195,414 research outputs found
MARC 21 para recursos contínuos
No full textTranslation and adaptation of the MARC 21 Format for Bibliographic Data, and MARC 21 Format for Holdings Data, Network Development and MARC Standards Office, Library of Congress, USA, by Angela Salles. Rio de Janeiro, 2010. 2 v. V.1 MARC 21 format for bibliographic data (updated until October 2010). V.2 MARC 21 format for data collection (Holdings) (updated until October 2008)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
MARC 21 para recursos contínuos.
No full textTradução e adaptação de MARC 21 Format for Bibliographic Data e MARC 21 Format for Holdings Data, da Network Development and MARC Standards Office, da Library of Congress, USA, por Angela Salles
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
[Mélanges autographes : volume 6] (manuscrit autographe) / Marc-Antoine Charpentier]
No full textTitre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Mélanges autographes. Vol. 6]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Luctus de morte augustissimae Mariae Theresiae reginae Galliae. H 331]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [In honorem Sancti Ludovici regis Galliae. H 332]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Orphée descendant aux enfers. H 471]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O caelestis Jerusalem. H 252]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Dixit Dominus Domino meo. H 190]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O amor. H 253]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Lauda Jerusalem. H 191]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Omnes gentes. H 192]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Domine salvum fac Regem. H 293]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Domine salvum fac Regem. H 294]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O pretiosum et admirabile convivium. H 254]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Annuntiate superi, narrate caeli. H 333]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Magnificat. H 75]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [O pretiosum et admirandum convivium. H 255]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Litanies de la Vierge. H 83]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [Caecilia virgo et martyr. H 413]Titre uniforme : Charpentier, Marc Antoine (1643-1704). Compositeur. [In nativitatem Domini canticum. H 414]Comprend : Luctus de morte Augustissimae // Maria Theresiae Reginae Galliae ; In honorem Sancti Ludovici // Regis Galliae ; Orphee descendant // aux enfers ; Psalmus 109.us Dixit Dnus 8 vocibus et totidem instr. ; O Amor Elevation a 2 dessus et une basse chant. // ou pour une haute C. haute T. et basse chant en le transposant un ton plus haut // Son prelude est au // cahyer LVIII a 2 ; Psalmus 147 ; Autre domine ; Pro omnibus festis B V M. ; Magnificat a 3 dessus ; Litanies de la Vierge // a 6 voix et deux dessus // de violles ; Caecilia virgo et Martyr ; In nativitatem D N J C // CanticumContient : "Luctus de morte augustissimae Mariae Theresiae reginae Galliae" (H 331) ; "In honorem Sancti Ludovici regis Galliae" (H 332) ; "Orphée descendant aux enfers" (H 471) ; "O caelestis Jerusalem" (H 252) ; "Dixit Dominus Domino meo" (H 190) ; "O amor" (H 253) ; "Lauda Jerusalem" (H 191) ; "Omnes gentes" (H 192) ; "Domine salvum fac Regem" (H 293, H 294) ; "O pretiosum et admirabile convivium" (H 254) ; "Annuntiate superi, narrate caeli" (H 333) ; "Magnificat" (H 75) ; "O pretiosum et admirandum convivium" (H 255) ; "Litanies de la Vierge" (H 83) ; "Caecilia virgo et martyr" (H 413) ; "In nativitatem Domini canticum" (H 414). - Foliotation irrégulière : le vol. est paginé p. 35-36, 54-55, 91-92. - Pièce de titre avec mention : "Musique de Charpent 6"Présentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssPsaumes (musique) -- +* 1600......- 1699......+:17e siècle:Motets -- +* 1600......- 1699......+:17e siècle
Histoire de la décolonisation (61) - face B
No full textSous la direction de Charles-Robert Ageron et Marc Michel. Paris, IHTP, 1982-1986, 1991-1994, 1996-2000
Histoire de la décolonisation (62) - face B
No full textSous la direction de Charles-Robert Ageron et Marc Michel. Paris, IHTP, 1982-1986, 1991-1994, 1996-2000
Histoire de la décolonisation (63) - face B
No full textSous la direction de Charles-Robert Ageron et Marc Michel. Paris, IHTP, 1982-1986, 1991-1994, 1996-2000
Histoire de la décolonisation (03) - face B
No full textSous la direction de Charles-Robert Ageron et Marc Michel. Paris, IHTP, 1982-1986, 1991-1994, 1996-2000
Histoire de la décolonisation (59) - face B
No full textSous la direction de Charles-Robert Ageron et Marc Michel. Paris, IHTP, 1982-1986, 1991-1994, 1996-2000
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