1,721,145 research outputs found
LA FILLE DE CAPRI (For the first time) : bande originale du film / Mario Lanza, T ; C. Savina, C. Callinicos, G. Stoll, J. Rediske, dir. orc.
No full textComprend : COME PRIMA / PANZERI - TACCANI - Di PAOLA ; Mario LANZA, T ; Orchestre dir. C. SAVINA - TARANTELLA / STOLL, comp. ; Mario LANZA,T ; Orchestre dir. C. SAVINA - O SOLE MIO / RUSSO - Di CAPUA ; Mario LANZA, T ; Orchestre dir. C. SAVINA - NAPOLITAN DANCE / STOLL, comp. ; Mario LANZA, T ; Orchestre dir. C. SAVINA - HOFBRAUHAUS SONG / BETTE - HAUFF ; Mario LANZA,T ; Orchestre dir. J. REDISKE - O, MON AMOUR / R. ASSO - M. MONNOT ; Mario LANZA, T ; Orchestre dir. C. SAVINA - MAZURKA / STOLL, comp. ; Mario LANZA, T ; Orchestre dir. C. SAVINA - PINEAPPLE PICKERS / STOLL ; Mario LANZA,T ; Orchestre dir. J. REDISKE - PAGLIACCI : "Vesti la giubba" / LEONCAVALLO ; Mario LANZA, ténor et l'Orchestre dir. C. CALLINICOS - OTELLO : "Finale" / Giuseppe VERDI ; Mario LANZA, ténor et l'Orchestre dir. C. CALLINICOS - AIDA - Acte II : "Grande marche avec soliste et choeurs" / Giuseppe VERDI ; Mario LANZA, ténor et l'Orchestre dir. C. CALLINICOS - ICH LIEBE DICH / GRIEG ; Mario LANZA, ténor et l'Orchestre dir. C. CALLINICOS - AVE MARIA / Franz SCHUBERT ; Mario LANZA, ténor et l'Orchestre dir. G. STOLLBnF-Partenariats, Collection sonore - BelieveContient une table des matière
MARIO LANZA DANS DEUX FILMS : That midnight kiss, Toast of New Orleans / Elaine Malbin, S ; C Callinicos, R. Sinatra, dir. orch.
No full textComprend : THAT MIDNIGHT KISS - La Bohème : "Che gelida manina" / Giacomo PUCCINI ; Mario LANZA, ténor, avec l'Orchestre dir. C. CALLINICOS - Mamma mia che vo' sape ? / NUTILE - RUSSO ; Mario LANZA, ténor, avec l'Orchestre dir. C. CALLINICOS - I know, I know, I know / KAPER et RUSSELL ; Mario LANZA, ténor, avec l'Orchestre dir. R. SINATRA - They didn't believe me : de 'Girl fro'Utah / KERN et ROURKE ; Mario LANZA, ténor, avec l'Orchestre dir. R. SINATRA - Core 'ngrato / CARDILLO et CORDIFERRO ; Mario LANZA, ténor, avec l'Orchestre dir. C. CALLINICOS - Aïda : "Céleste Aïda" / Giuseppe VERDI ; Mario LANZA, ténor, avec l'Orchestre dir. C. CALLINICOS - TOAST OF NEW-ORLEANS - LA TRAVIATA : "Brindisi" : "Libiamo, libiamo" / Giuseppe VERDI ; avec Elaine Malbin, Savec Elaine Malbin, S - MADAME BUTTERFLY : "Duo d'amour" : "Stolta paura, l'amor" / Giacomo PUCCINI - L'AFRICAINE : "O Paradiso" / MEYERBEER - CARMEN : "La fleur que tu m'avais jetée" / Georges BIZET - MARTHA : "M'appari tutto amor" / FLOTOW ; Mario LANZA, avec les Choeurs et le RCA Victor Orchestra dir. C. CALLINICOSBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Identità audiovisive in transito: il caso di Mario Lanza
No full textLa figura del cantante nel film permette di cogliere non solo immagini e stereotipi collegati alla popular music, ma anche i processi di costruzione e ricezione di specifiche identità "audiovisive". Il saggio, attraverso la figura di Mario Lanza, documenta come negli anni Cinquanta si verifichino importanti processi di transizione identitaria sia nel repertorio (lirico vs popular e melodico) sia nella costruzione dell'etnicità (dal tenore italiano al crooner italoamericano).
The figure of the singer in the film allows us to capture not only images and stereotypes in popular music, but also the processes of construction and reception of specific 'audiovisual' identity. In particular, the essay explores the figure of Mario Lanza, Italian-American singer who enjoyed a great success on the screen, first in America and then in Italy. The analysis documents, through a case study, how in the fifties major identity transition processes occur both in the repertoire (from the opera, already broadcasted by the media, to the popular and melodic genre, with the integration of new rhythms) and the construction of ethnicity (from the Italian tenor to the Italian-American crooner)
When you are in love it\u27s the loveliest night of the year [first line of chorus]
No full textPerformers: Mario Lanza, Ann BlythPiano, Voice and Chord
Be my love, for no one else can end this yearning; this need [first line of chorus]
No full textPerformers: Kathryn Grayson, Mario Lanza, David NivenPiano, Voice and Chord
Serenade, our love is a serenade, a song the heavens made and [first line of chorus]
No full textPerformers: Mario Lanza, Joan FontainePiano, Voice and Chord
When you are in love it\u27s the loveliest night of the year stars [first line of chorus]
No full textPerformers: Mario Lanza, Ann BlythPiano, Voice and Chord
Mario Lanza
No full textAce Alagna was a photographer, editor and publisher of the Italian Tribune, and prominent member of the Italian American community in Newark, NJ. The Ace Alagna photographs consist of photographic negatives, prints, videos, and layout sheets from Ace Alagna\u27s career as a photographer and as editor and owner of the newspaper the Italian Tribune.https://scholarship.shu.edu/acealagna/2160/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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