1,721,016 research outputs found
Dimensioni narrative e teatro europeo tra XX e XXI secolo
No full textIl volume propone una riflessione sull’intreccio tra dimensioni narrative e teatro europeo, sin dagli inizi del ventesimo secolo fino ai nostri giorni, un territorio particolarmente fertile per innovare e reinventare l’identità della scena teatrale europea.
Nei vari saggi autori e autrici si interrogano sul modo in cui la cultura del romanzo praticata dai teatranti attraverso regie, adattamenti, drammaturgie, letture sceniche, training, laboratori e così via, abbia contribuito alla definizione di nuovi linguaggi per scrivere, vivere e pensare la scena teatrale.
In una prospettiva storica e comparata, abbiamo indagato sia la complessità degli snodi storiograficamente significativi (naturalismo, teatro epico, teatro post-drammatico etc.), sia tutti i singoli casi che testimoniano la molteplicità di un fenomeno sempre più radicato nella cultura europea. Se oggi è sempre più normale andare a teatro per ‘guardare’ un romanzo (adattamenti, riscritture, appropriazioni), è altrettanto facile trovare nelle nuove drammaturgie forme e aspetti di autorialità derivati dalle strutture del romanzo
La palazzina di Libera a Ostia: dal progetto didattico, al cantiere, al restauro. Buone pratiche di fattibilità
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Liber/ Liberi. Libri, carte e parole nelle realtà carcerarie
No full textIl volume, primo della Serie Voci da dentro, raccoglie riflessioni sul ruolo che il libro ha nella vita in carcere e si interroga su come esso, in tutte le sue varie funzioni, possa contribuire in maniera sostanziale al rispetto dell’articolo 27 della Costituzione Italiana per il quale le pene non possono consistere in trattamenti contrari al senso di umanità e devono tendere alla rieducazione del condannato.
A partire da una ricognizione degli spazi che nelle carceri permettono e alimentano la circolazione di libri (cella, scuola, università, laboratori, biblioteche etc.), il volume esplora sia il processo di lettura praticato dai detenuti e dalle detenute (individuale e silenzioso o condiviso e orale) sia l’uso che direttori, educatori, insegnanti e operatori esterni fanno di queste risorse nei contesti carcerari. Al centro vi è la domanda comune su come il libro (di qualsiasi tipo e in qualsiasi forma) possa concretamente aiutare chi è privato della libertà personale a costruire uno spazio tutto per sé, luogo necessario per abitare qualsiasi processo
di risocializzazione e cura.This volume, the first in the Voci da dentro (Voices from within) serie, brings together reflections on the role that books play in prison life and examines how books, in all their various functions, can make a substantial contribution to compliance with Article 27 of the Italian Constitution, according to which punishments may not consist of treatment contrary to the sense of humanity and must aim at the re-education of the convicted person.
Starting from a reconnaissance of the spaces that in prisons allow and nurture the circulation of books (cells, schools, universities, laboratories, libraries, etc.), the volume explores both the reading process practised by prisoners and inmates (individual and silent or shared and oral) and the use that directors, educators, teachers and external operators make of these resources in prison contexts. At the core is the common question of how books (of any kind and in any form) can concretely help those deprived of personal freedom to build a space all to themselves, a necessary place to inhabit any process of resocialisation and healing
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Leggere lo spettacolo
No full textEdizione italiana a cura di Mara Fazio e Marta Marchetti del volume di Anne Ubersfeld 'Lire le théâtre II. L'école du spectateur', Belin 199
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