1,721,886 research outputs found
Martin Schmidt. Die Erklärungen zum Weltbild Homers und zur Kultur der Heroen- zeit in den bT-Scholien zut Ilias
No full textBernardinello Silvio. Martin Schmidt. Die Erklärungen zum Weltbild Homers und zur Kultur der Heroen- zeit in den bT-Scholien zut Ilias. In: Scriptorium, Tome 33 n°2, 1979. pp. 356-357
Martin Schmidt, Die Erklärungen zum Weltbild Homers und zur Kultur der Heroenzeit in den b-T Scholien zur Ilias
No full textMartin Schmidt, Die Erklärungen zum Weltbild Homers und zur Kultur der Heroenzeit in den b-T Scholien zur Ilias . In: Revue des études byzantines, tome 35, 1977. p. 324
Martin Schmidt, Die Erklärungen zum Weltbild Homers und zur Kultur der Heroenzeit in den b-T Scholien zur Ilias
No full textMartin Schmidt, Die Erklärungen zum Weltbild Homers und zur Kultur der Heroenzeit in den b-T Scholien zur Ilias . In: Revue des études byzantines, tome 35, 1977. p. 324
Twelve children of Theresa and Martin Schmidt after their mother's funeral, Castroville, Texas, 1893
No full textPhotograph shows Schmidt family, in mourning clothes, standing outside their mother's house.Names provide by lender."(L. to r.'' Mary Schmidt Carle, Emil Schmidt, Elizabeth Schmidt Zimmerman, Catherine Schmidt Iltis, Louis Schmidt, Louisa Schmidt Soltner, Carolina Schmidt Bohl, Pete Schmidt, Amalia Schmidt Franger, Barbara Schmidt Biry, Joe Schmidt, and Theresa Schmidt Zimmerman.;From family history: Martin Schmidt was born in Mulhausen, France; Theresa Deckert Schmidt was born in Blodelsheim, Alsace
Adaptive business intelligence: Three case studies
No full textZbigniew Michalewicz, Martin Schmidt, Matthew Michalewicz and Constantin Chiria
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Horst Stephan, Geschichte der deutschen evangelischen Theologie seit dem deutschen Idealismus, Zweite neubearbeitete Auflage von Dr. Martin Schmidt. Berlin, Alfred Töpelmann, 1960
No full textWendel François. Horst Stephan, Geschichte der deutschen evangelischen Theologie seit dem deutschen Idealismus, Zweite neubearbeitete Auflage von Dr. Martin Schmidt. Berlin, Alfred Töpelmann, 1960. In: Revue d'histoire et de philosophie religieuses, 41e année n°4,1961. p. 444
Werden Wirtschaftsverbrecher mit Samthandschuhen angefasst? (Interview von Martin Schmidt)
No full textVariations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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