1,721,520 research outputs found

    Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts

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    How is agency distributed “in the field” and how can the practice of field recording critically manifest the relationship between humans and non-humans? This thesis posits an original art practice of field recording based on a perspective I am calling “Inter-agential”. Employing the self-reflexive anthropological turn of the 1970’s as parallel critique throughout, I argue environmental sound art has ignored the politics of observer-subject relations and instead engaged place and sound through divisive legacies of conservation and composition. I propose a hybrid conceptual framework from contemporary sound and anthropological studies that foregrounds issues relating to ethics, agency and representation. These subjects are examined in practice by converting “the field” into a collaborative and contested arena for intervention and performance. The result is a unique and formally diverse body of work that seeks to actively disrupt, critique and re-imagine the ontological foundations of field recording through an original and politicised aesthetics. All practice-based experimentation has been conducted in one fixed location along the North-East Coast of England called South Gare. It is an industrial and ecologically embroiled site, both in terms of its history and present day impact. I situate this site-specific setting through artistic legacies found in Land Art. This context helps to re-imagine modes of documentation, production and subjectivity within field recording and builds a nuanced understanding of the field in relation to the representation of place and sonic experience

    Linares (Olga) : Power, Frayer and Production : The Jola of Casamance, Senegal

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    Mark Peter. Linares (Olga) : Power, Frayer and Production : The Jola of Casamance, Senegal. In: Revue française d'histoire d'outre-mer, tome 80, n°300, 3e trimestre 1993. pp. 508-509

    Mark (Peter) : A Cultural, Economic, and Religious History of the Basse Casamance since 1500

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    Pélissier René. Mark (Peter) : A Cultural, Economic, and Religious History of the Basse Casamance since 1500. In: Revue française d'histoire d'outre-mer, tome 75, n°278, 1er trimestre 1988. p. 118

    Telerobotic surgery : feedback time delay effects on task assignment

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    Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 1996.Includes bibliographical references (p. 77-79).by Mark Peter Ottensmeyer.M.S

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Mark, Peter. - The Wild Bull and the Sacred Forest. Form, Meaning, and Change in Senegambian Initiation Masks of the Diola

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    Montecorboli Paola. Mark, Peter. - The Wild Bull and the Sacred Forest. Form, Meaning, and Change in Senegambian Initiation Masks of the Diola . In: Cahiers d'études africaines, vol. 36, n°141-142, 1996. Images. pp. 301-303
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