1,720,994 research outputs found
Professionalising data stewardship in the Netherlands. Competences, training and education. Dutch roadmap towards national implementation of FAIR data stewardship
No full textThis is the end report of the NPOS-F project “Professionalising data stewardship”, part of the NPOS FAIR data programme line. This version [1.0] of the report has been offered for formal approval to the NPOS Steering Committee [February 1, 2021]
About the NPOS F project: https://www.openscience.nl/en/projects/project-f-professionalising-data-stewardship-competences-training-and-education
Authors:
Mijke Jetten (Dutch Techcentre for Lifesciences, DTL)
Marjan Grootveld (Data Archiving and Networked Services, DANS)
Annemie Mordant (Maastricht University)
Mascha Jansen (GO FAIR Foundation, GFF)
Margreet Bloemers (ZonMw)
Margriet Miedema (National Coordination Point Research Data Management, LCRDM)
Celia van Gelder (Dutch Techcentre for Lifesciences, DTL)
Title: Professionalising data stewardship in the Netherlands: competences, training and education. Dutch Roadmap towards national implementation of FAIR data stewardship
Reference: Mijke Jetten, Marjan Grootveld, Annemie Mordant, Mascha Jansen, Margreet Bloemers, Margriet Miedema, & Celia W.G. van Gelder. (2021). Professionalising data stewardship in the Netherlands. Competences, training and education. Dutch roadmap towards national implementation of FAIR data stewardship. Zenodo. https://doi.org/10.5281/zenodo.4320504
Use, reproduction and distribution of the content of this report is permitted if provided with reference to this report.
For more information about the project, you may contact Mijke Jetten ([email protected])
Data School Diary - Day 08 - Policies and Data Steward Feedback
No full textAudio diary: Day 8 of CODATA-RDA Research Data Science School 2019 held at the Abdus Salam International Centre for Theoretical Physics in Grignano, near Trieste in Italy between August 5 and August 16. Sessions discussed include: Research Data Alliance with Daniel Bangert (Gottingen University); Developing and Implementing Research Data Management Policies with Joy Davidson (DCC, University of Glasgow); Publishing and Promoting Data with Marjan Grootveld (DANS); Data Access with Marjan Grootveld (DANS); Promoting Research Data Management with Joy Davidson (DCC, University of Glasgow). TOC:RDAlliance InfoSession0:41.591RDM Policies1:51.000Publishing and Promoting Data4:26.995Repository5:59.212Planning DMPs8:38.147Feedback10:21.893 Refers to events of 2019-08-14. Recorded with Tascam DR-05 on 2019-08-14 at Adriatico Guest House. Processed with Adobe Audition.</div
¿Cómo comprobar si sus datos son FAIR?
No full textTraducción al español de la lista de verificación producida para su uso en la escuela de verano de EUDAT para comprobar el nivel de cumplimiento de los criterios FAIR de los datos de investigación de los participantes.
Traducido por Alicia Fátima Gómez del original ‘How FAIR are your data?’ checklist, CC-BY by Sarah Jones & Marjan Grootveld, EUDAT. Image CC-BY-SA by SangyaPundi
Dữ liệu của bạn có là FAIR?
No full textĐây là bản dịch tài liệu 'Dữ liệu của bạn có là FAIR?' (How FAIR are your data?) của các tác giả Sarah Jones & Marjan Grootveld, EUDAT. Bản gốc tiếng Anh có tại: https://zenodo.org/record/1065991, DOI: 10.5281/zenodo.1065991, giấy phép CC BYPhiên bản V2.0 được xuất bản ngày 05/05/202
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Data School Diary - Day 07 - Repositories, Rubrics and DMPs
No full textAudio diary: Day 7 of CODATA-RDA Research Data Science School 2019 held at the Abdus Salam International Centre for Theoretical Physics in Grignano, near Trieste in Italy between August 5 and August 16. Sessions discussed include: DMP rubrics with Shanmugasundaram Venkataraman (EPCC, University of Edinburgh); Metadata Standards with Joy Davidson (DCC, University of Glasgow); Data Repositories with Marjan Grootveld (DANS); RDM Services with Shanmugasundaram Venkataraman (EPCC, University of Edinburgh). TOC:DMP Assessment Tool0:32.807Problem with DMPs1:17.000Metadata2:17.336Licenses3:08.960Repositories or4:38.257Graphs6:50.335Repository in Detail7:09.670RISE7:40.182Summary8:47.768Resources9:59.719 Refers to events of 2019-08-13. Recorded with Tascam DR-05 on 2019-08-13 at Adriatico Guest House. Processed with Adobe Audition.</div
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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