193,533 research outputs found

    Vacuum Tubes and Electron Devices

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    Dr. Marsden first arranged these tubes to ease identification and they were then given arbitrary numbers 1 through 64, with several sets of tubes. In total they comprise more than 64 vacuum tubes or electron devices. Dr. Marsden joined the National Bureau of Standards (NBS) in May 1949 and was employed directly under John White, then Chief of the Electron Devices Section in Dr. A.V. Astins ""old"" Division 13. He guided research and development in the field of measurement and electron devices, special tubes and vacuum systems, and, in the late 1960s he worked on semiconductor materials and devices. The tubes date from the 1920s to Post WWII period. NB: Images are a selection of the artifacts.64 objects; 10 x 3 x 3 cm (average

    Dora Marsden

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    Dora MarsdenFeminist, publisher, and author. Marsden trained as a teacher. Her commitment to the suffrage movement led to her founding of The Freewoman in 1911. With its title change to The Egoist in 1914, the review devoted itself more to literature. Under Marsden's editorship, it published A Portrait of the Artist as a Young Man in 1914 and 1915, and several episodes from Ulysses in 1919 as well as articles on JJ by Ezra Pound and others. In the 1920s, Marsden became a recluse, devoting herself to writing philosophical works, and in later decades was institutionalized with severe depression. William Brockman</p

    Marsden, Edward

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    Edward Marsden Class of 1894 'Indian Chief'; studio portrait of man in robes and mortarboar

    Marsden, Edward

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    Edward Marsden Class of 1894 'Indian Chief'; studio portrait of man in robes and mortarboar

    Marsden Dennis — Mother Alone : Poverty and the Fatherless Family

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    P. H. Marsden Dennis — Mother Alone : Poverty and the Fatherless Family. In: Population, 26ᵉ année, n°2, 1971. p. 235

    From fly-by-wire to drive-by-wire: Safety implications of automation in vehicles

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    The purpose of this paper is to critically review the current trend in automobile engineering toward automation of many of the functions previously performed by the driver. Working on the assumption that automation in aviation represents the basic model for driver automation, the costs and benefits of automation in aviation are explored as a means of establishing where automation of drivers' tasks are likely to yield benefits. It is concluded that there are areas where automation can provide benefits to the driver, but there are other areas where this is unlikely to be the case. Automation per se does not guarantee success, and therefore it becomes vital to involve Human Factors into design to identify where automation of driver functions can be allocated with a beneficial outcome for driving performance

    When I Listen To Bingsjö : En klingande utställning av och med Bridget Marsden

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    Examensarbetet bestod av flera delar:En klingande utställning 20 juli - 12 september 2010 på Musik- &amp; TeatermuseetFöreställningar i utställningen 20 juli - 8 augusti 2010 tis-sön 14.00 på Musik- &amp; TeatermuseetMasterexamenskonsert 10 september 2010 19.00 på Musik- &amp; TeatermuseetPrograminformation från masterexamenskonsert (dokumentation på konserten bifogas som filminspelning uppdelad i 11 stycken filmfiler):(Film Del 1)4 Minutes in Bingsjö:Polska efter Pekkos Per, efter Päkkos GustafPolska efter Nylands Jonas, efter Päkkos Gustaf(Film Del 2)Vals efter Nylands Erik, efter Päkkos Gustaf(Film Del 3)Polska efter Päckos Olle, efter Päkkos Gustaf(Film Del 4)Tokpolska efter Nils AgenmarkVals efter Frans i Hässjaberg, efter Nils AgenmarkBrudpolskan efter Nils Agenmark(Film Del 5)Pekkos Pers Storpolska (med Emma Reid och Sandra Marteleur)(Film Del 6)Polska efter Päkkos Gustaf (med Emma Reid och Sandra Marteleur)Hjortingens vals (med Emma Reid och Sandra Marteleur)(Film Del 7)Bingsjövalsen av Hjort Anders Ohlsson(Film Del 8)Vallåt och Polska efter Pekkos Per, efter Hjort Anders Ohlsson(Film Del 9)Polska efter Pekkos Per (G-mollpolskan) (med Ole Hjorth)Efterkälken efter Ole Hjorth (med Emma Reid)(Film Del 10)Kärleksvisan efter Ole Hjorth(Film Del 11)Polska efter Pekkos Per (Gustaf Special) efter Ellika FrisellMedverkande på konserten:Bridget Marsden, fiolEmma Reid, fiolSandra Marteleur, fiol och altfiolOle Hjorth, fiolMedverkande på danskväll efter konserten som ej finns på film:Stormsteg (Bridget Marsden, Sandra Marteleur, Erik Ronström</p

