1,720,960 research outputs found
Symposium: Uses of Lament: The Irish Famine and Legacies of Trauma
A half-day symposium at the Stephen Lawrence Gallery will develop the idea of collective lament, examining the Famine's legacy, giving audiences a chance to experience their own cultural and political history in a fresh, innovative and healing way.
A range of writers, visual artists and theorists will explore the somatic effects of oppression and suffering to disturb new truths about history and trauma and show how they can be re-presented through diverse platforms.
The symposium will engage other immigrant communities such as the African-Caribbean community who often shared the 'No Blacks, No Irish' racism of English landlords in the 1950s and 60s. Uses of Lament will encourage inter-generational discussion about the most significant event in Anglo-Irish history and explore cross-cultural writing and arts' projects that refresh ways of telling history and challenge xenophobia. Uses of Lament will also reach out to more recent immigrants to make cross-cultural links and initiate discussion to replace fear with openness
'The Greatest Famine Film Never Made'
In 1937 Liam O'Flaherty's acclaimed novel 'Famine' was published. The book quickly won acclaim and remains one of the best fictional accounts of Ireland's Great Hunger, widely regarded as its author's best work. However the irascible O'Flaherty - a complex and colourful character - was not content with literary success alone. Having worked as a scriptwriter in Hollywood and befriended director John Ford ('The Quiet Man'), his goal was to have 'Famine' on the big screen. This paper tells the story of why this dream was never realised. Based on a broad swathe of archival material including letters between O'Flaherty and Ford, the paper contextualises O'Flaherty's quest to see 'Famine' made into a film against the context of the Great Depression, world war, and post-war recovery, as well as exploring the inimitable world of golden era Hollywood. It discusses the importance of the Great Hunger in the creative imaginations of both Ford and O'Flaherty and, in this centenary year of the Easter Rising, sheds light on under-documented forms of commemoration around the Famine's centenary in the 1940s
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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