1,720,969 research outputs found
Maree Clarke: Making Memories
No full textMelbourne-based multidisciplinary artist and designer Maree Clarke constantly pushes the boundaries in her art-making and storytelling. Maree Clarke: Ancestral Memories, on display at The Ian Potter Centre: NGV Australia, traverses Clarke’s work in photography, printmaking, sculpture, jewellery, video and glass over the past three decades. The works show Clarke’s extraordinary ability to impart stories and make memories, from documenting her life and sharing
the culture and knowledge of her Ancestors, to acknowledging the communal and welcoming art-making world she inhabits and invites others into
Artery: A podcast on art, authorship and anthropology. Episode One: Maree Clarke with Fran Edmonds
No full textMaree Clarke is a Mutti Mutti/Wemba Wemba/Boonwurrung/Yorta Yorta artist, from Mildura in northwest Victoria, Australia, now living and working in Naarm (Melbourne).
With over 30 years experience as an artist, Clarke’s work focuses on new ways of telling old/ongoing stories through art-making, much of which occurs in her backyard. https://www.ngv.vic.gov.au/exhibition/maree-clarke/ https://vivienandersongallery.com/artists/maree-clarke/
Fran Edmonds is an interdisciplinary scholar who has worked extensively with Aboriginal artists, community organisations and galleries, libraries, archives and museums (GLAMs) for almost 30 years. Her work supports First Nations people to reclaim their stories from the ‘archives’. https://blogs.unimelb.edu.au/livingarchiveofaboriginalart/ https://omeka.cloud.unimelb.edu.au/livingarchivenaidoc/blog https://www.facebook.com/LivingArchiveofAboriginalArtandKnowledge
Ritual and ceremony
No full textMaree Clarke is a Mutti Mutti, Yorta Yorta, Boonwurrung woman from northwest Victoria. Her working life as an artist has seen her develop as a pivotal figure in the reclamation of southeast Australian Aboriginal art practices, as well as a leader in nurturing and promoting the diversity of contemporary southeast Aboriginal artists. Maree's work highlights her belief in the power of art to heal and inspire people to positively identify with their Aboriginality. Public lecture held on Wednesday 31 October 2012
The Living Archive of Aboriginal Art: Maree Clarke and the Circulation of Photographs as Culture-Making
No full textIn the summer of 2019 (February-March), a group of graduate student volunteers from the University of Melbourne participated in a series of art-making workshops in the backyard of the southeast Australian Aboriginal artist Maree Clarke. These workshops coincided with their work to register the photographic collection of Ms Clarke's—a collection that arose from her cadetship in photography during the 1990s. The photographs consist of images of the Aboriginal community throughout Victoria during this period. The students' engagement with the photographs, alongside their work in collaborating with and learning from Maree and her family to make a series of art-works—a river reed necklace, a kangaroo tooth necklace and a possum-skin cloak—positioned the photographs in relation to Maree's ongoing contribution to culture-making through art-making, processes that are central to enhancing understandings of the interconnection of everything in relation to the Living Archive
The Living Archive of Aboriginal Art: Maree Clarke and the Circulation of Photographs as Culture-Making
No full textIn the summer of 2019 (February-March), a group of graduate student volunteers from the University of Melbourne participated in a series of art-making workshops in the backyard of the southeast Australian Aboriginal artist Maree Clarke. These workshops coincided with their work to register the photographic collection of Ms Clarke's—a collection that arose from her cadetship in photography during the 1990s. The photographs consist of images of the Aboriginal community throughout Victoria during this period. The students' engagement with the photographs, alongside their work in collaborating with and learning from Maree and her family to make a series of art-works—a river reed necklace, a kangaroo tooth necklace and a possum-skin cloak—positioned the photographs in relation to Maree's ongoing contribution to culture-making through art-making, processes that are central to enhancing understandings of the interconnection of everything in relation to the Living Archive
The living archive of Aboriginal art: expressions of Indigenous knowledge systems through collaborative art-making
No full textIn 2019, southeast Australian Aboriginal artist Maree Clarke was commissioned to create two stunning supersized eel traps. Both were made for very different sites: one for a gallery at an elite university, the other for an inner-city community arts organisation. Both, however, told stories about the enduring nature of Indigenous knowledge. In this article, the eel traps form part of the story for a project we are calling the Living Archive of Aboriginal Art (LAAA). The LAAA aims to encapsulate Maree’s art world and her generosity, which emerges from her backyard (arts studio), and includes intergenerational and intercultural exchanges. The backyard is where the concepts and practice for her art-making begin, and where her work to reclaim the knowledge and practice of her Ancestors from the colonial archive, via art-making, has been bought back to life. Such endeavours form part of the archive-making we are working towards encapsulating as living, dynamic and ongoing.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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