1,721,012 research outputs found

    Paroxystomininae De Coninck 1965

    No full text
    Subfamily Paroxystomininae De Coninck, 1965 Emended diagnosis. Buccal cavity small, conical. Males with winged or short stout setae; precloacal supplements arranged in two sub-ventral rows. Females with supplements anterior and posterior to the vulva. Two marine genera.Published as part of Federica, Semprucci & Maria, Balsamo, 2019, A new species of Maldivea Gerlach, 1962 (Nematoda, Oxystominidae) from Felidhoo atoll (Maldives, Indian Ocean) and an emended diagnosis of the sub-family and genus, pp. 1-9 in Ecologica Montenegrina 20 on page 8, DOI: 10.37828/em.2019.20.1, http://zenodo.org/record/802822

    Maldivea Gerlach 1962

    No full text
    Genus Maldivea Gerlach, 1962 Emended diagnosis. Similar to Paroxystomina (after Smol et al. 2014), but winged precloacal supplements absent and replaced by sub-ventral pairs of short stout setae located on a raised papilla.Published as part of Federica, Semprucci & Maria, Balsamo, 2019, A new species of Maldivea Gerlach, 1962 (Nematoda, Oxystominidae) from Felidhoo atoll (Maldives, Indian Ocean) and an emended diagnosis of the sub-family and genus, pp. 1-9 in Ecologica Montenegrina 20 on page 8, DOI: 10.37828/em.2019.20.1, http://zenodo.org/record/802822

    Maldivea Gerlach 1962

    No full text
    Genus <i>Maldivea</i> Gerlach, 1962 <p> <i>Diagnosis</i> (after Smol <i>et al.</i> 2014). Similar to <i>Paroxystomina</i>, but supplements different: two subventral pair of short stout setae on a raised papilla. No wings/apophyses. Marine species.</p> <p> Type species: <i>Maldivea xarifae</i> Gerlach, 1962.</p>Published as part of <i>Federica, Semprucci & Maria, Balsamo, 2019, A new species of Maldivea Gerlach, 1962 (Nematoda, Oxystominidae) from Felidhoo atoll (Maldives, Indian Ocean) and an emended diagnosis of the sub-family and genus, pp. 1-9 in Ecologica Montenegrina 20</i> on page 3, DOI: 10.37828/em.2019.20.1, <a href="http://zenodo.org/record/8028228">http://zenodo.org/record/8028228</a&gt

    Paroxystomininae De Coninck 1965

    No full text
    Subfamily Paroxystomininae De Coninck, 1965 <p> <i>Diagnosis</i> (after Smol & Coomans 2006). Buccal cavity small, conical. Males with winged precloacal supplements arranged in two subventral rows. Females with supplements anterior and posterior to the vulva. Two marine genera.</p> <p> Type genus: <i>Paroxystomina</i> Micoletzky, 1924.</p>Published as part of <i>Federica, Semprucci & Maria, Balsamo, 2019, A new species of Maldivea Gerlach, 1962 (Nematoda, Oxystominidae) from Felidhoo atoll (Maldives, Indian Ocean) and an emended diagnosis of the sub-family and genus, pp. 1-9 in Ecologica Montenegrina 20</i> on page 3, DOI: 10.37828/em.2019.20.1, <a href="http://zenodo.org/record/8028228">http://zenodo.org/record/8028228</a&gt

    Oxystominidae Chitwood 1935

    No full text
    Family Oxystominidae Chitwood, 1935 <p> <i>Diagnosis</i> (after Smol & Coomans 2006). Body elongated and very thin at the anterior end. Anterior sensilla in three separate circles, the second and third circle clearly separated; the inner labial sensilla papilliform or setiform, outer labial and cephalic setae very slender. Buccal cavity narrow, tubular or funnel-shaped and without teeth. Among species, amphids are unusually polymorphic. Only orthometanemes with very short caudal filament present. Pharynx inserts into the body cuticle in the region of the buccal cavity; however, the cephalic capsule is not well developed. The posterior section of the pharynx has an undulating outline. Females didelphic- amphidelphic with antidromously reflexed ovaries or monodelphic-opisthodelphic. Males diorchic with opposed testes or only one anterior testis. Position of caudal glands variable.</p>Published as part of <i>Federica, Semprucci & Maria, Balsamo, 2019, A new species of Maldivea Gerlach, 1962 (Nematoda, Oxystominidae) from Felidhoo atoll (Maldives, Indian Ocean) and an emended diagnosis of the sub-family and genus, pp. 1-9 in Ecologica Montenegrina 20</i> on page 3, DOI: 10.37828/em.2019.20.1, <a href="http://zenodo.org/record/8028228">http://zenodo.org/record/8028228</a&gt

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore