238 research outputs found
Introduction: Composition, Text, and Editing zu: James Joyce: A portrait of the artist as a young man
No full textThe Three-Dimensional Heroine: The Intertextual Relationship Between Three Sisters and Hedda Gabler
No full textThis article reads Chekhov's play Three Sisters as a response to Ibsen's Hedda Gabler through an examination of the plays' possible intertextual relationship. The author discusses the historical context of both plays as well as their textology and staging directions
Beyond Author-Centricity in Scholarly Editing
No full textAuthorship – authority – authorisation – the author – the author’s will – the author’s intention: these form a cluster of notions whose validity for scholarly editing I fundamentally question. Taking measure from a historical survey of the discipline’s principles and practice from their institution under the dominance of stemmatics up to their main present-day ‘author orientation’ (Shillingsburg 1996), I see the need to split the terms ‘author’ and ‘authorship’ into a pragmatic versus a conceptual aspect. What textual scholarship engages with, directly and tangibly, is not authors but texts (and equally not works but texts), materially inscribed in transmissions. In the materiality and artifice of texts, ‘authoriality’ is accessible conceptually only, in a manner analog-ous to the Foucauldian ‘author function’. Under such premises, as well, ‘authority’, ‘authorisation’ and ‘authorial intention’ become recognisable as exogenous to texts, not integral to them. Consequently, I propose to abandon ‘authority’, ‘authorisation’ and ‘authorial intention’ as overriding principles and arbiters in editorial scholarship. Scholarly editing instead should re-situate itself in relation to texts, to textual criticism, to literary criticism and to literary theory alike, and do so by re-focussing the method-ology of its own practice. It should relinquish the external props termed ‘authorised document’, ‘textual authority’, or ‘authorial intention’ hitherto deferred to. Instead, it should revitalise skills fundamental to inherited editorial scholarship, namely those of critically assessing, and of editorially realising, textual validity. To re-embed editorial scholarship in literary criticism and theory, moreover, the interpretative and hermeneutic dimensions of textual criticism and scholarly editing will need to be freshly mapped
Aleksandra Śląska as Hedda Gabler
No full textThe article focuses on an analysis of Aleksandra Śląska acting in TVP Theatre play Hedda Gabler (1974) directed by Jan Świderski. By taking part in this artistic undertak-ing, the actress joined the circle of outstanding Ibsen’s actors such as: Karol Adwen-towicz, Irena Solska, Anna Gostyńska or Wanda Siemaszkowa. Śląska, who played gen-eral’s daughter, was prepossessed by character’s ambiguity, intellectual and personal cu-riousness. The actress also saw the timeliness of Ibsen’s drama in regards to emancipa-tion of emotions. Świderski adapted the play written in 1890, referring to an idea of the traditional theater. He perfectly projected the elements of scenography and props, rele-vant from actor’s transformation point of view. Moreover, the director often used a character setup typical for stage theatre – facing forwards to the camera and backwards to the interlocutor. The author of this article points out both perfect changes to Ibsen’s text and the actress’ utilization of interpretation strategy – restrained and hushed play. By nuances, transmitted through an all seeing eye of the camera, she creates an internally rich character
Dubai International Airport Expansion. A self adjusting pre-stressed tension rod façade system
No full textp. 1287-1298The growth of Dubai can probably be best seen through the increase in passenger traffic. Over the last years passenger throughput increased from 4.3 million in 1988 to
approximately 60 million in 2010. To meet the travel needs of the influx of travellers and
airlines, the government of Dubai has committed to a major expansion plan of US $ 4.1
billion for Dubai International Airport and its affiliated divisions. For the recently opened Terminal 3 consisting of Concourse 2 and Concourse 3 (all dedicated to Emirates Airlines) a self-adjusting pre-stressed tension rod façade system has been developed by Knippers Helbig KHing gmbh. It is used for the 84 `teardrop-windows¿, which differ slightly in geometry, within the 950-metre-long building of Concourse 2 as well as for the 58 'teardrop-windows' within Concourse 3. Furthermore the four gable end walls have been designed by KHing gmbh.
