264,561 research outputs found
Il motivo mickievicziano del monumento equestre nel "Kohan i Vlasta" di Franjo Markovic
No full textL'articolo prende in esame il poema tardoromantico Kohan i Vlasta (1868) del poeta croato Franjo Markovic, in particolare il motivo del monumento equestre come chiaro riferimento a Mickiewicz. Attraverso il motivo del monumento che si muove Markovic polemizza con il mitema polacco della ribellione. Le sue posizioni sono quelle del legittimismo liberale e del panslavismo. Nell'articolo si esamina anche la trasformazione del messianesimo di Mickiewicz nell'idea jugoslava, e il chiaro riferimento di Markovic al monumento equestre dedicato al bano Jelacic in piazza centrale a Zagabria
Neizrecivo veliko i male priče. Očuđeni mit u suvremenom hrvatskom romanu
No full textU članku se raspravlja o traumatskoj strukturi (post)modernosti, te se i »kraj velikih priča« i »narativni obrat«, kao dvije naizgled suprotne dijagnoze postmodernog stanja, tumače kroz psihoanalitičke pojmove nedokučivosti Realnog, povlačenja Simboličkog i prevlasti Imaginarnog. U suvremenoj se književnosti vide dva temeljna načina odnošenja prema neizrecivom: prvi je sakralizacija tišine integralnog svjedoka, a drugi fetišiziranje traume u žanrovskoj literaturi koja pripovijedajući o izmišljenim užasima besciljno kruži oko traumatskog srca zbilje. Zatim se, tragom talijanskog mitologa Furia Jesia, pokušava naći treći put, put koji ne odustaje ni od pogleda u traumu ni od pripovijedanja, već proizvodi novi oblik osviještenog i očuđenog, te politički odgovornog mita. Takav se pristup mitu i tragediji oprimjeruje romanom Elijahova stolica Igora Štiksa u kojem se odnos Europe prema opkoljenom Sarajevu prikazuje kroz mit o Edipu i kritiku europske dijalektike prosvjetiteljstva. Slijedom toga primjera, nova se uloga priče u suvremenoj prozi vidi kao osviještavanje mita i otvaranje mogućnosti za djelovanje
Mihkatu l-’anwar
No full textOriginal paper and leather covers, linen binding; Neskhi script, black ink; titles of chapters, certain quotations and marks in the text noted with red ink; text within a thin red frame; beginning of the text decorated with a triple frame, colours: golden, black and blue; unwan with the title on golden background with a floral ornament, colours: blue, golden, black, red, pink and violet; original foliation with Arabic ciphers in the upper left corner of the a page, black ink: 3-302; marginal notes, ink: black and red.Originalne korice od slepljenih listova hartije, potpuno prevucene koom. Platneni povez. Neshi. Tekst rukopisa pisan je crnim tuem. Naslovi poglavlja, pojedini navodi i oznake u tekstu zapisani su crvenim mastilom. Beleke na marginama crnim i crvenim mastilom. Tekst je uokviren tankim ramom crvene boje. Prva strana rukopisa posebno je uokvirena trostrukim ramom u zlatnoj, crnoj i plavoj boji. Unvan s naslovom dela na zlatnoj podlozi i sa stilizovanim ornamentom cvetnog motiva u plavoj, zlatnoj, crnoj, crvenoj, ruicastoj i ljubicastoj boji. Originalna numeracija listova u gornjem levom uglu strane "a".U uvodu u prevod dela Mikat al-Anvar, koji je objavilo Kraljevsko azijsko drutvo u Londonu 1924. Vilijam Henri Templ Gerdner veli sledece: "Mikat al-Anvar [Nia za svetla] je delo od izuzetnog znacaja u ogledu Gazalijevog unutarnjeg ivota i ezoterijske misli. Zapaanja koja o takvom ivotu i misli prua su izvanredno, moda jedinstveno, intimna. Ovo delo pocinje tamo gde se njegovo autobiografsko Al-Munkid min ad-dalal [Izbavitelj od greha] zaustavlja. Od samog pocetka, njegova ezoterija je pobudila znatielju i cak sumnju muslimanskih mislilaca i raspolaemo veoma zanimljivim aluzijama na to kod Ibn Tufajla i Ibn Ruda, proslavljenih filozofa na zapadu islamskog sveta, koji su uivali u popularnosti citav vek posle Gazalijeve smrti 1111. (505. A.H) - to je cinjenica koja, opet, povecava njen znacaj i nae zanimanje za nju."In his Introduction to the translation of Mishkat al-Anwar, published by Royal Asiatic Society, London, 1924, William Henry Temple Gairdner says: "The Mishkat al-Anwar [The Niche for Lights] is a work