34 research outputs found
Le donne di X’oyep : Fotografia, storia, memoria
No full textUscito in Messico nel 2013, Las mujeres de X’oyep di Alberto del Castillo Troncoso propone un’incisiva analisi storico-culturale di una potente fotografia di Pedro Valtierra, scattata all’inizio del 1998 nel Chiapas della resistenza indigena e zapatista. A ormai quasi trent’anni dal levantamiento dell’EZLN (1994), l’edizione italiana si presenta arricchita di nuove piste di ricerca a cura dell’autore, contraddistinguendosi, nell’ambito delle traduzioni internazionali del libro, per la scelta di una formula corale. Il dialogo tra Alberto del Castillo Troncoso, Maria Matilde Benzoni, Massimo De Giuseppe e Simone Ferrari che ne attraversa le pagine invita in effetti il lettore a intrecciare le prospettive di questa importante ricerca con i temi trattati negli altri testi pubblicati all’interno del volume: la diffusione e le traiettorie della fotografia in Messico (secoli XIX-XXI), le radici storiche della crisi in Chiapas, il prisma delle espressioni di attenzione e partecipazione verso tale orizzonte “glocale” maturate in Italia dalla fine del Novecento a oggi.Las mujeres de X’oyep (Mexico, 2013) by Alberto del Castillo Troncoso provides an incisive historical and cultural analysis of a powerful photograph by Pedro Valtierra taken in early 1998 in the Chiapas of indigenous and Zapatista resistance. Almost thirty years after the levantamiento of the EZLN (1994), the Italian edition of the research contains additional approaches by the author, standing out among international translations of the book due to the choice to interweave the perspectives of this study with the themes addressed in the other essays published in the volume. We refer to the diffusion and trajectories of photography in Mexico (19th-20th centuries) (Maria Matilde Benzoni-Alberto del Castillo Troncoso), the historical roots of the crisis in Chiapas (Massimo De Giuseppe), and the prism of expressions of attention and participation toward this glocal horizon that has matured in Italy from the late 20th century to the present (Simone Ferrari).Las mujeres de X'oyep (México, 2013) de Alberto del Castillo Troncoso propone un contundente análisis histórico-cultural de una impactante fotografía de Pedro Valtierra, realizada a principios de 1998 en el Chiapas de la resistencia indígena y zapatista. Casi treinta años después del levantamiento del EZLN (1994), la edición italiana se presenta enriquecida con nuevas perspectivas de investigación por parte del autor, destacándose, entre las traducciones internacionales del libro, por la elección de una fórmula coral. El diálogo entre Alberto del Castillo Troncoso, Maria Matilde Benzoni, Massimo De Giuseppe y Simone Ferrari invita al lector a entrelazar los puntos de vista de esta importante investigación con los temas tratados en otros textos incluidos en el volumen: la difusión y las trayectorias de la fotografía en México (siglos XIX-XX), las raíces históricas de la crisis en Chiapas, el prisma de la participación y las expresiones de atención hacia este horizonte "glocal" maduradas en Italia desde finales del siglo XX hasta nuestros días
Maria Matilde Benzoni, La cultura italiana e il Messico. Storia di un’immagine da Temistitlan all’Indipendenza (1519-1821), Milano, Edizioni Unicopli, 2004. 380 pp., 57 ill. n/b.
No full textProblématiser l’histoire de l’image que la culture italienne a construite de son rapport avec le Mexique –« de Temistitlan à l’Indépendance »- est le propos principal du livre de Maria Matilde Benzoni. D’emblée l’historienne s’écarte du monolithique « regard sur l’autre » qu’une partie du Vieux Monde aurait porté sur le Nouveau. L’auteur de cette exceptionnelle summa nous montre la variété des relations proprement intellectuelles qui se sont nouées entre les acteurs de la culture italienne et..
Una storiografia meticcia. Note sull’opera di Serge Gruzinski.
No full textThis paper aims to acquaint the reader with the works of Serge Gruzinski. Historian, professor at the École des Hautes Études en Sciences Sociales (Paris), since the 1980s Gruzinski has put the phenomenon of globalization into an historical perspective. From La colonisation de l'imaginaire (1988) up to Quelle heure est-il là bas? (2008), through Les Quatre parties du monde (2004) and the exhibition La planète métisse (Paris, Musée du Quai Branly, 2008-2009), Gruzinski has developed his scientific task from a very original point of view. With a special focus on Mexico and the Spanish-American experience, he has in fact followed the hints of globalization in the long period of history of civilizations, cultures, peoples and individuals. His works cross many frontiers. By connecting different spaces and times, different sources and scholarly traditions, the researches analyzed in this paper expose the reader to the whole gamut of cultural experiences fostered by globalization. In Gruzinski's perspective, history, far from being an ancilla of social sciences, remains the fundamental tool to understand and cope with the huge political and cultural changes of contemporary international life whose origins are rooted in the early modern age (XV-XVI century)
Laura Scarabelli, Immagine, mito e storia. El reino de este mundo di Alejo Carpentier
No full textLaura Scarabelli, Immagine, mito e storia. El reino de este mundo di Alejo Carpentier
(Roma, Bulzoni, 2011, ISBN 2-07-057311-7
Mondializzazione e storia globale - Editoriale Febbraio 2022 - Società italiana per la storia moderna
No full textMudec – Museo delle Culture, Area ex Ansaldo, via Tortona 56, Milano Catalogo: Oggetti d’incontro. Catalogo delle opere e guida al percorso della collezione permanente del Mudec, a cura di Carolina Orsini e Anna Antonini, Milano, 24ore Culture, 2015, 223 pp., € 19,00
No full textArchivi e Public History. Note sulle mostre "Storie in movimento" e "Storie restituite" (Milano, 2019-2020)
No full textUtopia. Una storia politica da Savonarola a Babeuf. Girolamo Imbruglia (Rome: Carocci editore, 2021) [ISBN 9788829004270]
No full textUne vice-royauté américaine face au système des révolutions atlantiques : La Nouvelle Espagne à l’époque du Directoire.
No full textIntervento per gli atti del convegno su "Républiques en miroir. Le Directoire devant la Révolution atlantique. Modélisations, confrontations, interréciprocité des républiques naissantes".
Colloque international, organisé au sein du Centre d’Histoire Moderne et des Révolutions (CHMR), par l’Institut d’Histoire de la Révolution française, l’Université de Paris I (Panthéon-Sorbonne), le CNRS, et le département des Sciences historiques de l’Université de Milan, 25 et 26 janvier 2008.(in preparazione
Antonello Gerbi’s Discovery of the New World : Life Experience and the Practice of History (1938-1948)
No full textThe Spanish translation of Antonello Gerbi’s La disputa del Nuovo Mondo (1955) prepared for the Fondo de Cultura Económica, made this seminal Italian study of the transatlantic debates about the indigenous peoples and nature of the Americas accessible to an international audience. Henceforth, Gerbi’s work came to serve as a fundamental reference book on American studies. Despite its success, the reasons that inspired Gerbi’s interest in the Americas have never been examined with an eye for his biography, the historiography of American studies, and global history. This essay reconstructs the historical context in which Gerbi developed his magnum opus while combining an analysis of Gerbi’s papers and scholarly methods with a reconstruction of his professional and intellectual relationships. It also draws on information gleaned from extensive interviews with Gerbi's son as well as the relatives of his friends. With the help of these various research methods and sources, it introduces the reader to the circumstances and reasons that led Antonello Gerbi (1904-1976) to redirect his interests towards the history of the Americas and their cultural relations with Europe during his decade-long exile in Peru as a victim of Mussolini’s racial laws
