1,720,983 research outputs found

    T.S. Eliot, Libro de los gatos mañosos del Viejo Possum. Trads. Matías Moscardi y Luciana Caamaño.

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    Reseña del libro T.S. Eliot, Libro de los gatos mañosos del Viejo Possum. Trads. Matías Moscardi y Luciana Caamaño

    Breve presentación. La proximidad crítica: hacer hablar a los objetos

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    Presentation of the coordinator of the dossier.Breve presentación al dossier del nº7 de su coordinador, Matías Moscardi

    Lo que mueve (a) la poesía

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    Reseña crítica del volumen de Matías Moscardi, La máquina de hacer libritos. Poesía argentina y editoriales interdependientes en la década de los noventa, Buenos Aires, Eduvim, 2019, 266 páginas

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    The publishing house as a critical machine. Siesta in the poetry of the nineties

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    As a publishing project, Siesta represents a particular case among nineties independent small presses. In this paper, we will focus on the analysis of the publisher figure and the catalogue design

    El objeto Z. Zukofsky en la poesía argentina

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    El recorrido del poeta norteamericano Louis Zukofsky en la poesía argentina contemporánea es brevísimo, pero significativo. Se parte de dos momentos incipientes. La primera vez que el nombre de Zukofsky aparece mencionado es en la antología Monstruos (2001), de Arturo Carrera, por Martín Gambarotta, como parte de su “Ars Poetica”. El segundo momento sucede en 2010, cuando Sergio Raimondi compone una Caja Hipermedial para el sitio de Bazar Americano a partir de un poema de William Carlos Williams, cuyas palabras son hipervínculos que reenvían a textos de Zukofsky –ensayos y poemas— traducidos por el propio Raimondi. Por último, se focaliza en la traducción que realiza y publica Tomás Fadel en 2015 de la sección 12 del libro A de Zukofsky. Como hipótesis se plantea que estas tres instancias de articulación del “objeto Z” permiten a su vez distinguir y definir distintas modulaciones del objetivismo. 

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    El objeto Z. Zukofsky en la poesía argentina

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    El recorrido del poeta norteamericano Louis Zukofsky en la poesía argentina contemporánea es brevísimo, pero significativo. Se parte de dos momentos incipientes. La primera vez que el nombre de Zukofsky aparece mencionado es en la antología Monstruos (2001), de Arturo Carrera, por Martín Gambarotta, como parte de su “Ars Poetica”. El segundo momento sucede en 2010, cuando Sergio Raimondi compone una Caja Hipermedial para el sitio de Bazar Americano a partir de un poema de William Carlos Williams, cuyas palabras son hipervínculos que reenvían a textos de Zukofsky –ensayos y poemas— traducidos por el propio Raimondi. Por último, se focaliza en la traducción que realiza y publica Tomás Fadel en 2015 de la sección 12 del libro A de Zukofsky. Como hipótesis se plantea que estas tres instancias de articulación del “objeto Z” permiten a su vez distinguir y definir distintas modulaciones del objetivismo. 
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