1,720,972 research outputs found

    Prefazione

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    Quest’opera nasce a partire dagli interventi presentati nel corso del seminario di ricerca della Società Italiana per lo Studio della Storia Contemporanea (SISSCO) dal titolo Classi dirigenti e territori in età contemporanea. Asimmetrie tra centri e periferie, continuità e discontinuità. Il caso italiano (1861-2015), organizzato tra fine 2016 e inizio 2017, con il coordinamento del Centro di ricerca “Guido Dorso” per lo studio del pensiero meridionalistico di Avellino. Il volume è stato concepito come un’opportunità per saggiare la vitalità di un settore specifico della storiografia relativa all’Italia contemporanea: quello degli studi dei vari segmenti della classe dirigente del nostro Paese dal Risorgimento ai nostri giorni, attraverso un confronto diretto tra ricercatori, con un’attenzione alle peculiarità territoriali e alle fratture politico-istituzionali vissute nel corso della vicenda unitaria. Il lavoro offre al lettore un quadro ricco e variegato di ricerche sia per i differenti focus su territori e settori delle classi dirigenti italiane, sia per i differenti approcci proposti e le tipologie di fonti utilizzate dagli autori.This work arises from the presentations held during the research seminar of the Italian Society for the Study of Contemporary History (SISSCO) titled Ruling classes and spaces in the contemporary period. Asymmetries between centres and peripheries, continuities and discontinuities. The Italian case (1861-2015), organized between the end of 2016 and the beginning of 2017 and coordinated by the Centro di ricerca “Guido Dorso” per lo studio del pensiero meridionalistico. The volume is conceived as a test for the vitality of a field of study of historiography on contemporary Italy: that on the various sectors of the country’s elite from Risorgimento to present days. This effort has been made through direct discussion between scholars, paying particular attention to the territorial diversities and the political and institutional changes. The work offers a rich and multifaceted collection of essays, focusing on different geographical areas and segments of the Italian ruling classes, based on different methodological approaches and various sources

    Archivi intrisi di pensiero meridionalistico: il Centro di ricerca Guido Dorso di Avellino

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    Intervista sottoposta al consulente del Centro di ricerca Guido Dorso per lo studio del pensiero meridionalistico Mario De Prospo nell'ambito dell'evento dell'ANAI “Ispirati dagli archivi”, pubblicata nell'aprile 2016 sul relativo sito

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    La strage di Ustica nelle carte militari: esplorazioni archivistiche e percorsi di ricerca

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    Intervento al convegno "Ustica e gli anni Ottanta", 13 novembre 202

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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