of extreme interest from the viewpoint of al-Ghazzali`sinner life and esoteric thought. The glimpses it gives of that life and thought are remarkably, perhaps uniquely, intimate. It begins where his autobiographical Al-Munqidh min ad-Dalâl[The Rescuer from theSins] leaves off. Its esotericism excited the curiosity and even the suspicion of Muslim thinkers from the first, and we have deeply interesting allusions to it in Ibn Tufail and Ibn Rushd, the celebrated philosophers of Western Islam, who flourished within the century after al-Ghazzali`sdeath in 1111 (A.H. 505) - a fact which, again, increases its importance and interest for us."Donated by Aram Calikjan, a dentist from Belgrade, January 1951.Rukopis je, januar 1951. godine, poklonio Aram Calikjan, zubar iz Beograda
Mihkatu l-’anwar
No full textOriginal paper and leather covers, linen binding; Neskhi script, black ink; titles of chapters, certain quotations and marks in the text noted with red ink; text within a thin red frame; beginning of the text decorated with a triple frame, colours: golden, black and blue; unwan with the title on golden background with a floral ornament, colours: blue, golden, black, red, pink and violet; original foliation with Arabic ciphers in the upper left corner of the a page, black ink: 3-302; marginal notes, ink: black and red.Originalne korice od slepljenih listova hartije, potpuno prevucene koom. Platneni povez. Neshi. Tekst rukopisa pisan je crnim tuem. Naslovi poglavlja, pojedini navodi i oznake u tekstu zapisani su crvenim mastilom. Beleke na marginama crnim i crvenim mastilom. Tekst je uokviren tankim ramom crvene boje. Prva strana rukopisa posebno je uokvirena trostrukim ramom u zlatnoj, crnoj i plavoj boji. Unvan s naslovom dela na zlatnoj podlozi i sa stilizovanim ornamentom cvetnog motiva u plavoj, zlatnoj, crnoj, crvenoj, ruicastoj i ljubicastoj boji. Originalna numeracija listova u gornjem levom uglu strane "a".U uvodu u prevod dela Mikat al-Anvar, koji je objavilo Kraljevsko azijsko drutvo u Londonu 1924. Vilijam Henri Templ Gerdner veli sledece: "Mikat al-Anvar [Nia za svetla] je delo od izuzetnog znacaja u ogledu Gazalijevog unutarnjeg ivota i ezoterijske misli. Zapaanja koja o takvom ivotu i misli prua su izvanredno, moda jedinstveno, intimna. Ovo delo pocinje tamo gde se njegovo autobiografsko Al-Munkid min ad-dalal [Izbavitelj od greha] zaustavlja. Od samog pocetka, njegova ezoterija je pobudila znatielju i cak sumnju muslimanskih mislilaca i raspolaemo veoma zanimljivim aluzijama na to kod Ibn Tufajla i Ibn Ruda, proslavljenih filozofa na zapadu islamskog sveta, koji su uivali u popularnosti citav vek posle Gazalijeve smrti 1111. (505. A.H) - to je cinjenica koja, opet, povecava njen znacaj i nae zanimanje za nju."In his Introduction to the translation of Mishkat al-Anwar, published by Royal Asiatic Society, London, 1924, William Henry Temple Gairdner says: "The Mishkat al-Anwar [The Niche for Lights] is a work of extreme interest from the viewpoint of al-Ghazzali`sinner life and esoteric thought. The glimpses it gives of that life and thought are remarkably, perhaps uniquely, intimate. It begins where his autobiographical Al-Munqidh min ad-Dalâl[The Rescuer from theSins] leaves off. Its esotericism excited the curiosity and even the suspicion of Muslim thinkers from the first, and we have deeply interesting allusions to it in Ibn Tufail and Ibn Rushd, the celebrated philosophers of Western Islam, who flourished within the century after al-Ghazzali`sdeath in 1111 (A.H. 505) - a fact which, again, increases its importance and interest for us."Donated by Aram Calikjan, a dentist from Belgrade, January 1951.Rukopis je, januar 1951. godine, poklonio Aram Calikjan, zubar iz Beograda
The interpretation of the fifth cello suite BWV 1011 by Johann Sebastian Bach [1685-1750]
No full textMasteroppgave i klassisk musikk- Universitetet i Agder 2009The interpretation of the fifth cello suite BWV 1011 by Johan Sebastian Bach (1685-
1750) deals with the interpretation of a baroque suite for solo cello on modern instrument
and in the modern age.
