431 research outputs found
Australien [cartographic material]
No full textMap of Australia showing colonies, cities, mountains and water bodies. Includes indexes to Australian places and two cross sectional profiles of the east coast. Relief shown by hachures.; Author probably Gustaf Thomée.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.map-rm3923
sj-xlsx-2-qjp-10.1177_17470218231211573 – Supplemental material for Poor maternal mental health is associated with a low degree of proactive control in refugee children
No full textSupplemental material, sj-xlsx-2-qjp-10.1177_17470218231211573 for Poor maternal mental health is associated with a low degree of proactive control in refugee children by Gustaf Gredebäck, Marcus Lindskog and Jonathan Hall in Quarterly Journal of Experimental Psychology</p
sj-docx-1-qjp-10.1177_17470218231211573 – Supplemental material for Poor maternal mental health is associated with a low degree of proactive control in refugee children
No full textSupplemental material, sj-docx-1-qjp-10.1177_17470218231211573 for Poor maternal mental health is associated with a low degree of proactive control in refugee children by Gustaf Gredebäck, Marcus Lindskog and Jonathan Hall in Quarterly Journal of Experimental Psychology</p
Leopold och familjen Odel. Två okända dikter [Elektronisk resurs]
No full textMarcus Willén Ode, Department of Literature, Uppsala UniversityLeopold and the Odel family: Two unknown poems (Leopold och familjen Odel. Två okändadikter)Two previously unknown poems by Carl Gustaf af Leopold (1756–1829), author, official, private secretary to Gustav III and member of the Swedish Academy, were recently discovered in a copy of Carl Gustaf Leopolds samlade skrifter (1800–1833). The two texts, written in the years 1800–1802 and 1801–1803, are dedication poems in honor of Brita Christina Odel (1738/39–1802) and her daughter, Maria Virginia Westberg (1759–1803). The findings will complete and contribute to the ongoing publication of the collected works of Leopold.</p
Leopold och familjen Odel. Två okända dikter
No full textMarcus Willén Ode, Department of Literature, Uppsala University Leopold and the Odel family: Two unknown poems (Leopold och familjen Odel. Två okändadikter) Two previously unknown poems by Carl Gustaf af Leopold (1756–1829), author, official, private secretary to Gustav III and member of the Swedish Academy, were recently discovered in a copy of Carl Gustaf Leopolds samlade skrifter (1800–1833). The two texts, written in the years 1800–1802 and 1801–1803, are dedication poems in honor of Brita Christina Odel (1738/39–1802) and her daughter, Maria Virginia Westberg (1759–1803). The findings will complete and contribute to the ongoing publication of the collected works of Leopold
Medusa’s Gaze and Geijerstam’s Gay Science in the Swedish fin de siècle
No full textGustaf af Geijerstam’s Medusas hufvud (Medusa’s Head, 1895) is one of the “account-settling novels” of the late nineteenth century. These novels reflect on the aesthetic reorientation after the breakdown of the “Eighties movement” in Sweden. One important dimension of this transformation was the growing emphasis on gendered visions of authorship. I argue that Geijerstam’s novel is an attempt to create a male author role and a male intellectual sphere. The establishment of a male literary sphere requires homosocial desire, an artistic passion that Geijerstam understands as similar and different from sexual desire. This terminology is employed, after Eve Kosofsky Sedgwick, to insist on a productive continuum between the repositioning on the literary field that the novel represents and the thinly disguised homosexual tensions between its three male characters. However, the homosexual tensions are also related to secrecy, disgust, and terror (most clearly visible in the important Medusa motif). I finally argue that Geijerstam employs the erotic triangle, where the woman functions as a “mediator” for a relationship between the men, as a plot device that lets him simultaneously explore and dissimulate this homosocial desire
Gösta Gustaf-Janson och nazismen
No full textGösta Gustaf-Janson (1902−1993) was a prolific and successful Swedish author, whose novels through frequent film versions also reached a larger audience. Although growing up in a very fashionable suburb of Stockholm he did not belong to a rich family, his father being an author too. Gustaf-Janson describes this upper class environment in an ambiguous way, both satirically and apologetically. The theme here is Swedish Nazism as it is depicted in his novels, from the early thirties and some forty years ahead. During this long period the author changes his attitude from contemporary witness to ageing historian telling young generations about a strange and distant past. All the time Gustaf-Janson is a steadfast and consequent adversary of Nazi ideology, but he also seeks to understand the human beings behind the ideological fanaticism. The affluent suburb is described in its own right, but at the same time also serves as a representative symbol of the whole country.</p
