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Usage of male image in posters of the yesilcam cinema period and its analyzing through semiotic perspective
No full textİntihal Sayfası …...……………………………………………………………….....… i Özet …………………………………………………......…………………..….…..… ii Abstract …………...……..……………………………………………...……….…... iii İçindekiler ...………………………………………………………………….…….... iv Tablolar Listesi ...………………...…………………………………...……….…...... vi Görseller Listesi ...……...……………………...……………………………....…..... vii Giriş ...………………………………………………………………………………... 1 1. Göstergebilim ...……………………………......…………………………….……….. 3 1.1. Gösterge ………………………....…………………….............…….............. 5 1.2. Gösteren ……………...……….……………………….............……............ 10 1.3. Gösterilen ...………………………..........………………………….............. 11 1.4. Kodlar ...………………....…………………….............………...……......... 12 2. Yeşilçam Sinema Dönemi (1960-1980) …...……………………...…......….……..... 13 2.1. 1960-1970 Dönemi ...………………..............…………….........………….. 20 2.2. 1970-1980 Dönemi ...…………………………......……….……...……...… 31 2.3. 1980 Sonrası ...……………………………….............…….........…………. 67 3. Yeşilçam Sinema Afişleri ………….…….…..……………......………..….………... 78 4. Afişlerde Erkek İmgesinin Göstergebilim Çerçevesinde Kullanımı ……..…….......... 99 4.1. 1960-1970 Dönemi ………………..…..…………………....................….. 112 4.1.1. Cüneyt Arkın ve Malkoçoğlu filmi (1966) .............…..….............…. 112 4.1.1.1. Afiş Değerlendirmesi ................................................………. 117 4.1.2. Ayhan Işık ve Helal Olsun Ali Abi filmi (1963) ….…...............…… 126 4.1.2.1. Afiş Değerlendirmesi …………………………….........…… 131 v 4.1.3. Sadri Alışık ve Turist Ömer filmi (1964) ……........………..………. 137 4.1.3.1. Afiş Değerlendirmesi …………............................................. 145 4.1.4. Fikret Hakan ve Yılanların Öcü filmi (1962) …………......……..…. 155 4.1.4.1. Afiş Değerlendirmesi ………………………………….…… 162 4.1.5. İncelenen Afişlerin Karşılaştırmalı Değerlendirmesi ...............….… 168 4.2. 1970-1980 Dönemi……......…………..……………….....................…….. 171 4.2.1. Kartal Tibet ve Tarkan: Viking Kanı Filmi (1971) ……….…...……. 171 4.2.1.1. Afiş Değerlendirmesi ………………………………....….… 176 4.2.2. Ediz Hun ve Sezercik: Aslan Parçası Filmi (1972) ………...……..... 185 4.2.2.1. Afiş Değerlendirmesi ……………………………….....…… 196 4.2.3. Tarık Akan ve Ah Nerede Filmi (1975) ………………………..…... 203 4.2.3.1. Afiş Değerlendirmesi …………………………………….… 211 4.2.4. Kemal Sunal ve Umudumuz Şaban Filmi (1979) ……….....……..… 219 4.2.4.1. Afiş Değerlendirmesi ………………………………….....… 226 4.2.5. Kadir İnanır ve Selvi Boylum Al Yazmalım Filmi (1977) ……..…... 232 4.2.5.1. Afiş Değerlendirmesi …………………………………....…. 239 4.2.6. İncelenen Afişlerin Karşılaştırmalı Değerlendirmesi ................…… 242 Sonuç …………………………………………………………………..………….. 247 Kaynakça (Literatür) ………………………………………………...………….…. 250 Kaynakça (İnternet) ………………………………………………….……….……. 254 Kaynakça (Film) ……………....…………………………………….……….……. 260 Ek A. Grafik Tasarım Projesi …..……………………………………...…….….…. 262 Ek. B. Özgeçmiş ………………………………………………..….......................... 