It is a master thesis from the Agder University, Faculty of fine arts, the classical
department, written in English language by Nemanja Markovic.
Keywords are: Baroque style, interpretation, the modern cello.
Trough these studies on interpretation seen from my point of view and made
through current literature, recent research within the early music field and my own
experience of performing the suite, I have tried to explore how much and even in
what manner we have distanced from the original meaning (if there is a certain
original meaning) of these suites.
The first section is an introduction with my aim for writing the thesis and displaying the
methods I will use.
The second section is an overview of the Baroque style and Baroque suite form.
The third section is an analysis of the fifth cello suite BWV1011 by Bach.
The fourth section is about the interpretation and approaches to the material. It consists
of a difference between baroque and modern instrument and the bow, a comparison of the
recordings and I will express my point of view regarding the interpretation.
The fifth section consists of note examples that I am using in my thesis.
The sixth section shows the literature I have applied in my thesis
Challenges in performing Giacomo Puccini's Madame Butterfly
No full textMasteroppgave i utøvende musikk, klassisk- Universitet i Agder 2011Challenges in performing Puccini`s Madame Butterfly” is a master thesis that will examine this opera through the vocal and performance aspects. This master thesis is written by Jelena Markovic, student of Agder University Conservatory of Music, Kristiansand, Norway, and consists of 44 pages. It is divided in seven sections.
The first section will introduce her methods and aims.
The second section is the research process and sources used to compile the research.
The third section details about Giacomo Puccini`s life and the period during which he wrote his opera “Madame Butterfly”, using information from books written by Mosco Carner and Stanley Sadie. It provides a short synopsis of “Madame Butterfly” based on the book written by Mosco Carner.
The fourth section explores the central issue of this master thesis, seen from my own experience and also gives a short analysis of the notational text of “Madame Butterfly”. I have tried to present some of the vocal and technical problems connected with singing the Madame Butterfly role. For the technical issues of the role, I used two books; one written by Biserka and Dusan Cvejic and second written by Lilli Lehman. The fifth section presents my conclusion
Art Colony Galichnik Exhibition
No full textA group biennial exhibition of Galichnik art colony, held in Mala Stanica in Skopje. The works from the 31st and 32nd session of the colony were exhibited together. I was a participant if the 31st session along with artists from Macedonia. Due to the pandemic, our foreign fellow artists and collaborators were present online. I am featured with one solo work and a collaboration with Serbian USA based artist Marina Markovic
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Cyberful—Virtual reality in arm and hand rehabilitation
No full textZusammenfassung Die Umsetzung der spezialisierten Nachbehandlung von Funktions- und Schmerzstörungen des Arms und der Hand ist eine Herausforderung. Im Rahmen eines Verbundprojekts des Bundesministeriums für Bildung und Forschung (BMBF) wurde ein Virtual-Reality(VR)-System entwickelt. Durch eine innovative, nichtinvasive, orts- und infrastrukturunabhängige Visualisierungstechnologie führt es hochspezialisierte, etablierte Therapieansätze wie geführte Bewegungsübungen, Motor Imagery und Spiegeltherapie für eine nahtlose, hochspezifische und erfolgreiche sensomotorische Rehabilitation zusammen. Neben Amputationen und Nervenverletzungen adressiert diese VR-Therapie gleichermaßen weitere traumatische sowie neurologische Funktions- und Sensibilitätsstörungen der oberen Extremität