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Symbolism: An analysis of portrait painting
No full textİNTİHAL SAYFASI………………………………………………………………...i ABSTRACT…………………………………………………………………………iiÖZET………………………………………………………………………………..iii TEŞEKKÜR SAYFASI…………………………………………………………….iv İ İNDEKİLER……………………………………………………………………...v RESİMLER LİSTESİ...……………………………………………………………vii 1. GİRİŞ………………………………………………………………………………1 2. PORTRE-PORTRE RESMİ……………………………………………………..3 2.1. Rönesans Dönemi Öncesi Portre Resmin Gelişimi…………….………...3 2.1.1. Eski Mısır Dönemi Portre Resmi……………………………….3 2.1.2.Yunan Sanatı Portre Resmi……………………………………...6 2.1.3. Roma Sanatı Portre Resmi……………………………………...7 2.1.4. Uygur Sanatı Portre Resmi……………………………………..8 2.2. Rönesans Dönemi Sonrası Portre Resminin Gelişimi…………………..10 3. SEMBOLİZM-SEMBOLİST RESİM SANATI………………………………32 3.1. Sembolist Resmin Oluşumunu Hazırlayan Nedenler…………………...34 3.1.1. Natüralizm…………………………………………………….34 3.1.2. Realizm……………………………………………………....35 3.2. Sembolizm Resminin Özellikleri……………………………………….35 3.3. Sembolist Resmin Melankoli- Tinsellik- Mistisizm İlişkisi……………37 3.3.1. Melankoli……………………………………………………..37 3.3.2. Tinsellik……………………………………………………….41 3.3.3. Mistisizm……………………………………………………...42 vi 4. SEMBOLİZMİN TEMSİLCİLERİ…………………………………………….44 4.1. Francisco Goya (1746-1828)…….….………………………………….44 4.2. William Blake (1757-1827)……………………………………………..46 4.3. Caspar David Friedrich (1774-1840)……………………………………49 4.4. Gustave Moreau (1826-1898).…………………………….…………….51 4.5. Arnold Böcklin (1827-1901)………….…………………….…………...53 4.6. Odilon Redon (1840-1916)………………………………….…………..56 4.7. Ferdinand Hodler (1853-1918)………………………………………….58 4.8. Edvard Munch (1863-1944)…… ……………………………………….60 5. İNSEL KANCA’NIN ALIŞMALARININ OLUŞTURULMA SÜRECİ VE ANALİZİ……………………………………………………………………………63 6. SONU …………………………………………………………………………..69 KAYNAK A……………………………………………………………………….71Sanat tarihinde neredeyse her dönem karşımıza çıkan portre resmi, bu çalışmada Eski Mısır tarihi portre resim anlayışından başlayarak portre resim sanatının tarih öncesi oluşum sürecini ve tarih sonrası süreçleri görsel örnekler üzerinden kronolojik sıralamayla ele alınmıştır. Eski Mısır Sanatı, Antik Yunan Sanatı, Roma Sanatı ve Uygur sanatının portre anlayışları üzerinde durulmuştur. Portre resim sanatının oluşum ve gelişim süreci Rönesans öncesi ve sonrası olmak üzere iki ana başlık altında toplanmıştır. Portre resim anlayışlarının dönemsel ve bireysel olarak değişimler ve benzerlikler gösterdiği görülmüştür. Sembolist resimlerde etkileri sıklıkla görülen melankoli, mistisizm, tinsellik gibi konularla sembolizmin bağlantısı üzerinde durulmuştur. Sembolizmin özünü oluşturan bu başlıkların ışığında sembolist sanatçıların portre eserleri incelenmiştir. Bu tez çalışması eser-metin niteliği taşımaktadır. Bu nedenle metnin son bölümünde araştırmacının sembolizm etkisi altında yapmış olduğu kişisel portre çalışmaları ve bu çalışmalarla ilgili detaylı açıklamalar yer almaktadır.English: Portrait painting as a genre appears in almost every period in art history. In this study, formation and development of the portrait painting concept before and after Renaissance period has been studied by giving examples from Ancient Egypt, Ancient Greek, Roman, and Ancient Uyghur art. It has been observed that portrait art showed differences and similarities depending on the period and the artist. In addition, the effects of elements such as melancholia, mysticism, spirituality, which are frequently seen in symbolist paintings, and their relation to symbolistic paintings have been discussed in this research. This study includes the researcher's personal artwork. Thus, the last section of the research explains the influence of symbolism on their personal portrait paintings with detailed explanations.Yeditepe Üniversitesi Açık Erişim Sistemi, Yeditepe Üniversitesi öğrencileri (lisansüstü, doktora ve/veya eşdeğeri) tarafından hazırlanan bilimsel yayınların kurumsal arşivi için ulusal ve uluslararası endeksli yayınların bir derlemesidir. Telif hakkı ve kullanım hakları yazarlara ve/veya Yeditepe Üniversitesi'ne ait olabilir.YÖK id number : 63571
