1,720,999 research outputs found
Compte rendu d’Eric Rohmer : le spectateur séduit. De la représentation de Maria Tortajada, Paris, Kimé, 2017
Il n’est guère surprenant, depuis l’annonce de la disparition d’Eric Rohmer en 2010, qu’un grand nombre de publications portant sur sa vie (par exemple la biographie signée par Antoine de Baecque et Noël Herpe) et son œuvre (Rohmer en perspectives et Le conteur du cinéma, parmi d’autres) aient vu le jour. Il semblerait alors que l’ouvrage de Maria Tortajada, professeure à l’Université de Lausanne, vienne trouver sa place au sein de cette prolifération éditoriale. Or, Eric Rohmer : le spectate..
François Albera, Maria Tortajada (dir.), Cinema Beyond Film | Ciné-dispositifs : spectacles, cinéma, télévision, littérature | Raymond Bellour, la Querelle des dispositifs
Tandis que la multiplication et la dématérialisation des supports de l’image en mouvement suscitent des réactions aussi tranchées qu’un pessimisme nostalgique ou une euphorie technophile, les travaux de Raymond Bellour et de Jacques Aumont, d’une part, et ceux de François Albera et Maria Tortajada, de l’autre, invitent à réinscrire ce débat dans une pensée des dispositifs audiovisuels. Qu’elles soient l’œuvre d’historiens ou de théoriciens, ces réflexions réinvestissent toutes une notion de d..
Machines à voir au XIXe siècle : inventions techniques et variations métaphoriques
International audienceConférence « Machines à voir au XIXe siècle : inventions techniques et variations métaphoriques », dans le cadre du Séminaire « Dispositifs », Maria Tortajada, Carine Bernasconi, Noé Magetti et Isabel Krek dir., Université de Lausanne (Suisse), 27 mars 2024
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Cine, ciencia, movimiento. Trucos, trucajes o procedimientos para pensar el cine
Abstract: Spanish translation of María Tortajada's conference “Cinema, Science, Mouvement. Trucs, trucages ou procédés pour penser le cinema”, presented at the International Colloquium La magie des effets spéciaux. Cinéma-Technologie-Réception, Cinémathèque québécoise, Montréal, Université du Québec en Montréal, Université de Montréal, Concordia University, November 5 to 10, 2013Keywords:translation, María Tortajada, cinema and science, movement, tricks___________Cine, ciencia, movimiento. Trucos, trucajes o procedimientos para pensar el cineResumen: Traducción al español del la conferencia de Maria Tortajada “Cinema, Science, Mouvement. Trucs, trucages ou procédés pour penser le cinema”, presentada en el Coloquio Internacional La magie des effets spéciaux. Cinéma-Technologie-Réception, Cinémathèque québécoise, Montréal, Universidad de Québec en Montréal, Universidad de Montréal, Universidad de Concordia, 5 al 10 de noviembre de 2013Palabras clave: traducción, Maria Tortajada, cine y ciencia, movimiento, trucages___________ Cinema, Ciência, Movimento. Truques, trucages ou processos para pensar o cinemaResumo: Tradução para o espanhol da conferência de Maria Tortajada “Cinema, Science, Mouvement. Trucs, trucages ou procédés pour penser le cinema”,, apresentada no Colóquio Internacional La magie des effets spéciaux. Cinéma-Technologie-Réception, Cinémathèque québécoise, Montréal, Université du Québec en Montréal, Université de Montréal, universidade de Concordia, 5 a 10 de novembro de 2013Palavras-chave: tradução, Maria Tortajada, cinema e ciência, movimento, truques___________ Date of reception: 22nd November 2023Date of acceptance: 14th December 2023___________ ARK CAICYT: http://id.caicyt.gov.ar/ark:/s24690767/kkrrus3ioCine, ciencia, movimiento. Trucos, trucajes o procedimientos para pensar el cineTraducción al español del la conferencia de Maria Tortajada “Cinema, Science, Mouvement. Trucs, trucages ou procédés pour penser le cinema”, presentada en el Coloquio Internacional La magie des effets spéciaux. Cinéma-Technologie-Réception, Cinémathèque québécoise, Montréal, Universidad de Québec en Montréal, Universidad de Montréal, Universidad de Concordia, 5 al 10 de noviembre de 2013Palabras clave: traducción, Maria Tortajada, cine y ciencia, movimiento, trucages ___________Cinema, science, movement. Tricks, trucages or procedures to think about cinemaAbstract: Spanish translation of María Tortajada's conference “Cinema, Science, Mouvement. Trucs, trucages ou procédés pour penser le cinema”, presented at the International Colloquium La magie des effets spéciaux. Cinéma-Technologie-Réception, Cinémathèque québécoise, Montréal, Université du Québec en Montréal, Université de Montréal, Concordia University, November 5 to 10, 2013Keywords: translation, María Tortajada, cinema and science, movement, tricks___________ Cinema, Ciência, Movimento. Truques, trucages ou processos para pensar o cinemaResumo: Tradução para o espanhol da conferência de Maria Tortajada “Cinema, Science, Mouvement. Trucs, trucages ou procédés pour penser le cinema”,, apresentada no Colóquio Internacional La magie des effets spéciaux. Cinéma-Technologie-Réception, Cinémathèque québécoise, Montréal, Université du Québec en Montréal, Université de Montréal, universidade de Concordia, 5 a 10 de novembro de 2013Palavras-chave: tradução, Maria Tortajada, cinema e ciência, movimento, truques___________ Fecha de recepción: 22 de noviembre de 2023Fecha de aceptación: 14 de diciembre de 2023___________ ARK CAICYT: http://id.caicyt.gov.ar/ark:/s24690767/kkrrus3i
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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