und damit verbundene Schmerzphänomene. Dieser Beitrag beleuchtet die Grundlagen des Systems, seine therapeutischen Anwendungen und das Potenzial dieser innovativen Technologie zur Verbesserung der gegenwärtigen sensomotorischen Rehabilitation und Lebensqualität von Betroffenen.Abstract The implementation of specialized follow-up treatment of functional disorders and associated pain of the arm and hand is a challenge. As part of a collaborative project funded by the German Federal Ministry of Education and Research (BMBF), an innovative and noninvasive visualization technology was developed that is independent of the location and infrastructure. The virtual reality (VR) system NeuroXR integrates highly specialized and established treatment approaches, such as guided movement exercises, motor imagery and mirror therapy for successful seamless and highly specific sensorimotor rehabilitation. This VR treatment addresses not only amputations and nerve injuries but also other traumatic and neurological functional and sensory disorders of the upper extremities, along with associated pain phenomena. This article explores the fundamental principles of the system, its therapeutic applications and the potential of this innovative technology to improve current sensorimotor rehabilitation practices and improve the quality of life for affected individuals.Zusammenfassung Die Umsetzung der spezialisierten Nachbehandlung von Funktions- und Schmerzstörungen des Arms und der Hand ist eine Herausforderung. Im Rahmen eines Verbundprojekts des Bundesministeriums für Bildung und Forschung (BMBF) wurde ein Virtual-Reality(VR)-System entwickelt. Durch eine innovative, nichtinvasive, orts- und infrastrukturunabhängige Visualisierungstechnologie führt es hochspezialisierte, etablierte Therapieansätze wie geführte Bewegungsübungen, Motor Imagery und Spiegeltherapie für eine nahtlose, hochspezifische und erfolgreiche sensomotorische Rehabilitation zusammen. Neben Amputationen und Nervenverletzungen adressiert diese VR-Therapie gleichermaßen weitere traumatische sowie neurologische Funktions- und Sensibilitätsstörungen der oberen Extremität und damit verbundene Schmerzphänomene. Dieser Beitrag beleuchtet die Grundlagen des Systems, seine therapeutischen Anwendungen und das Potenzial dieser innovativen Technologie zur Verbesserung der gegenwärtigen sensomotorischen Rehabilitation und Lebensqualität von Betroffenen.Abstract The implementation of specialized follow-up treatment of functional disorders and associated pain of the arm and hand is a challenge. As part of a collaborative project funded by the German Federal Ministry of Education and Research (BMBF), an innovative and noninvasive visualization technology was developed that is independent of the location and infrastructure. The virtual reality (VR) system NeuroXR integrates highly specialized and established treatment approaches, such as guided movement exercises, motor imagery and mirror therapy for successful seamless and highly specific sensorimotor rehabilitation. This VR treatment addresses not only amputations and nerve injuries but also other traumatic and neurological functional and sensory disorders of the upper extremities, along with associated pain phenomena. This article explores the fundamental principles of the system, its therapeutic applications and the potential of this innovative technology to improve current sensorimotor rehabilitation practices and improve the quality of life for affected individuals
“Nobilissimæ picturæ purpureæ”: i funerali del re Carlo I d’Ungheria (1342) e la proiezione del potere monarchico nel tardo Medioevo
No full textL'articolo prende in esame il cerimoniale che si svolse in occasione dei funerali del re Carlo I d'Ungheria nel 1342 e propone una nuova lettura dei testi tramandatisi sull'avvenimento, analizzando il ruolo giocato dalle immagini e dalle opere d'arte nella messa in scena del rituale
- …
