1,720,955 research outputs found
Case Study - Digitalization and Promotion of the Music Band Parni valjak from 1990
No full textPrilagođavanje procesima digitalizacije ključni je izazov moderne hrvatske glazbene industrije koja se danas temelji na uspješnosti promocije glazbenih izdanja. Digitalizacija je snažno utjecala na sva umjetnička područja, a tako i glazbenu industriju kroz nove tehnologije koje omogućavaju napredak u poslovnim procesima industrije, od kreativnih do promotivnih i distribucijskih. Najvažniji dionici glazbene industrije mijenjali su se od 1990. do danas, a mijenjala se i njihova uloga unutar poslovnih procesa industrije. Procesi promocije su se posljednjih tridesetak godina zahvaljujući digitalizaciji ubrzali, broj posrednika koji sudjeluju je porastao, a ogledni primjer prilagodbe je Parni valjak, legendarni zagrebački bend čija glazbena izdanja redovito osvajaju top ljestvice, najveće nagrade i srca publike. Promociju su olakšali i šira dostupnost radio uređaja, veća pokrivenost radijskih frekvencija i razvoj televizije. Cilj istraživanja bio je ukazati na trenutne trendove i na posljedice digitalizacije u promociji glazbe u Hrvatskoj, kroz studiju slučaja benda Parni valjak. Fokus se zadržao na procesima u promociji njihove glazbe u posljednjih trideset godina. Istraživačkom metodom polustrukturiranog dubinskog intervjua s najvažnijim dionicima glazbene industrije dobio sam odgovor na sljedeće istraživačko pitanje: Na koji način je digitalizacija promijenila procese promocije glazbenih izdanja benda Parni valjak u zadnjih tridesetak godina? Rezultati pokazuju da je digitalizacija u posljednjih tridesetak godina ubrzala sve procese u glazbenoj industriji, promijenila poslovne modele odnosa unutar industrije, drastično povećala broj posrednika i dionika industrije te omogućila kombiniranje načina promocije istovremeno tradicionalnim i digitalnim kanalima s ciljem povećanja uspješnosti promocije. Ova studija je doprinijela u širenju konteksta razumijevanja hrvatske glazbene industrije u cijelosti, a specifičan doprinos dala je razumijevanju uloge promocije u objavi novih glazbenih izdanja.Adapting to the processes of digitalization is a key challenge of the modern Croatian music industry, which is currently based on the success of music release promotion. Digitalization has strongly impacted all artistic fields, including the music industry, through new technologies that enable progress in industry's business processes, from creative to promotional and distribution processes. The most important stakeholders in the music industry have changed from 1990 to the present day, and their roles within the industry's business processes have also changed. Thanks to digitalization, promotional processes have accelerated over the past thirty years, the number of intermediaries involved has increased, and a notable example of adaptation is Parni valjak, a legendary music band whose music releases regularly top charts, win major awards, and capture the hearts of the audience. Promotion has been facilitated by the wider availability of radio devices, greater coverage of radio frequencies, and the development of television. The research goal was to highlight current trends and the consequences of digitalization in music promotion in Croatia, through a case study of the band Parni valjak. The focus remained on processes in promoting their music over the past thirty years. By employing a semi-structured in-depth interview method with key stakeholders in the music industry, I obtained an answer to the following research question: In what way has digitalization changed the music release promotion processes of the band Parni valjak in the last thirty years? The conclusion is that over the past thirty years, digitalization has accelerated all processes in the music industry, changed business relationship models within the industry, dramatically increased the number of intermediaries and stakeholders, and enabled combining promotion methods through both traditional and digital channels simultaneously in order to enhance the effectiveness of promotion. This research represents just a small case study and a fragment of the puzzle that indicates what is happening in the broader context of the Croatian music industry, whose issues and opportunities are yet to be explored. The understanding of specific processes in the music industry and promotion provided by this research is only a minor contribution to the realm of science dealing with similar questions
