1,721,157 research outputs found
Supplement_material - Size facilitates profitable ski lift operations
Supplement_material for Size facilitates profitable ski lift operations by Martin Falk and Robert Steiger in Tourism Economics</p
Supplemental Material, Appendix - Income elasticity of overnight stays over seven decades
Supplemental Material, Appendix for Income elasticity of overnight stays over seven decades by Martin Falk, and Xiang Lin in Tourism Economics</p
Supplemental Material, Supplemental_material - The declining dependence of ski lift operators on natural snow conditions
Supplemental Material, Supplemental_material for The declining dependence of ski lift operators on natural snow conditions by Martin Falk, and Xiang Lin in Tourism Economics
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Supplemental Material, Appendix - The art of attracting international conferences to European cities
Supplemental Material, Appendix for The art of attracting international conferences to European cities by Martin Falk, Eva Hagsten in Tourism Economics</p
sj-pdf-1-teu-10.1177_13548166211059409 – Supplemental Material for Uneven domestic tourism demand in times of pandemic
Supplemental Material, sj-pdf-1-teu-10.1177_13548166211059409 for Uneven domestic tourism demand in times of pandemic by Martin Falk and Eva Hagsten in Tourism Economics</p
The Impact of ICT and E-Commerce on Employment in Europe
2017AbstractThis study presents new empirical evidence regarding the impact of ICT/e-commerce activities on labour demand. The data is based on new and unique data for 10 European countries for the period 2002–2010. A key feature of the empirical analysis is the use of several types of advanced ICT activities, such as enterprise resource planning (ERP) systems, mobile internet access, and e-commerce practices. The main result of the study is that the increase in ICT/e-commerce activities over time has not led to a decline in jobs. This holds true for both manufacturing and service industries, as well as for SMEs and large firms. For ERP systems and websites, there is some evidence of positive effects. These findings do not support the hypothesis that ICT utilization is leading to labour substitution overall. In fact, ICT activities appear to be rather neutral to employment. The results are robust not only to the model specification, but also the estimation method applied
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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