1,721,020 research outputs found
The untold story: the regulation of police labour rights and the quest for police democratisation
This paper explores the struggles for labour and social rights on the part of police officers in democratising countries. The paper suggests that the rights of police officers and labour–management relations are important issues to be acknowledged if we are serious about deepening the democratic practices of police, particularly in democratising countries. These issues should be deliberated among policing scholars and police managers as well as important international regulatory organisations such as the ILO whose current regulatory frameworks inadvertently restrict police worker rights.<br/
Having a voice: the quest for democratic policing in Southern Africa
Purpose: Efforts by police organisations to unionise and to increase their social and labour rights is an international phenomenon, and one that is becoming more vigorous in the Southern African region. However, many governments are wary of police unions and limit their rights, or refuse to recognise them at all. This paper aims to discuss the issues involved. Design/methodology/approach: The paper draws on face-to-face and telephone interviews, as well as e-mail correspondence, with police unionists from Canada, New Zealand, South Africa, Australia and the USA. Findings: The efforts of the unions involved gave impetus to the formation of the International Council of Police Representative Associations (ICPRA), in September 2006. Two of ICPRA's aims are to assist and advise police unions all over the world and to provide the international police union movement with a voice for influencing policing futures. In South Africa, the Police and Civil Rights Unions is assisting police in the subregion and has become a symbol of what is possible for police even in repressive states. Originality/value: The paper illustrates how, in a rapidly changing police labour environment, police unions have the capacity to confront existing (undemocratic) occupational cultures, to promote organisational accord and to forge positive reform
The right to unionise, the right to bargain and the right to democratic policing
This (normative) article explores the importance of police unions in the quest for democratic policing. The authors argue that if we are to expect police to behave democratically, it is important for police themselves to experience democratic engagement within the organizations in which they work. That is, if police are expected to defend democracy, they should not be denied basic democratic rights such as the right to collective bargaining and the right to freedom of association. The authors contend that police unions, through networking with other social justice groupings and through encouraging democratic practice, constitute a real forum for the promotion of democratic policing. For this potential to be reached, however, police unions need to identify with broader labor movement trends toward community unionism
Building the capacity of police change agents: the nexus policing project
This paper argues that police members from all ranks possess potential to challenge the beliefs and meanings that inform their daily practices, and are able to alter their routines when innovative practice and new ideas assist them in responding to new dilemmas. The paper suggests that both scholars and practitioners pay insufficient attention to nurturing rank-and-file police as change agents and to building their capacity as knowledge workers and ideas generators in forging change. In response to this gap, the paper discusses the Nexus Policing Project in Victoria, Australia, which is based on a police–university partnership aimed at realising new ways of seeing and doing in the field of policing. The participatory action research method is utilised as a way of overcoming the traditional gap between research and practice. The paper discusses some of the challenges associated with this kind of collaborative endeavour
'Standing on the inside looking out’: the significance of police unions in networks of police governance
Scholars and practitioners now recognise the importance of ‘governing through networks’ if policing agendas are to be promoted effectively and democratically. Central to such an agenda of networked governance is the identification or creation of community-based structures and processes that can be harnessed by, and linked to, other forms of governance in furtherance of security outcomes. However, notions of community have generally been limited to the ‘communities’ outside of police organisations. This article explores the idea of a police union as ‘a community of interest’. We suggest that police unions are ‘communities’ that have the potential to impact significantly on the governance of security. As ‘insider groupings’ police unions are engaged in complex networks of police management, policy decision-makers and civil society groupings both at the national and international level. Given their organisational status, police unions have the potential to constitute themselves as active, forward-thinking social agencies within policing network arrangements. But, in order to do this they need to move beyond the demands of their conservative social base and their preoccupation with industrial issues and embrace the changing world of policing. In addition, they may need to network with a range of agencies beyond the security industry such as social justice groupings and the broad trade union movement
Thinking critically about police unions in Australia: internal democracy and external responsiveness
This paper considers the challenges for Australian police unions in the 21st century. The empirical evidence is drawn from research conducted by two of the authors for the Police Federation of Australia (PFA) in 2003–2004. The paper first outlines the changing field of policing in which police unions exist, then provides background information on the various state and territory unions/associations and the PFA. The paper demonstrates that while police unions in Australia have won considerable gains for their members and contributed significantly to police reform, their current agendas are somewhat narrow. The paper contends that this is owing to the conservative membership base of police unions, ambivalent identification with the labour movement, and poorly defined conceptions of professionalism. The final section of the paper identifies four central challenges facing Australian police unions and attempts by the police unions to respond to these challenges
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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