1,721,267 research outputs found
Portrait of Mark Hopkins, ca.1875
No full textPhotographic portrait of Mark Hopkins, who built the Central Pacific Railroad, ca.1875. A man with a long beard and short straight hair looks toward the left of the foreground. He has large deep eyes, low brows, and a wide forehead, and is clad in a dark suit
1039: North Adams, Massachusetts. Mark Hopkins Training School.
No full textJob file for the creation/design of stained glass from either the Charles J. Connick Studio (1912-1945) or the Charles J. Connick Associates studio (1945-1986). The job file contains a job number, location information, date of completion, size, contact information, price, and a description of the project. This particular job file contains information on a job located at: North Adams, Massachusetts. Mark Hopkins Training School
<i>Gargantuan</i>: The Thrills and Challenges of Creating Immersive Theatre
No full text Mark Hopkins, Co-Artistic Director of Calgary’s Swallow-a-Bicycle Theatre, reflects on the company’s attempts to create an immersive theatre production, Gargantuan, focused on individual and collective complicity in existential global challenges like climate change, social and economic inequities, resource depletion, etc. The article outlines Gargantuan’s development from 2015 to 2016, and the many difficulties that Swallow-a-Bicycle encountered in creating immersive theatre. </jats:p
Interior view of the C.P. Huntington-Mark Hopkins store in Sacramento, ca.1900
No full textPhotograph of an interior view of the C. P. Huntington-Mark Hopkins store in Sacramento, ca.1900. A man in a dark suit, hat and beard stands next to a table at center with china and lamps all around him. A second man sits behind a class counter at right and a third man in a pin-striped suit stands in the right foreground
San Francisco earthquake damage, showing the ruins of the Mark Hopkins Art Institute, 1906
No full textPhotograph of San Francisco earthquake damage, showing the ruins of the Mark Hopkins Art Institute, 1906. A brick clearing lies in the foreground with men looking over a metal fence which stands behind it. A thin strip of an exterior wall is all that remains of the institute which stood behind the fence on the left. Debris spills over the fence on the far left
Drawing of Mark Hopkins Hotel near California and Mason Streets in San Francisco, ca.1920
No full textPhotograph of a drawing of Mark Hopkins Hotel near California and Mason Streets in San Francisco, ca.1920. A fifteen-story building is visible at center with two sub-sections visible on either side. Multiple rectangular windows can be seen on each story, while an entryway with three arches is visible at ground level. Eight-story buildings with flat roofs can be seen on either side of the first building. People are visible crossing the street in the foreground
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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