1,721,060 research outputs found
A letter from Kevin Brownlow on Triangle
No full textThe film historian Kevin Brownlow (whose initials, K B, echo the name of Ince's studio Kay Bee) was kind enough to react to a conference given in Stirling on the mode of production at Triangle (see below "The Ince 'method'...") and to send the author the following letter we publish here with his consent. I thank him for all this, and also for pointing to two mistakes I made in my Stirling presentation. Oct 20 09 Dear Marc Vernet; I was fascinated by your paper on Triangle, and wish I could s..
Journée d'étude "Cinéphilie, culture et éducation", 17 janvier 2012
No full textJean-Michel Frodon, journaliste, essayiste et historien du cinéma, a conçu et animera, avec Marc Vernet, une journée consacrée aux rapports entre cinéphilie et enseignement du cinéma dans et hors de l'enseignement secondaire avec des historiens, des enseignants, des formateurs et des responsables de la Culture et de l'Education. Entrée libre, dans la limite des places disponibles, mais inscription obligatoire auprès de Loraine Pereira : [email protected] . Pour voir le programme : Inp pr..
Yves Desrichard, Marc Vernet et Yves Alix (sous la dir. de), Cinéma en bibliothèque ...
No full textSchuwer Philippe. Yves Desrichard, Marc Vernet et Yves Alix (sous la dir. de), Cinéma en bibliothèque .... In: Communication et langages, n°143, 1er trimestre 2005. Dossier : Productions médiatiques et logiques publicitaires. p. 123
Yves Desrichard, Marc Vernet et Yves Alix (sous la dir. de), Cinéma en bibliothèque ...
No full textSchuwer Philippe. Yves Desrichard, Marc Vernet et Yves Alix (sous la dir. de), Cinéma en bibliothèque .... In: Communication et langages, n°143, 1er trimestre 2005. Dossier : Productions médiatiques et logiques publicitaires. p. 123
Raymond Bellour, L'Entre-Images : Photo, Cinéma, Vidéo, Paris : La Différence, 1990 Michel Marie et Marc Vernet (éd.), Christian Metz et la théorie du cinéma. Paris : Méridiens Klincksieck, 1990
No full textFrançois Philippe. Raymond Bellour, L'Entre-Images : Photo, Cinéma, Vidéo, Paris : La Différence, 1990 Michel Marie et Marc Vernet (éd.), Christian Metz et la théorie du cinéma. Paris : Méridiens Klincksieck, 1990. In: Revue d'histoire et de philosophie religieuses, 73e année n°1, Janvier-mars 1993. pp. 108-109
Raymond Bellour, L'Entre-Images : Photo, Cinéma, Vidéo, Paris : La Différence, 1990 Michel Marie et Marc Vernet (éd.), Christian Metz et la théorie du cinéma. Paris : Méridiens Klincksieck, 1990
No full textFrançois Philippe. Raymond Bellour, L'Entre-Images : Photo, Cinéma, Vidéo, Paris : La Différence, 1990 Michel Marie et Marc Vernet (éd.), Christian Metz et la théorie du cinéma. Paris : Méridiens Klincksieck, 1990. In: Revue d'histoire et de philosophie religieuses, 73e année n°1, Janvier-mars 1993. pp. 108-109
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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