277Sinema afişleri, temsil ettiğin filmin pazarlanmasını ve tanıtılmasını sağlayan önemli bir iletişim aracıdır. Bu bakımdan Türk Sinemasının önemli bir dönemini kapsayan Yeşilçam Sinema afişlerinde kullanılan göstergeleri ve temsilleri de hem kültürel hem de grafik tasarım ilişkisi çerçevesinde değerlendirmek mümkündür. Araştırmanın kapsamı da döneme ait sinema afişlerinde kullanılan erkek temsillerini ve de ilişkili materyalleri bu açıdan analiz etmektir. Yeşilçam Sinemasında kullanılan bu imgeler, bir anlamda toplumun da göstergesidir. Araştırma, göstergebilim ve de grafik tasarım ilkeleri çerçevesinden gelen bir sınırlılıkla Yeşilçam Sinema Dönemi afişlerinde kullanılan erkek imgesini ve de bu görsellerin filmlerdeki temsilleri ile uyumunu incelemektedir. Bu bakımdan dönem içinde ön plana çıkan belli başlı başrol erkek oyuncular (jönler) tarafından canlandırılan ve de toplum hafızasına etki eden karakterlerin yansıtılma niteliğini, ilgili filmlerin afişleri üzerinden de değerlendirmek mümkündür. Araştırma için literatür ve çevrimiçi kaynaklardan yararlanılması yönünden yorumlamalar yapılmıştır. Bu yorumlamalar, göstergebilim ve de grafik tasarım ilkeleri çerçevesinde analiz edilen jön nitelikli eril temsillerin odağından aynı zamanda dönemin sosyal ve kültürel yansımalarını da içermektedir. Bahsedilen sosyal ve kültürel yansımaları ise geleneksel anlayışın ve de dönemin siyasi atmosferinin açsından da değerlendirmek mümkündür. Neticede hem bir grafik tasarım ürünü olarak hem de Yeşilçam Sinemasının filmlerine bir ön izleme işlevinde olan bu afişlerin iletişimsel etkisini, geleneksel anlayıştan kaynaklanan ataerkillik odağı ile birlikte, aynı zamanda dönem içinde gerçekleşen önemli siyasi ve toplumsal olayların seyircisine yansıtılan özelliğiyle de ele almak mümkündür.English: Cinema posters are an important communication tool that enables the marketing and promotion of the movie you represent. In this respect, it is possible to evaluate the indicators and representations used in Yeşilçam Cinema posters, which cover an important period of Turkish Cinema, within the framework of both cultural and graphic design relationship. The scope of the research is to analyze the male representations and related materials used in the cinema posters of the period from this perspective. These images used in Yeşilçam Cinema are, in a sense, an indicator of society. The research examines the male image used in the posters of the Yeşilçam Cinema Period, with a limitation arising from the principles of semiotics and graphic design, as well as the compatibility of these visuals with their representations in films. In this respect, it is possible to evaluate the reflection quality of the characters played by the prominent male actors (star actors) who came to the fore during the period and influenced the memory of the society through the posters of the relevant films. Interpretations were made in terms of using literature and online resources for the research. These interpretations also include the social and cultural reflections of the period from the focus of star male representations analyzed within the framework of the principles of semiotics and graphic design. It is possible to evaluate the mentioned social and cultural reflections in terms of the traditional understanding and the political atmosphere of the period. As a result, it is possible to examine the communicative effect of these posters, which are both a graphic design product and a preview of the films of Yeşilçam Cinema, with the patriarchy focus arising from the traditional understanding, as well as the feature reflected to the audience of the important political and social events that took place during the period.Yeditepe Üniversitesi Açık Erişim Sistemi, Yeditepe Üniversitesi öğrencileri (lisansüstü, doktora ve/veya eşdeğeri) tarafından hazırlanan bilimsel yayınların kurumsal arşivi için ulusal ve uluslararası endeksli yayınların bir derlemesidir. Telif hakkı ve kullanım hakları yazarlara ve/veya Yeditepe Üniversitesi'ne ait olabilir.YÖK id number : 66491
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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