3,452 research outputs found
Matthew, Mark, Moses, Isaiah
No full textS. Vitale. upper right. Matthew + Mark. Ravenna, Italy. Moses ( sheep + sandals) + isaiah. (moses scenes are opposite each other) X.11.20https://digitalcommons.acu.edu/ferguson_photos/10071/thumbnail.jp
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
No full textContemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Moses Matet
No full textabstract: Moses was five years old when bombs hit his village. After fleeing his village he lived in a refugee camp with 30-40,000 people.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 25Region: Upper NileThis picture and bio was donated to the "Lost Boys Found" oral history project from The Arizona Lost Boys Cente
Austin Papers: Series III, Miscellaneous Material, 1814-1821
No full textCopy of a transcript for a letter from Moses Austin to James Bryan, on December 17, 1814, mentioning a break-in at his lead mine and asking the person to whom he is writing to check for lead with Austin's mark on it
A Vietnamese Moses : Philiphê Bỉnh and the geographies of early modern Catholicism /
No full text"A Vietnamese Moses is the story of Philiphê Binh, a Vietnamese Catholic priest who in 1796 traveled from Tonkin to the Portuguese court in Lisbon to persuade its ruler to appoint a bishop for his community of ex-Jesuits. Based on Binh's surviving writings from his thirty-seven-year exile in Portugal, this book examines how the intersections of global and local Roman Catholic geographies shaped the lives of Vietnamese Christians in the early modern era. The book also argues that Binh's mission to Portugal and his intense lobbying on behalf of his community reflected the agency of Vietnamese Catholics, who vigorously engaged with church politics in defense of their distinctive Portuguese-Catholic heritage. George E. Dutton demonstrates the ways in which Catholic beliefs, histories, and genealogies transformed how Vietnamese thought about themselves and their place in the world. This sophisticated exploration of Vietnamese engagement with both the Catholic Church and Napoleonic Europe provides a unique perspective on the complex history of early Vietnamese Christianity"--Publisher.Includes bibliographical references (pages 281-326) and index.Philiphê Bỉnh and the Catholic geographies of Tonkin -- A Catholic community in crisis -- Journeys : Macao, Goa, and Lisbon -- Arrival in Lisbon and first encounters -- Invoking the Padroado : Bỉnh and Prince Dom João -- Waiting for Bỉnh in Tonkin and Macao -- Life in Lisbon and the Casa do Espirito Santo, 1807-1833 -- The tales of Philiphê Bỉnh."A Vietnamese Moses is the story of Philiphê Binh, a Vietnamese Catholic priest who in 1796 traveled from Tonkin to the Portuguese court in Lisbon to persuade its ruler to appoint a bishop for his community of ex-Jesuits. Based on Binh's surviving writings from his thirty-seven-year exile in Portugal, this book examines how the intersections of global and local Roman Catholic geographies shaped the lives of Vietnamese Christians in the early modern era. The book also argues that Binh's mission to Portugal and his intense lobbying on behalf of his community reflected the agency of Vietnamese Catholics, who vigorously engaged with church politics in defense of their distinctive Portuguese-Catholic heritage. George E. Dutton demonstrates the ways in which Catholic beliefs, histories, and genealogies transformed how Vietnamese thought about themselves and their place in the world. This sophisticated exploration of Vietnamese engagement with both the Catholic Church and Napoleonic Europe provides a unique perspective on the complex history of early Vietnamese Christianity"--Publisher.JSTO
Faustus / From The German Of Goethe. Embellished With Retsch's Series Of Twenty-Seven Outlines, Illustrative Of The Tragedy Engraved By Henry Moses. With Portr. Of The author
No full textFAUSTUS / FROM THE GERMAN OF GOETHE. EMBELLISHED WITH RETSCH'S SERIES OF TWENTY-SEVEN OUTLINES, ILLUSTRATIVE OF THE TRAGEDY ENGRAVED BY HENRY MOSES. WITH PORTR. OF THE AUTHOR
Faustus / From The German Of Goethe. Embellished With Retsch's Series Of Twenty-Seven Outlines, Illustrative Of The Tragedy Engraved By Henry Moses. With Portr. Of The author (1)
Cover (1)
Portrait / Frontispiz (3)
Titelseite (4)
Preface to the third edition (5)
Introduction (6)
Faustus (8)
Einlage (86
The Appeal of Exodus: The Characters God, Moses and Israel in the Rhetoric of the Book of Exodus
No full textThe present thesis offers a reading of the book of Exodus as a literary artifact. This is
accomplished through the investigation of its main literary characters Yhwh, Moses and
Israel. The text is understood to be part of a communicative situation between author and
reader. This hermeneutical claim and the nature of Exodus itself entail certain consequences
with regard to the method of enquiry. The method applied is a modified form of
rhetorical criticism, which is understood to provide an interpretive perspective on the text.
