1,720,956 research outputs found
Da dialética das ideias à estética das intensidades em deleuze
The aim this pape is to inquire to what extent Deleuze privilegie a thought crated in direct relation with the sensations, and at the same time, that occurs from reprodution the empiric’s structure in the transcendental. The central issue is to show how thought is created, inside and outside philosophy, without resorting to objective or subjective pressupositions. In this sense, dialectics is understood as a theory of the idea, which cannot be dissociated from aesthetics, while a theory of sensation. We will discuss the perspective which gives the Idea a corporeal reality and how thought is created rather than being something natural. This approach will advance towards the conception that the idea does not belong to a subject as a unit, but is realized as an intensive matter, which is independent of subject-object coordinates, typical of tradition. Finally, we will verify the role of art in the direct relationship between aesthetics and dialectic, following the thesis that this meeting is what Deleuze calls transcendental empiricism, highlighting the role of the idea in bodies. O objetivo deste artigo é investigar em que medida Deleuze privilegia um pensamento engendrado em relação direta com as sensações e, ao mesmo tempo, ocorrido não mais a partir da reprodução das estruturas empíricas no transcendental. A questão central é mostrar como o pensamento é criado, dentro e fora da filosofia, sem recorrer a pressupostos objetivos ou subjetivos. Nesse sentido, a dialética é compreendida como uma teoria da ideia, que não pode ser dissociada de uma estética, enquanto uma teoria da sensação. Discutiremos a perspectiva a qual confere à Ideia uma realidade corpórea e como o pensamento é criado, em vez de ser algo natural. Essa abordagem avançará em direção à concepção de que a ideia não pertence a um sujeito enquanto unidade, mas se realiza enquanto uma matéria intensiva, que independe das coordenadas sujeito-objeto, próprias da tradição. Por fim, verificaremos o papel da arte na relação direta entre estética e dialética, seguindo a tese de que essa reunião é o que Deleuze denomina de empirismo transcendental, destacando o papel da ideia nos corpos
SUBVERSÃO, DESORDEM E O NOVO PRINCÍPIO DO TEMPO EM DELEUZE
O propósito deste artigo é investigar como Deleuze propõe uma reconfiguração da fundação e do fundamento do tempo, a fim de alcançar o sem-fundo (sans-fond) como novo princípio do tempo. Para tanto, o texto irá explorar o segundo capítulo de Diferença e repetição, intitulado “A repetição para si mesma”, e alguns momentos de Lógica do sentido, obras nas quais encontram-se as discussões mais relevantes para a presente proposta acerca da questão do tempo. Essa nova concepção de tempo trazida por Deleuze instaura uma perspectiva na qual o tempo deixa de ser concebido por momentos sucessivos para ser pensado nos termos de um presente empírico, que vai dos corpos a um incorporal, de um passado transcendental e de um futuro enquanto criação. Nesse sentido, analisaremos quais os impactos que a noção de “tempo puro” provocará no sujeito, e as principais alianças de Deleuze para a discussão acerca do tempo serão as com os estoicos, com Hölderlin, com Blanchot e com Nietzsche, pois eles conferem os elementos necessários para o nosso autor elaborar uma concepção de tempo cujo fundamento encontra-se no novo, implicando conceitos como devir, acontecimento e ritornelo, este elaborado em Mil platôs
Transcendental Ground, Difference and Time Revolution: Kant, Deleuze’s Enemy and Ally
The aims of this paper is to discuss the main points in which Deleuze sees Kant's thought as an enemy and an ally, especially in the problem of difference. The purpose of this article is to discuss the main points in which Deleuze sees Kant's thought as an enemy and an ally, especially in the problem of difference. The approach will be concentrated in the work Difference and Repetition, which houses the main discussions to develop the question of how Deleuze takes Kantian philosophy as an enemy, but which must be explored until the moment in which it finds itself strange. This is a procedure typical of the Deleuzian method of “subverting” the thoughts of philosophers that are taken, in the first place, as philosophies to be explored to the maximum extent. In this case, the subversion of Kantianism consists in assuming it as the inaugurator of the thought of representation in modernity with the creation of the ground in the transcendental; to expose the insufficiency of this thought when thematizing difference; and explore the reversal of time promoted by Kant, as one of the greatest contributions to the problem of difference in thought.O objetivo deste artigo é discutir os principais pontos em que Deleuze encara o pensamento de Kant como inimigo e aliado, especialmente no problema da diferença. A abordagem estará concentrada na obra Diferença e repetição, que abriga as discussões principais discussões para desenvolver a questão de como Deleuze toma a filosofia kantiana como inimiga, mas que deve ser explorada até o momento no qual ela se vê estranha a si mesma. Trata-se de um procedimento próprio do método deleuziano de “subverter” os pensamentos de filósofos que são tomados, em primeiro lugar, como filosofias a serem exploradas ao limite máximo. Nesse caso, a subversão do kantismo consiste em assumi-lo como o inaugurador do pensamento da representação na modernidade com a criação do fundamento no transcendental; expor a insuficiência desse pensamento ao tematizar a diferença; e explorar a reversão do tempo promovida por Kant, como uma das maiores contribuições para o problema da diferença no pensamento
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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