1,720,961 research outputs found
Matino (G.), La sintassi di Eschilo, Speculum contributi di filologia classica, 1997
No full textJacquinod Bernard. Matino (G.), La sintassi di Eschilo, Speculum contributi di filologia classica, 1997. In: Revue des Études Anciennes. Tome 102, 2000, n°3-4. p. 543
Carpaccio e il 'teatro' di Sant'Orsola
No full textThe contribution questions the widespread idea that the cycle of Sant'Orsola by Vittore Carpaccio shows the development of a "sacred representation" and investigates the perspective of common expressive forms, between painting and theatrical foundation
La Città emerge. Testimonianze Archeologiche. 820 ca
No full textHow did Venice’s urban structure look like in the 9th century?
Venice suffers from its legends. The materiality of the rising Venice has been perceived as sites without time and space, where a fully established myth describes the origin of the city. The Venetian lagoon, in fact, was the place where the noble Romans sought refuge from the barbarian hordes: they had been forced to move to unwelcoming islands among the marshes to be free and safe. In the islands, the newcomers were able to rebuild a place that - according to the historic narratives - was ideologically and materially comparable to the old Roman sites.
The uncovered wood structures of the early medieval houses, for example, have been described as a poor reaction to a sudden displacement. Recent archaeological assessment, on the contrary, has shown how these buildings were comfortable and perfectly designed for the lagoon environment. Clay foundations and wood structures were technically appropriate for a cold and humid setting. The choice of the lagoon itself was not forced. The settlement patterns were not extemporary but followed precise social and economic designs. The settlement followed the movements of the lagoon and the river mouths: the first Venetians tried to occupy the most distant islets to control both the maritime and the riverine sailing routes. Artisanal productions (glass goblets, parchments, metal crafts) were not subsistence economies; the Emporia layout of the sites allowed the circulation of raw materials, techniques and skilled people.
Venice was a proto-capitalistic site. A large part of the production (shipyard, timber industry, glass and metal productions, etc.) was made by labour forces with a status very similar to slaves. Probably, also, slaves were one of the most value goods, which the Venetians traded with the Islamic world. But slaves, dirty workshops or labour class issues are not good ingredients for the myth of the origins or the official history of a superpower state. Venice proudly defined itself from the very beginning as a democracy and a free republic: Venetians needed a respectable and glorious past, and they made it up, also reshaping the “idea” of the early city.
The idea of the early Venice, moreover, cannot be separated from the present. Traditional archaeology, instead, has studied it as a phase of the previous Roman past. The archaeological study of its urbanism should it considered in the counter light of the fluid social negations that took place around a very particular environment, creating polyfocal sites, which will be cities in the following years
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
- …
