 24, 43, 51 pages) of five interviews by Gregory Thompson and Anna Palmer Peterson with M. Walker Wallace in Salt Lake City, Utah, on October 12 and 16, November 6 and 12, and December 5, 2012.
Correspondence regarding Horace Kephart collection
No full textThis 1973 correspondence, between Congressman Roy A. Taylor, Ronald Walker, Lawrence C. Hadley, discusses the transfer of Horace Kephart collection from the library of Great Smoky Mountains National Park to Western Carolina University. Horace Kephart (1862-1931) was a noted naturalist, woodsman, journalist, and author and promoter of the Great Smoky Mountains National Park
Wisdom and apocalyptic in the Gospel of Matthew : a comparative study with 1 Enoch and 4QInstruction
No full textRecent scholarship has demonstrated that Matthew's gospel has significantly developed
both sapiential and apocalyptic elements within its narrative. Little attention has been paid,
however, to the question of how these two features of Matthew's gospel might relate to one
another. It is this gap in scholarly literature that the present study is intended to fill, by means of a
comparative study with two other texts of mixed genre: 1 Enoch and 4Qlnstruction.
An examination of these texts demonstrates that each is marked by an inaugurated
eschatology, within which the revealing of wisdom to an elect group, defined in distinction to the
Jewish parent group, serves as the pivotal moment of inauguration. In addition, within
4Qlnstruction the idea is developed that possession of this revealed wisdom allows the remnant
to live in fidelity to the will of the Creator and to the patterns built-in to the original creation.
Thus, possession of revealed wisdom facilitates a recovery of creation.
These findings provide lines of enquiry that may be brought to Matthew. Three sections
of the gospel are examined (chapters 5-7; 11-12; 24-25). It is argued that Jesus is presented as an
eschatological figure who reveals wisdom to an elect group. This wisdom cannot be reduced to
great moral insight or interpretation of Torah, but is presented as prophetic revelation, happening
in eschatological time. It remains the case, however, that Matthew presents it as wisdom and
presents Jesus as a sage.
More tentatively, it is suggested that creation provides the patterns for the ethical
requirements of Jesus' wisdom, thus indicating that the idea of restored creation is also at work in
Matthew. The fall of the temple may also be connected in Matthew's narrative to such a
restoration, but again, the evidence for this is not clear
Sewing and quilting in alice walker the color purple "and everyday use": connection, disconnection, and emancipation
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014Mulheres e escravos não tinham acesso à educação formal nos Estados Unidos no século XIX. Por outro lado, costurar era uma atividade obrigatória até mesmo para meninas da mais tenra infância. O exercício da costura proporcionava também resultados subjetivos, sendo prescrito para acalmar as mulheres quando se irritavam com os deveres domésticos. No entanto, as mulheres transformaram o peso das obrigações em oportunidade. Enquanto se encontravam para fazer quilts, elas se fortaleciam como grupo, discutindo tanto assuntos domésticos quanto públicos, como a confecção de uma colcha de núpcias ou o direito das mulheres ao voto. Assim, elas encontraram nas agulhas o meio de expressão negado na leitura e na escrita. À época do bicentenário da independência dos Estados Unidos, os quilts foram redescobertos pelos historiadores e pelo mundo da arte, e adquiriram o status de arte. O passo seguinte foi a descoberta da relação entre quilts e a escrita feminina, bem como a aplicabilidade dos quilts como metáfora da textualidade. Na segunda metade do século XX, o movimento feminista foi criticado por não contemplar as necessidades de todas as mulheres, mas dirigir-se a um grupo específico: mulheres brancas, da classe média e com educação formal. Em resposta, surgiu o conceito de interseccionalidade. Com relação à arte, Alice Walker tem abordado a questão da criatividade das mulheres negras nas gerações anteriores ao indagar como elas mantiveram viva a criatividade sem ler e escrever, e sem ter consciência da própria criatividade. As narrativas de Walker analisadas neste trabalho, The Color Purple e "Everyday Use", tratam a costura e o fazer quilts principalmente como atividades favoráveis ao fortalecimento dos relacionamentos interpessoais. Além disso, considera-se que essas atividades constituem instrumentos de expressão que contribuem para a descoberta da criatividade, das subjetividades e das identidades das personagens, e consequentemente, de seus respectivos processos de emancipação.Abstract: Women and slaves had no access to writing or reading in the United States in the nineteenth century. However, sewing was a mandatory activity even for very young girls. More than bedcovers, sewing also provided subjective results, being prescribed to compose women when they got irritated with their duties in domestic life. However, women turned the burden of duty into opportunity. While they met to quilt, they grew stronger as a group. They discussed domestic as well as public issues, ranging from the confection of a bridal quilt to women's suffrage. Then, they found in their needles the medium for the expression they lacked in writing and reading. At the event of the Independence Bicentennial, quilts were rediscovered by historians and the art world, and acquired status of art. The next step