1,721,131 research outputs found
Interview between Elaine Gold and Mark Turin
This interview between the Director of the Canadian Language Museum, Elaine
Gold, and Board Member Mark Turin explores the history and goals of a small
museum that achieves national reach through travelling exhibits dedicated to an
intangible subject matter – language
From Orality to Open: Innovations in Multimedia Monograph Publishing in the Humanities
2021. Mark Turin. “From Orality to Open: Innovations in Multimedia Monograph Publishing in the Humanities.” Pop! Public. Open. Participatory 3 (2021-10-31). https://doi.org/10.54590/pop.2021.00
Recognizing Authority and Respecting Expertise in Language Work
2021. Mark Turin. “Recognizing Authority and Respecting Expertise in Language Work.” In “Rethinking Pseudonyms in Ethnography,” edited by Carole McGranahan and Erica Weiss, American Ethnologist website, 13 December 2021
Foreword
2021. Mark Turin. “Foreword.” In Voices from the Lost Horizon: Stories and Songs of the Andamenese, by Anvita Abbi with illustrations by Subir Roy, 9–12. New Delhi: Niyogi Books
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Reflections on Cambridge: Alan Macfarlane and Mark Turin discuss changing film technologies
Filmed in Cambridge in 2010 by Xu Bei, Alan Macfarlane and Mark Turin discuss the changing film technologies they have used in their projects
The Becoming: Young Working-Class Masculinities in Nepal
International audienceAcross Nepal, large numbers of adolescent boys and young men leave their rural homes to find work and live out their dreams in the burgeoning metropolis of Kathmandu, the nation's capital. In this challenging transition, they have to navigate their emerging identities as independent young men-as brothers, sons, fathers, husbands and wage earners in the construction economy. In this visual essay of 15 photographs, artist Daisy Yang and anthropologist Mark Turin explore questions of migration, mobility, labour and kinship by engaging with the harsh reality of working-class masculinities in contemporary Nepal
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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