The particular focus is on the functional aspects of the text which direct the reading process
and thus guide the reader. Given the difficulties in determining the circumstances of
the origin of Exodus and the paucity of secured knowledge about early Israelite history, the
`implied reader' is introduced as a key-term. It is assumed that this implied reader informed
the inventio and dispositio of the book. Because of the book's central themes - identity
and relationship -a careful investigation of the characters is a worthy avenue to pursue.
Three characters have been chosen on account of their continuous involvement in the
plot. The introduction of each character into the plot receives special attention. The developing
portrayal of each character is closely linked to its paradigmatic qualities and to its influence
on the reader. First, the portrait of God is discussed, especially in relation to the
contributions of the narrative, poetic and legal parts of Exodus. The very important but
often neglected legal characterisation of Yhwh in Exodus is a topic of special interest. Although
the legal collections say much about their recipients, they also reveal deep insights
into the law-giver's nature and concerns. Yhwh is identified as the king who justly claims
obedience and service. A further focus is the possibility of the relationship between Israel
and their king, Yhwh. Second, with regard to Moses there is a significant difference between
his first appearance in Exod 2-5 and his later development. This remarkable tension
in the Mosaic portrayal reveals interesting insights into the implied reader's preconceptions.
Here we trace closely the argumentative strategy of the author in his attempts to convince
this reader. Furthermore, it is necessary to discuss the paradigmatic qualities of the character
Moses. Third, reader-identification is at the heart of the construction of Israel. Here the
historical gulf between the Israel of the narrative and the one of the implied reader is
bridged. The complexity of Israel is a central aspect of Exodus' rhetoric, urging its readers
to comply with the ideal which the author sought to communicate in his book.
The results of this study provide insights into the specific poetics of Exodus and its
management of the reading process. Because of the proposed unity of form and content, it
is possible to specify the message of the entire book by taking into account its intriguing
mixture of different genres. An abstraction from modern reading-conventions in the
encounter of ancient Hebrew texts is shown, and the possibility of reading the text on its
own terms is explored
Review of Brian Britt, Rewriting Moses
No full textMark Sneed reviews Brian Britts Rewriting Moses: Tha Narrative Eclipse of the Text (Journal for the Study of the Old Testament Supplement Series 402; Gender, Culture, Theory 14; London: T & T Clark, 2004)
The Narrative Function of the Song of Moses in the Contexts of Deuteronomy and Genesis-Kings
No full textThe Song of Moses is acknowledged to be one of the most difficult texts to
interpret within the book of Deuteronomy. Substantial effort has been put in to
determine the Song's origin in terms of its dating and reason for composition. But
more scholars are now seeing the need to relate the Song to its immediate context.
However, the recent contributions to this topic show the need for a closer examination
of the Song's narrative function, not only in Deuteronomy but also in its larger
context in Genesis-Kings. Understanding the Song's function in this large corpus
necessitates the way in which it relates to Deuteronomic themes such as the YHWHIsrael
relationship, Torah, worship, and kingship. This thesis examines the
theological and hermeneutical function of the Song in Deuteronomy and GenesisKings
in their final forms. As a prophetic criticism of Israel, it focuses its audiences'
attention on the central command of the Torah, the moral issue of covenant-keeping,
and Israel's vocation as witness to the nations, resulting in a theology of history for all
nations. With reference to Deuteronomy, the Song expresses the heart of the book.
With reference to Genesis-Kings, it gives us a sense of beginning and closure to the
history of the people of YHWH in terms of Israel's primeval past and future hope respectively
Philo, the Gospel of John, and Two Moses Traditions: Traditionary Competition over a Cultural Icon
No full textThis article shows how Philo of Alexandria and the author of the Gospel of John represented Moses in contrasting ways within Hellenistic Judaism. It then argues that John's portrayal of Moses constitutes a contradiction to Philo's portrayal (and vice versa), suggesting that Philo and John represent two competing Moses traditions within first-century Judaism
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