1,721,002 research outputs found
Intervista a Mario Grasso
Full text linkQuesta intervista a Mario Grasso, poeta, saggista,
narratore, critico letterario, direttore editoriale dialettologo (1932-2022), trae spunto dalla traduzione
da lui curata di un'antologia delle opere di uno dei
più amati poeti e pittori ucraini dell’800, Taras
Ševčenko, edita nel 1989 dalla casa editrice Prova
d’Autore, per la quale gli è stato conferito il “Premio
Internazionale Franko” a Kiev. L’opera letteraria di
Ševčenko rappresenta un’occasione di riflessione e di
rievocazione anche di momenti personali del Poeta
Mario Grasso e, a distanza di due secoli, si propone
nella sua più tragica attualità della guerra che affligge il popolo ucraino. La voce di Mario Grasso in
questa intervista esprime con elevata sensibilità la
testimonianza del suo umano coinvolgimento e ci
guida verso un percorso di comprensione di quella
sofferenza umana che lo stesso Ševčenko aveva descritto. Mario Grasso è scomparso il 3 ottobre del
2022. La pubblicazione di questa intervista è quindi
a lui postuma. Ciò le conferisce un ulteriore significato, probabilmente, senza volerlo, quello di un suo
“Testamento” letterario, nel quale è possibile scorgere la personalità di un grande intellettuale del Novecento, la cui voce risuona oggi più che mai nel frastuono della Guerra.This interview with Mario Grasso, poet, essayist, nar rator, literary critic, editorial director, dialectologist
(1932-2022), is inspired by the translation he edited
of an anthology of the works (with 76 tables out of
text) of one of the most beloved Ukrainian poets and
painters of the 800, Taras Hryhorovyč Ševčenko,
published in 1989 by the publishing house Prova
d'Autore, for which he was awarded the "Interna tional Franko Prize" in Kiev. Shevchenko's literary
work represents an opportunity for reflection and re enactment of personal moments of the poet Mario
Grasso and after two centuries it is proposed in its
most tragic actuality of the war that afflicts the
Ukrainian people. Mario Grasso's voice in this inter view expresses with high sensitivity the testimony of
his human involvement and guides ustowards a path
of understanding of that human suffering that
Ševčenko himself had described. Mario Grasso
passed away on October 3, 2022. The publication of
this interview is therefore posthumous to him. This
gives it a further meaning, probably, unintentionally,
that of his literary "Testament" in which it is possible
to see the personality of a great intellectual of the
twentieth century, whose voice resounds today more
than ever in the din of the War
Lìarchivio di un capopolo. Inventario del Fondo Giuseppe Dolfi presso la Domus Mazziniana
No full text
Advanced Pattern Recognition from Complex Environments: A Classification-based Approach
No full textA framework for supporting advanced pattern recognition
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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