1,730,810 research outputs found
Mark M. O'Shaughnessy
No full textMarquette University alumnus Mark M. O'Shaughnessy '73, who received the College of Business Administration's Professional Achievement Award, 2004
Mark M. Hall
No full textMark M. Hall was honored by his family for his 87th birthday. He was born January 2, 1881 to Mark Moroni and Mary Stringham Hall. He married Helen Vilate Bingham
Mark M. Michalski: Editorial
No full textThe Journal of Business and Public Administration wel-comes and is pleased to introduce two new Editors: Dr Jaro-slaw Wenancjusz Przybytniowski of the Department of Man-agement at Jan Kochanowski University as an Academic (Theme) Editor and Dr Dominik Dziekanski of Economic Department at Jan Kochanowski University as a Technical Editor.Journal opens with an article by professor Przybyt-niowski, titled: Competitiveness of financial distribution channels in the time of the ongoing crisis. It presents an as-sessment of service provision by insurance companies. The author shows a critical link between customers’ expectations and relationship management as of paramount importance in cultivating loyalty and continuous flow of profitable busi-ness. Just as a ditty tells us: there is no better business than repeat business. Insurance companies form a system of channels to provide the insurance services in the most opti-mal way to achieve their own goals. They allow the potential customers to use the services of channels with which the in-surance company distributes its products. Managing cus-tomer relationships is an important element of nurture loy-alty. However, it must be accompanied by appropriate measures to maintain the relationship at every level of or-ganization. The aim of this article is to analyze the insurance market in Poland from side of insurance an insurance medi-ation
Mark M. Hall and Thomas Hall
No full textBrothers Mark M. Hall and Thomas Hall were owners of the Thomas #1 Well
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Krug (Mark M.) - Aneurin Bevan : cautious rebel
No full textFischer Georges. Krug (Mark M.) - Aneurin Bevan : cautious rebel. In: Revue française de science politique, 13ᵉ année, n°1, 1963. pp. 214-215
Krug (Mark M.) - Aneurin Bevan : cautious rebel
No full textFischer Georges. Krug (Mark M.) - Aneurin Bevan : cautious rebel. In: Revue française de science politique, 13ᵉ année, n°1, 1963. pp. 214-215
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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