Case Study - Digitalization and Promotion of the Music Band Parni valjak from 1990
No full textPrilagođavanje procesima digitalizacije ključni je izazov moderne hrvatske glazbene industrije koja se danas temelji na uspješnosti promocije glazbenih izdanja. Digitalizacija je snažno utjecala na sva umjetnička područja, a tako i glazbenu industriju kroz nove tehnologije koje omogućavaju napredak u poslovnim procesima industrije, od kreativnih do promotivnih i distribucijskih. Najvažniji dionici glazbene industrije mijenjali su se od 1990. do danas, a mijenjala se i njihova uloga unutar poslovnih procesa industrije. Procesi promocije su se posljednjih tridesetak godina zahvaljujući digitalizaciji ubrzali, broj posrednika koji sudjeluju je porastao, a ogledni primjer prilagodbe je Parni valjak, legendarni zagrebački bend čija glazbena izdanja redovito osvajaju top ljestvice, najveće nagrade i srca publike. Promociju su olakšali i šira dostupnost radio uređaja, veća pokrivenost radijskih frekvencija i razvoj televizije. Cilj istraživanja bio je ukazati na trenutne trendove i na posljedice digitalizacije u promociji glazbe u Hrvatskoj, kroz studiju slučaja benda Parni valjak. Fokus se zadržao na procesima u promociji njihove glazbe u posljednjih trideset godina. Istraživačkom metodom polustrukturiranog dubinskog intervjua s najvažnijim dionicima glazbene industrije dobio sam odgovor na sljedeće istraživačko pitanje: Na koji način je digitalizacija promijenila procese promocije glazbenih izdanja benda Parni valjak u zadnjih tridesetak godina? Rezultati pokazuju da je digitalizacija u posljednjih tridesetak godina ubrzala sve procese u glazbenoj industriji, promijenila poslovne modele odnosa unutar industrije, drastično povećala broj posrednika i dionika industrije te omogućila kombiniranje načina promocije istovremeno tradicionalnim i digitalnim kanalima s ciljem povećanja uspješnosti promocije. Ova studija je doprinijela u širenju konteksta razumijevanja hrvatske glazbene industrije u cijelosti, a specifičan doprinos dala je razumijevanju uloge promocije u objavi novih glazbenih izdanja.Adapting to the processes of digitalization is a key challenge of the modern Croatian music industry, which is currently based on the success of music release promotion. Digitalization has strongly impacted all artistic fields, including the music industry, through new technologies that enable progress in industry's business processes, from creative to promotional and distribution processes. The most important stakeholders in the music industry have changed from 1990 to the present day, and their roles within the industry's business processes have also changed. Thanks to digitalization, promotional processes have accelerated over the past thirty years, the number of intermediaries involved has increased, and a notable example of adaptation is Parni valjak, a legendary music band whose music releases regularly top charts, win major awards, and capture the hearts of the audience. Promotion has been facilitated by the wider availability of radio devices, greater coverage of radio frequencies, and the development of television. The research goal was to highlight current trends and the consequences of digitalization in music promotion in Croatia, through a case study of the band Parni valjak. The focus remained on processes in promoting their music over the past thirty years. By employing a semi-structured in-depth interview method with key stakeholders in the music industry, I obtained an answer to the following research question: In what way has digitalization changed the music release promotion processes of the band Parni valjak in the last thirty years? The conclusion is that over the past thirty years, digitalization has accelerated all processes in the music industry, changed business relationship models within the industry, dramatically increased the number of intermediaries and stakeholders, and enabled combining promotion methods through both traditional and digital channels simultaneously in order to enhance the effectiveness of promotion. This research represents just a small case study and a fragment of the puzzle that indicates what is happening in the broader context of the Croatian music industry, whose issues and opportunities are yet to be explored. The understanding of specific processes in the music industry and promotion provided by this research is only a minor contribution to the realm of science dealing with similar questions
Case Study - Digitalization and Promotion of the Music Band Parni valjak from 1990
