1,721,049 research outputs found
Beyond Stonewall Retreat Matt Wilson
No full textColor photograph of Matt Wilson at the Beyond Stonewall retrea
01-26-2016 Matt Wilson and Arts & Crafts to Headline SWOSU Jazz Festival
Get PDFDrummer Matt Wilson and his band Arts & Crafts will headline the 46th annual SWOSU Jazz Festival that is set for February 11-12 on the Weatherford campus.https://dc.swosu.edu/barkpic16/1006/thumbnail.jp
Matt Wilson structure: record of an impact event of possible Early Mesoproterozoic age, Northern Territory
No full textThe Matt Wilson structure is a circular 5.5 km-diameter structure in Early Mesoproterozoic or Neoproterozoic rocks of the Victoria Basin, Northern Territory, It lies in regionally horizontal to gently dipping Wondoan Hill and Stubb Formations (Tijunna Group) and Jasper Gorge Sandstone (Auvergne Group). An outer circumferential syncline with dips of 5-40° in the limbs surrounds an intermediate zone with faulted sandstone displaying horizontal to low dips, and a central steeply dipping zone about 1.5 km across. Several thrust faults in the outer syncline appear to indicate outward-directed forces. The central zone, marked by steeply dipping to overturned Tijunna Group and possibly Bullita Group sandstone and mudstone, indicates uplift of at least 300 m. The rocks are intensely fractured with some brecciation, and contain numerous planar to subtly undulating surfaces displaying striae which resemble shatter cleavage. Thin-sections of sandstone from the central area show zones of intense microbrecciation and irregular and planar fractures in quartz, but no melt-rocks have been identified. The planar fractures occur in multiple intersecting parallel sets typical of relatively low-level (5-10 GPa) shock-pressure effects. Alternative mechanisms, i.e. igneous intrusion, carbonate collapse, diapirism and regional deformation processes, have been discounted. The circular nature, central uplift, faulting, shatter features and planar fractures are all consistent with an impact origin. The Matt Wilson structure is most likely a deeply eroded impact structure in which the more highly shocked rocks of the original crater floor have been removed by erosion. Estimates of the age of the Auvergne and Tijunna Groups range from Early Mesoproterozoic (which we favour) to Late Neoproterozoic. Early Cambrian Antrim Plateau Volcanics near the impact structure show no signs of impact effects, allowing the age of impact to be constrained between Early Mesoproterozoic and Early Cambrian. The presence of widespread soft-sediment deformation features, apparently confined to a single horizon in the Saddle Creek Formation some 700-1000 m stratigraphically higher in the Auvergne Group than the rocks at the impact site, and apparently increasing in thickness towards the Matt Wilson structure, lead us to speculate that this probable event horizon is related to the impact event: if correct the impact occurred during deposition of the Saddle Creek Formation. © Geological Society of Australia
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Big Top, Birrarung Marr (Melbourne, Australia) [Performance Video Recording]
No full textDigital migration of Mini DV. Video type: performance. Date: 2007. Circus Oz archive notes: Melbourne, 1st Sun Matinee.Circus Oz video recording 2007 - Melbourne, Australia, Big Top, Birrarung Marr.0:00:06-0:01:12 Group Bike (Sosina Wogayehu, Mel Fyfe, Scott Hone, Christa Hughes, Matt Wilson, Michael Ling, Stuart Christie, Jess Love, Matt Wilson) --- 0:01:12-0:06:05 Pole (Michael Ling) --- 0:06:05-0:12:34 BMX Bike (Scott Hone, Svetlana Bunic, Matt Wilson) --- 0:12:34-0:17:11 Brick Smash (Matt Wilson, Christa Hughes, Mel Fyfe) --- 0:17:11-0:22:07 Hula --- 0:22:07-0:29:07 Balls (Scott Hone, Sosina Wogayehu) --- 0:29:07-0:32:57 Rope (Michael Ling) --- 0:32:57-0:38:28 Wheel/Bikini Parade (Christa Hughes, Mel Fyfe) --- 0:38:28-0:46:05 Flying Bass (Scott Hone, Mel Fyfe, Sosina Wogayehu, Christa Hughes, Matt Wilson, Michael Ling, John O'Hagan, Svetlana Bunic, Julia Watt, Stuart Christie, Jess Love, Matt Wilson) --- 0:46:05-0:47:09 Interval --- 0:47:09-0:53:59 Flying Trapeze --- 0:53:59-1:02:32 Pink Lemonade (Christa Hughes, Sosina Wogayehu) --- 1:02:32-1:06:23 Contact Juggling (Scott Hone) --- 1:06:23-1:12:55 Singing Stuntman (Michael Ling, Matt Wilson) --- 1:12:55-1:18:31 Adagio (Jess Love) --- 1:18:31-1:25:41 Sway Pole (Michael Ling) --- 1:25:41-1:29:54 Finale (Scott Hone, Mel Fyfe, Sosina Wogayehu, Christa Hughes, Matt Wilson, Michael Ling, Stuart Christie, Jess Love, Matt Wilson) --- 1:29:54-1:31:33 Fire (Scott Hone, Mel Fyfe, Sosina Wogayehu, Christa Hughes, Matt Wilson, Michael Ling, John O'Hagan, Svetlana Bunic, Julia Watt, Stuart Christie, Jess Love, Matt Wilson) --- 1:31:33-1:33:25 Curtain Call (Christa Hughes, Matt Wilson, Jess Love, Mel Fyfe, Stuart Christie, Sosina Wogayehu, Michael Ling, Scott Hone, Julia Watt, Svetlana Bunic, John O'Hagan
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