Strindberg, copywriter. Reklam, uppmärksamhet och skådespelssamhället i August Strindbergs verk
No full textGustaf Marcus, German and Nordic Studies, Sorbonne University Strindberg, copywriter. Advertising, Attention, and the Society of the Spectacle in August Strindberg’s Work (Strindberg, copywriter. Reklam, uppmärksamhet och skådespelssamhället i August Strindbergs verk) This article examines the role of advertising, attention, and what Guy Debord calls the “society of the spectacle” in the work of August Strindberg. Its point of departure is a discussion of Strindberg’s own work in advertising and close readings of three texts that were inspired by contemporary advertising practices: Röda rummet (The Red Room, 1879), “Mitt Venedig” (1888) [My Venice], and Stora landsvägen (The Great Highway, 1909). The article shows that Strindberg was inspired by the new forms of aesthetic expression made possible by advertising throughout his life, from the early work in the 1870s up to the last texts written shortly before his death in 1912. It also traces a development in the treatment of advertising in his work. In the earlier texts, exemplified by a reading of the novel Röda rummet, advertising is treated as a simple form of fraud or swindle. In the later texts, on the other hand, advertising makes visible a new and increasingly important part of reality: the functioning of attention and sense perception. Inspired by advertising, attention itself becomes Strindberg’s primary interest in the travelogue “Mitt Venedig”. In the late play Stora landsvägen, where the action takes place in a passage covered by display windows, the advertisements’ control of attention is seen as an inseparable part of human interaction. Drawing on the theoretical work of Guy Debord and Jonathan Crary, this immersion into the world of advertising is described as a vision of a new form of consumer society, the society of the spectacle, where value is mediated through images and is inseparable from modern forms of control and discipline of attention
Strindberg, copywriter. Reklam, uppmärksamhet och skådespelssamhället i August Strindbergs verk [Elektronisk resurs]
No full textGustaf Marcus, German and Nordic Studies, Sorbonne UniversityStrindberg, copywriter. Advertising, Attention, and the Society of the Spectacle in August Strindberg’s Work (Strindberg, copywriter. Reklam, uppmärksamhet och skådespelssamhället i August Strindbergs verk)This article examines the role of advertising, attention, and what Guy Debord calls the “society of the spectacle” in the work of August Strindberg. Its point of departure is a discussion of Strindberg’s own work in advertising and close readings of three texts that were inspired by contemporary advertising practices: Röda rummet (The Red Room, 1879), “Mitt Venedig” (1888) [My Venice], and Stora landsvägen (The Great Highway, 1909).The article shows that Strindberg was inspired by the new forms of aesthetic expression made possible by advertising throughout his life, from the early work in the 1870s up to the last texts written shortly before his death in 1912. It also traces a development in the treatment of advertising in his work. In the earlier texts, exemplified by a reading of the novel Röda rummet, advertising is treated as a simple form of fraud or swindle. In the later texts, on the other hand, advertising makes visible a new and increasingly important part of reality: the functioning of attention and sense perception.Inspired by advertising, attention itself becomes Strindberg’s primary interest in the travelogue “Mitt Venedig”. In the late play Stora landsvägen, where the action takes place in a passage covered by display windows, the advertisements’ control of attention is seen as an inseparable part of human interaction. Drawing on the theoretical work of Guy Debord and Jonathan Crary, this immersion into the world of advertising is described as a vision of a new form of consumer society, the society of the spectacle, where value is mediated through images and is inseparable from modern forms of control and discipline of attention.</p
Social cognition in refugee children : An experimental cross-sectional study of emotional processing with Syrian families in Turkish communities
No full textMore than 5.6 million people have fled Syria since 2011, about half of them children. These children grow up with parents that often suffer from war-related mental health problems. In this study, we assess emotional processing abilities of 6–18 year- old children growing up in families that have fled from Syria and reside in Turkish communities (100 families, 394 individuals). We demonstrate that mothers’, but not fathers’, post-traumatic stress (PTS) impacts children’s emotional processing abilities. A 4% reduction of mothers’ PTS was equivalent to 1 year of development in children, even when controlling for parents’ traumatic experiences. Making a small investment in increased mental health of refugee mothers might have a positive impact on the lives of their children
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