1,721,023 research outputs found
Pathways through Arslantepe. Essays in Honour of Marcella Frangipane
Volume in onore di Marcella Frangipane. Contributi di varie tematiche, connesse con le attività e gli interessi scientifici di Marcella Frangipane
The horizontal and vertical egalitarian systems in the vision of Marcella Frangipane. A comparison with the Terramare society of the Po valley (Italy)
The emergence of the first forms of socio - economic inequality is one of the aspects to which Marcella Frangipane
has most contributed. In this paper the concepts of horizontal egalitarian or vertical egalitarian systems used for the Neolithic
and Chalcolithic Mesopotamian societies are compared with the social organization of the Bronze Age Terramare
culture, (Po valley - Italy). The result of the comparison shows convergences with the vertical egalitarian system model,
but also significant differences
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The Origin of Inequality. Origini 3, edited by Andrea Cardarelli, Alberto Cazzella and Marcella Frangipane
The article reviews The Origins of Inequality, a collection of essays brought together by Andrea Cardarelli, Alberto Cazzella and Marcella Frangipane following a series of seminars on this theme at the University of Roma La Sapienza. The volume was formally presented at the university in May 2017 as the focus of a discussion of its theme by a philosopher (Giacomo Marramao), economic historian (Monika Poettinger), cultural anthropologist (Alessandro Lupo) and archaeologist (Graeme Barker). The review is an edited version of Graeme Barker’s contribution, which he structured in terms of the book‘s evidence of how the research agenda has developed in the 20 years since Gary Feinman summarised it in his final chapter in the book he edited with Douglas Price, The Foundations of Social Inequality (New York: Plenum Press, 1995)
Pottery analysis and the archaeological context. Chosing samples, counting, weighing and interpreting materials in context
Most dig houses in the world and certainly all those in the Near East are characterised by thousands of crates with millions of pottery sherds. At the nearly 60-year-campaign-long Arslantepe dig house crates are wooden boxes lined up along the edge of the mound, that overshadow our work area and that get regularly spread out on a more than 100m long line of tables: our “sherd yard” and the “mega puzzle area” for the restorers (Bollati and Ghedin present volume, fig. 1). The pottery specialists - each of us dedicated to one of the periods of occupation of Arslantepe - spend hours, days, weeks, months on these tables, again, like at many other excavations. Differently to other excavations though, we have Marcella Frangipane: forty-three years at the site and it is nearly impossible that she hasn’t noticed something before you and rare that you have an intuition before she does.
The work of a potter analyst may be repetitive and tedious, but with Marcella there is little automatism in this activity. She has showed us why not to embrace an a priori methodology; every choice should be weighted and evaluated on the basis of the character of the assemblage and of the context of retrieval. Every data collection should spring from specific questions.
How should we choose the contexts to analyse in detail? Should sherds be counted, weighted? Should vessel num- bers be estimated? Should diagnostic sherds and amorphous ones be treated differently? The choice of one or the other depends on the aim with which the count is done and on the type of context analysed.
The present paper shall explain how the processing of pottery material at Arslantepe is carried out as to aid its analysis, and then use the case of Late Chalcolithic 3-4 (Arslantepe period VII, 3900-3400 BCE) to discuss why specific methodological choices in pottery analysis have been adopted
Tarihten günümüze Diyarbakır
Roma La Sapienze Üniversitesi Öğretim Üyesi Prof. Dr. Marcella Frangipane: Bilinenin aksine ilk medeniyet Mezopotamya'da değil, Anadolu'da kurulmuştur diyerek bölgenin insanlık tarihi üzerindeki önemine dikkat çekmektedir. Medeniyetin bölgemizde öncül olmasının nedenleri vardır
PRODOTTO MULTIMEDIALE: N. 1 CORTOMETRAGGIO SULLA FOTOGRAFIA ARCHEOLOGICA NEL VICINO ORIENTE ANTICO. IL TITOLO: "ARSLANTEPE' IL TEMPO IN POSA"
Cortometraggio sulla fotografia di Roberto Ceccacci realizzata in Turchia orientale. Il cortometraggio è stato realizzato da Filiberto Scarpelli con la consulenza e la direzione tematica di Marcella Frangipane, Paolo Pasquini, Marco Ramazzotti
La metallurgia nell'Anatolia sudorientale e nella Mesopotamia settentrionale nel 4. e 3. millennio a.C.
Dottorato di ricerca in archeologia orientale. 10. ciclo. Tutore Marcella Frangipane. Coordinatore Paolo MatthiaeConsiglio Nazionale delle Ricerche - Biblioteca Centrale - P.le Aldo Moro, 7, Rome; Biblioteca Nazionale Centrale - Piazza Cavalleggeri, 1, Florence / CNR - Consiglio Nazionale delle RichercheSIGLEITItal
IDEAZIONE E PROGETTAZIONE DELLA MOSTRA FOTOGRAFICA, DEL CATALOGO, DEGLI EVENTI E DEL FILMATO DI "ARSLANTEPE. IL TEMPO IN POSA"
Nel 2000 ha ideato e progettato la mostra archeologico-fotografica Arslantepe. Il tempo in posa realizzandola insieme al Dott. Paolo Pasquini e alla Prof.ssa Marcella Frangipane all’interno del Museo dell’Arte Classica (Università di Roma «La Sapienza»). In occasione della mostra è stato autoprodotto il FILM omonimo
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