    When I Listen To Bingsjö : En klingande utställning av och med Bridget Marsden

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    Examensarbetet bestod av flera delar:En klingande utställning 20 juli - 12 september 2010 på Musik- &amp; TeatermuseetFöreställningar i utställningen 20 juli - 8 augusti 2010 tis-sön 14.00 på Musik- &amp; TeatermuseetMasterexamenskonsert 10 september 2010 19.00 på Musik- &amp; TeatermuseetPrograminformation från masterexamenskonsert (dokumentation på konserten bifogas som filminspelning uppdelad i 11 stycken filmfiler):(Film Del 1)4 Minutes in Bingsjö:Polska efter Pekkos Per, efter Päkkos GustafPolska efter Nylands Jonas, efter Päkkos Gustaf(Film Del 2)Vals efter Nylands Erik, efter Päkkos Gustaf(Film Del 3)Polska efter Päckos Olle, efter Päkkos Gustaf(Film Del 4)Tokpolska efter Nils AgenmarkVals efter Frans i Hässjaberg, efter Nils AgenmarkBrudpolskan efter Nils Agenmark(Film Del 5)Pekkos Pers Storpolska (med Emma Reid och Sandra Marteleur)(Film Del 6)Polska efter Päkkos Gustaf (med Emma Reid och Sandra Marteleur)Hjortingens vals (med Emma Reid och Sandra Marteleur)(Film Del 7)Bingsjövalsen av Hjort Anders Ohlsson(Film Del 8)Vallåt och Polska efter Pekkos Per, efter Hjort Anders Ohlsson(Film Del 9)Polska efter Pekkos Per (G-mollpolskan) (med Ole Hjorth)Efterkälken efter Ole Hjorth (med Emma Reid)(Film Del 10)Kärleksvisan efter Ole Hjorth(Film Del 11)Polska efter Pekkos Per (Gustaf Special) efter Ellika FrisellMedverkande på konserten:Bridget Marsden, fiolEmma Reid, fiolSandra Marteleur, fiol och altfiolOle Hjorth, fiolMedverkande på danskväll efter konserten som ej finns på film:Stormsteg (Bridget Marsden, Sandra Marteleur, Erik Ronström</p

    Marsden Dennis — Mother Alone : Poverty and the Fatherless Family

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    P. H. Marsden Dennis — Mother Alone : Poverty and the Fatherless Family. In: Population, 26ᵉ année, n°2, 1971. p. 235

    How the Marsden Fund has failed to achieve its full potential in the ESA panel: evidence of limitations in scope, biased outcomes, and futile applications

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    We have analysed the scope of proposals funded by the ‘Earth Sciences and Astronomy’ (ESA) panel of the Marsden Fund for the period 2004 to 2013. The scope of proposals funded is very limited and does not reflect the full remit of the panel: the successful projects fail to encompass the quality and quantity of research being undertaken within the Earth sciences community in New Zealand, and a number of sub-disciplines that seek to address fundamental and important problems within the Earth sciences are largely excluded. Moreover, nearly 50% of the funded proposals for the past decade have been made to just two institutions. To address these limitations, we suggest that: (1) a review is undertaken to examine and widen the scope of the panel to encompass sub-disciplines that demonstrably are never or rarely funded; (2) the composition of panel members be examined and modified to reflect a much wider scope of sub-disciplines within the Earth sciences; and (3) a review of the wide discrepancies in funding distributions on an institutional basis be undertaken. We want to ensure that a more representative range of sub-disciplines, in keeping with modern and realistic definitions of the Earth sciences, is funded through this panel, and so we also recommend the formation of a new panel for ‘Environmental and Earth-system Sciences’ that could encompass the research involving modern-day processes so that applications in these sub-disciplines are not pointless. In addition, it is clear that a very substantial increase in funding to the Marsden Fund must be sought
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