The structure of the 'teardrop-windows' consists of two orthogonally arranged tension rod strings, which are curved in opposite directions. They are connected to an edge beam and horizontal compression members, therefore an in itself closed static system is formed. Thus no reaction forces caused by pre-tensioning have to be carried by the primary construction.
A combination of pinned and restraint free supports causes low constraint forces within the façade system. Consequently the structure is widely decoupled from influences and
especially deflections caused by the primary structure. The pre-tensioning level of the
facade system is controlled by detailed geometrical specifications either for fabrication
stage as well as within the erection phase. Hence the measurement of pre-tension forces can be reduced to random spot checks.
This paper presents the particular features of the structural system developed for the 'teardrop windows'. Furthermore it deals with special constructional details for fabrication stage and erection phase.Oppe, M.; Gabler, M.; Helbig, T. (2010). Dubai International Airport Expansion. A self adjusting pre-stressed tension rod façade system. Editorial Universitat Politècnica de València. https://riunet.upv.es/handle/10251/707
The Making Use of the Journeys of Vilém Gabler in Educational Practice
No full textPo životní a pracovní charakteristice osobnosti Viléma Gablera se autor soustředí na analýzu jeho tří zásadních studijních cest a jejich využití v Gablerově pedagogické činnosti. Jedná se o cesty do Francie (1846), během které studuje dějiny francouzské revoluce, dále jeho cestování po Srbsku 1852) a dále je popsána jeho studijní cesta do Brixenu po stopách K. Havlíčka. Závěrem se autor soustředí na pedagogickou cestu po zařízeních pro vzdělávání dívek (1863).The article focused on the life and work of Vilém Gabler and analysed his various journeys and stays abroad: the first being to France (1846), followed by one in Serbia (1852) and to Brixen (1862) in the footsteps of Karel Havlíček. In conclusion author fucsed to the pedagogical journey in the west Europe with the aim to visit various institutions for the education of joung women )1863)
Text genetics in literary modernism and other essays /
No full text"This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors. Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age. Written in Gabler's fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities."--Publisher's website.Available through Open Book Publishers.Includes bibliographical references (pages 379-394) and indexes.Foreword -- 1. The Rocky Road to Ulysses -- 2. 'He chronicled with patience': Early Joycean Progressions Between Non-Fiction and Fiction -- 3. James Joyce Interpreneur -- 4. Structures of Memory and Orientation: Steering a Course Through Wandering Rocks -- 5. Editing Text--Editing Work -- 6. Theorizing the Digital Scholarly Edition -- 7. Thoughts on Scholarly Editing -- 8. Beyond Author-Centricity in Scholarly Editing -- 9. Sourcing and Editing Shakespeare: The Bibliographical Fallacy -- 10. The Draft Manuscript as Material Foundation for Genetic Editing and Genetic Criticism -- 11. A Tale of Two Texts: Or, How One Might Edit Virginia Woolf's To the Lighthouse -- 12. Auto-Palimpsests: Virginia Woolf's Late Drafting of Her Early Life -- 13. From Memory to Fiction: An Essay in Genetic Criticism -- 14. Johann Sebastian Bach's Two-Choir Passion -- 15. Argument into Design: Editions as a Sub-Species of the Printed Book -- 16. Cultural versus Editorial Canonising:The Cases of Shakespeare, of Joyce -- Bibliography -- Acknowledgments -- List of Illustrations -- Index."This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors. Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age. Written in Gabler's fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities."--Publisher's website.Print version record.JSTO
Kundenorientierte Vergütungssysteme im Relationship Marketing: Anforderungen, Konzeptionalisierung, Institutionalisierung
No full textCompensation systems are an essential tool to link corporate goals such as customer orientation with individual and oganisational performance. However, companies have encountered problems after linking pay to customer satisfaction. The author develops a conceptual framework of a internal marketing focused and success chain driven performance system that enables organisations to systematically derive a customer-oriented reward strategy and identify cause-and-effect relationships when linking rewards to nonfinancial performance measures
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