The concept of metaphor in the works of Salvador Dali
No full textİNTİHAL SAYFASI..................................................................................................i TÜRKÇE ÖZET........................................................................................................ii İNGİLİZCE ÖZET...................................................................................................iii TEŞEKKÜR SAYFASI...........................................................................................iv İÇİNDEKİLER.........................................................................................................v RESİM LİSTESİ......................................................................................................vi BÖLÜM I. GİRİŞ........................................................................................................1 BÖLÜM II. METAFOR NEDİR.................................................................................3 II. I. Metafor Tanımı........................................................................................3 II.II. Sanatsal İfade Aracı olan Metaforun Kullanımı.....................................4 BÖLÜM III.SÜRREALİZM......................................................................................6 III.I.Sürrealizmin Ortaya Çıkışı......................................................................6 III.II.Sürrealist Sanatın iki temel kavramı; Özdevinimcilik ve Düşçülük......12 III. Sürrealizmden etkilenen diğer sanatçılar ve eserleri...............................15 BÖLÜM IV. SALVADOR DALİ ESERLERİNDE METAFOR..............................24 IV.I. Salvador Dali ........................................................................................24 IV.II. Sigmund Freud,Rüyalar ve Freudien Semboller................................32 vi IV.III. Seçilmiş Salvador Dali eserlerinde metaforun Yorumlanması...........37 BÖLÜM V. METAFORLARIN KENDİ ÜRETİMİME YANSIMALARI...............62 BÖLÜM VI. SONUÇ................................................................................................77 BÖLÜM VII. KAYNAKLAR...................................................................................80 BÖLÜM VIII. ÖZGEÇMİŞ ......................................................................................83Bu tezin temel amacı, Salvador Dali eserlerinde, sanatçının eserin başlangıcından oluşumuna kadar olan süreçte kullandığı sembollerin metafor olup olmadığını incelemektir. Eserlerin analizini gerçekleştirebilmek adına sanatçının hayatı, arkadaşları, sosyal yaşamı, yaşadığı yer, alışkanlıkları gibi resimlerini etkileyen faktörler araştırılmıştır. Sürrealizm etkisinde kalarak geçirdiği dönem incelenmiştir. Eserlerinde kullanılan semboller Sigmund Freud un rüya sembolleri ışığında değerlendirilmiş ve metaforlar bulunmuştur.English: Fundamental purpose of this thesis is; to examine whether the symbols that the artist used during the course of creation until the final output of the piece are metaphors or not. In order to be able to analyze his pieces, the factors such as; the life of the artist, his friends, his social life, the place he lived in, and finally his habits that affected his paintings are searched. As well as the period that he's been affected with surrealism is searched. The symbols used in his pieces are examined under the light of Sigmund Frued's symbols of dreams and metaphors are found.Yeditepe Üniversitesi Açık Erişim Sistemi, Yeditepe Üniversitesi öğrencileri (lisansüstü, doktora ve/veya eşdeğeri) tarafından hazırlanan bilimsel yayınların kurumsal arşivi için ulusal ve uluslararası endeksli yayınların bir derlemesidir. Telif hakkı ve kullanım hakları yazarlara ve/veya Yeditepe Üniversitesi'ne ait olabilir.YÖK id number : 66244
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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