1,720,998 research outputs found

    Book Review. Balancing the Commons in Switzerland. Institutional Transformations and Sustainable Innovations. Haller, Tobias, Karina Liechti, Martin Stuber, François-Xavier Viallon, and Rahel Wunderli (eds.)

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    Book review of "Haller, Tobias, Karina Liechti, Martin Stuber, François-Xavier Viallon, and Rahel Wunderli (eds.). Balancing the Commons in Switzerland. Institutional Transformations and Sustainable Innovations. 2021. London: Routledge.Book review of "Haller, Tobias, Karina Liechti, Martin Stuber, François-Xavier Viallon, and Rahel Wunderli (eds.). Balancing the Commons in Switzerland. Institutional Transformations and Sustainable Innovations. 2021. London: Routledge.Book review of "Haller, Tobias, Karina Liechti, Martin Stuber, François-Xavier Viallon, and Rahel Wunderli (eds.). Balancing the Commons in Switzerland. Institutional Transformations and Sustainable Innovations. 2021. London: Routledge

    Martin Stuber, Peter Moser, Gerrendina Gerber-Visser, Christian Pfister (Hrsg.): Kartoffeln, Klee und kluge Köpfe. Die Oekonomische und Gemeinnützige Gesellschaft des Kantons Bern OGG 1759-2009. Bern 2009

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    Büschenfeld J. Martin Stuber, Peter Moser, Gerrendina Gerber-Visser, Christian Pfister (Hrsg.): Kartoffeln, Klee und kluge Köpfe. Die Oekonomische und Gemeinnützige Gesellschaft des Kantons Bern OGG 1759-2009. Bern 2009. H-Soz-u-Kult. 12.03.2010

    Repertorium zu Albrecht von Hallers Korrespondenz, 1724-1777, 2 Bände. Hrsg. von Urs Boschung, Barbara Braun-Bücher, Stefan Hächler, Anne Kathrin Оtt, Hubert Steinke, Martin Stuber (Basel : Schwabe, 2002)

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    Repertorium zu Albrecht von Hallers Korrespondenz, 1724-1777, 2 Bände. Hrsg. von Urs Boschung, Barbara Braun-Bücher, Stefan Hächler, Anne Kathrin Оtt, Hubert Steinke, Martin Stuber (Basel : Schwabe, 2002). In: Revue d'histoire des sciences, tome 58, n°1, 2005. pp. 262-264

    Repertorium zu Albrecht von Hallers Korrespondenz, 1724-1777, 2 Bände. Hrsg. von Urs Boschung, Barbara Braun-Bücher, Stefan Hächler, Anne Kathrin Оtt, Hubert Steinke, Martin Stuber (Basel : Schwabe, 2002)

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    Repertorium zu Albrecht von Hallers Korrespondenz, 1724-1777, 2 Bände. Hrsg. von Urs Boschung, Barbara Braun-Bücher, Stefan Hächler, Anne Kathrin Оtt, Hubert Steinke, Martin Stuber (Basel : Schwabe, 2002). In: Revue d'histoire des sciences, tome 58, n°1, 2005. pp. 262-264

    Gesundheit und Krankheit im 18. Jahrhundert. Santé et maladie au 18e siècle. Éd. par Helmut Holzhey et Urs Boschung avec la collaboration de Stefan Hächler et Martin Stuber. Coll. « Clio Medica ». 1995

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    Delon Michel. Gesundheit und Krankheit im 18. Jahrhundert. Santé et maladie au 18e siècle. Éd. par Helmut Holzhey et Urs Boschung avec la collaboration de Stefan Hächler et Martin Stuber. Coll. « Clio Medica ». 1995. In: Dix-huitième Siècle, n°28, 1996. L'Orient. p. 640

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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