1,721,185 research outputs found
Mariotti (D.). Roma imperiale, Colosseo primo attore
No full textChevallier R. Mariotti (D.). Roma imperiale, Colosseo primo attore. In: Revue belge de philologie et d'histoire, tome 52, fasc. 1, 1974. Antiquité - Oudheid. p. 170
An unknown destructive earthquake in 18th century Sicily
No full textThe current Italian seismic catalogues are generally considered complete, as regards the destructive seismic
events which occurred from the 17th century onwards. In fact, research performed using target methodologies
still reveal earthquakes of high intensity, not yet known to the seismological tradition. This is the case of an
earthquake which occurred on 14 September 1780, which caused serious damage and victims in some towns
of the Tyrrhenian coast of North-eastern Sicily (I0, = VIII MCS). The information reported in an anonymous
printed account was verified in the administrative records; this allowed a reconstruction of a macroseismic
outline of great interest, which may make more precise the seismic hazard assessment in an area at high environmental
risk due to the presence in Milazzo of an important chemico-industrial complex.JCR Journalope
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Regeneration of Medicago arborea L. plants from tissue and protoplast cultures of different organ origin.
No full textRegeneration of Medicago arborea L. plants from tissue and protoplast cultures of different organ origin
Contenimento delle azioni trasversali nelle travi curve in legno lamellare
No full textTECHICAL REPORT - Università degli Studi di Bresci
Hedysarum coronarium L. In vitro conditions for plant regeneration from protoplasts and callus of various explants.
No full textHedysarum coronarium L. In vitro conditions for plant regeneration from protoplasts and callus of various explants
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Tirafondi da legno: prove sperimentali di estrazione
No full textTECHICAL REPORT - Università degli Studi di Bresci
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