was the discovery of the relationship between quilting and women's writing, as well as its applicability as a metaphor for textuality. Together with the rediscovery of quilts, the feminist movement in the second half of the twentieth century was criticized for not addressing all women's needs, being directed to a specific group: white, middle class, educated women. As a response, the concept of intersectionality emerged. Concerning art, Alice Walker has approached the issue of creativity of black women in the previous generations by asking how they could keep alive their creativity, once they could not read or write. Walker also states that these black women were not aware of their own creativity. Alice Walker's The Color Purple and "Everyday Use" analyzed in this research deal mainly with sewing and quilting as a favorable circumstance for the strengthening of interpersonal relationships. Also sewing and quilting act as instruments for the discovery and expression of the characters' own creativity and identity, and consequently, for their emancipation
"I don’t really like tedious, monotonous work": working-class young women, service sector employment and social mobility in contemporary Russia
No full textThis article contributes a global perspective to the emerging literature on girlhood in western contexts by examining the changing shape of transitions to adulthood amongst working-class young women in St. Petersburg, Russia. As in many western countries, new forms of service sector employment and an increasingly accessible higher education system appear to offer young women new prospects for social mobility. In contrast to the increasingly impoverished and denigrated traditional pathways into work, the young women in the study derive significant value from these new opportunities, constructing narratives of self-actualisation and approximating notions of respectable femininity. Nevertheless, actual social mobility is elusive, as familiar patterns of classed and gendered stratification limit their prospects. Despite its specificity, the case thus further illustrates the limited nature of the transformations available to young women through the new forms of education and work characteristic of global neoliberal contexts
Matthew’s Emmanuel Messiah: a paradigm of presence for god's people
No full textThe motif of divine presence is a clear phenomenon within the Gospel of Matthew. The modern critical means for assessing the ancient biblical text have multiplied to the point, some claim, of disparity. This study employs both narrative and redaction criticism in an attempt to respond authentically to the structural, historical and theological dimensions of Matthew's Gospel. This study begins with the presumption of the wholeness and integrity of Matthew's narrative, and assumes the gospel story to have an inherently dramatic structure which invites readers to inhabit imaginatively its narrative world and respond to its call. But since we are concerned with the role of both reader and author, this study also assumes a text with an historical author and context. The introduction focuses on the meta-critical dilemma facing New Testament students - what is the text and how do we read it? - and seeks some balance in terms of Krieger's analogy of the text as both window and mirror. Proposed is a narrative reading of Matthew's presence motif alongside a redaction critical assessment of it. In Chapter 2 the elements of narrative theory are introduced and relevant terms defined: the structure of narrative, the function of the narrator, points of view. Chapter 3 becomes an exercise in narrative reading, with Matthew's presence motif providing the focus, and the implied reader’s interaction with the story being predominant in interpretation. Characters, rhetorical devices, and points of view are discussed, to understand the motif's development throughout the story's progress. The thrust of Chapter 4 is thereafter to examine divine presence as a dominant motif within Matthew's most important literary context: the Jewish scriptures. Here the primary paradigms of divine presence provided by the Patriarchs, the Sinai experience, and the Davidic-Zion traditions are assessed. Chapter 5 follows with a more detailed examination of the OT "I am with you/God is with us" formula and its µeo' vµwv/ηuwv language, so strongly connected to Matthew's presence motif. Chapters 6-8 build on these investigations with a closer analysis of the three critical "presence passages" of Mt 1:23. 18:20 and 28:20. The passages and their contexts are probed from a redaction critical perspective, guided by the narrative investigation of Chapter 3, and the background from Chapters 4 and 5.The three major "presence passages" examined in Chapters 6-8 are also complimented by a number of secondary issues: worship, wisdom, the Spirit and the poor in Matthew, and their relation to Jesus' divine presence. These are discussed in Chapter 9. Chapter 10 summarizes and looks briefly at some implications. Matthew' presence motif proves to be an important element of the Gospel’s rhetorical design, redactional strategy and Christology. The presence of Jesus, the Emmanuel Messiah, exhibited in his risen authority, becomes the focus of his people's hopes and experiences in the post-Easter world. What the presence of Yahweh was to his people. Jesus now provides in a new paradigm for his people - his followers, the little ones, the poor and the marginalized, from all nations
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