No full textPrilagođavanje procesima digitalizacije ključni je izazov moderne hrvatske glazbene industrije koja se danas temelji na uspješnosti promocije glazbenih izdanja. Digitalizacija je snažno utjecala na sva umjetnička područja, a tako i glazbenu industriju kroz nove tehnologije koje omogućavaju napredak u poslovnim procesima industrije, od kreativnih do promotivnih i distribucijskih. Najvažniji dionici glazbene industrije mijenjali su se od 1990. do danas, a mijenjala se i njihova uloga unutar poslovnih procesa industrije. Procesi promocije su se posljednjih tridesetak godina zahvaljujući digitalizaciji ubrzali, broj posrednika koji sudjeluju je porastao, a ogledni primjer prilagodbe je Parni valjak, legendarni zagrebački bend čija glazbena izdanja redovito osvajaju top ljestvice, najveće nagrade i srca publike. Promociju su olakšali i šira dostupnost radio uređaja, veća pokrivenost radijskih frekvencija i razvoj televizije. Cilj istraživanja bio je ukazati na trenutne trendove i na posljedice digitalizacije u promociji glazbe u Hrvatskoj, kroz studiju slučaja benda Parni valjak. Fokus se zadržao na procesima u promociji njihove glazbe u posljednjih trideset godina. Istraživačkom metodom polustrukturiranog dubinskog intervjua s najvažnijim dionicima glazbene industrije dobio sam odgovor na sljedeće istraživačko pitanje: Na koji način je digitalizacija promijenila procese promocije glazbenih izdanja benda Parni valjak u zadnjih tridesetak godina? Rezultati pokazuju da je digitalizacija u posljednjih tridesetak godina ubrzala sve procese u glazbenoj industriji, promijenila poslovne modele odnosa unutar industrije, drastično povećala broj posrednika i dionika industrije te omogućila kombiniranje načina promocije istovremeno tradicionalnim i digitalnim kanalima s ciljem povećanja uspješnosti promocije. Ova studija je doprinijela u širenju konteksta razumijevanja hrvatske glazbene industrije u cijelosti, a specifičan doprinos dala je razumijevanju uloge promocije u objavi novih glazbenih izdanja.Adapting to the processes of digitalization is a key challenge of the modern Croatian music industry, which is currently based on the success of music release promotion. Digitalization has strongly impacted all artistic fields, including the music industry, through new technologies that enable progress in industry's business processes, from creative to promotional and distribution processes. The most important stakeholders in the music industry have changed from 1990 to the present day, and their roles within the industry's business processes have also changed. Thanks to digitalization, promotional processes have accelerated over the past thirty years, the number of intermediaries involved has increased, and a notable example of adaptation is Parni valjak, a legendary music band whose music releases regularly top charts, win major awards, and capture the hearts of the audience. Promotion has been facilitated by the wider availability of radio devices, greater coverage of radio frequencies, and the development of television. The research goal was to highlight current trends and the consequences of digitalization in music promotion in Croatia, through a case study of the band Parni valjak. The focus remained on processes in promoting their music over the past thirty years. By employing a semi-structured in-depth interview method with key stakeholders in the music industry, I obtained an answer to the following research question: In what way has digitalization changed the music release promotion processes of the band Parni valjak in the last thirty years? The conclusion is that over the past thirty years, digitalization has accelerated all processes in the music industry, changed business relationship models within the industry, dramatically increased the number of intermediaries and stakeholders, and enabled combining promotion methods through both traditional and digital channels simultaneously in order to enhance the effectiveness of promotion. This research represents just a small case study and a fragment of the puzzle that indicates what is happening in the broader context of the Croatian music industry, whose issues and opportunities are yet to be explored. The understanding of specific processes in the music industry and promotion provided by this research is only a minor contribution to the realm of science dealing with similar questions
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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