1,720,959 research outputs found
Mark Girouard, Robert Smythson & the Elizabethan Country House.
No full textMantion Jean-Rémy. Mark Girouard, Robert Smythson & the Elizabethan Country House.. In: Annales. Économies, Sociétés, Civilisations. 39ᵉ année, N. 6, 1984. pp. 1237-1240
Le pas des anges dans le jardin Paysage d'Edgar Allan Poe
No full textMantion Jean-Rémy. Le pas des anges dans le jardin Paysage d'Edgar Allan Poe. In: Littérature, n°61, 1986. Paysages. pp. 65-75
Bernard Denvir, The Eighteenth Century. Art, Design and Society, 1689-1789
No full textMantion Jean-Rémy. Bernard Denvir, The Eighteenth Century. Art, Design and Society, 1689-1789. In: Annales. Économies, Sociétés, Civilisations. 38ᵉ année, N. 6, 1983. pp. 1302-1303
La lettre d'Aristote
No full textMantion Jean-Rémy. La lettre d'Aristote. In: Littératures classiques, n°11, janvier 1989. La littérature et le réel. pp. 43-57
Georges Weill et Véronique Magnol-Malhache, Jardins et paysages des Hauts-de-Seine, de la Renaissance à l'art moderne
No full textMantion Jean-Rémy. Georges Weill et Véronique Magnol-Malhache, Jardins et paysages des Hauts-de-Seine, de la Renaissance à l'art moderne. In: Annales. Économies, Sociétés, Civilisations. 41ᵉ année, N. 6, 1986. pp. 1431-1433
La terre évaporée, le jardin en reste(s)
No full textBased on several major texts of the classical period, mainly "Le jardin de plaisir" by A. Mollet and "La théorie et la pratique du jardinage" by Dezallier d'Argenville, the author analyzes several practices that we would find archaic today but which demonstrate the singular, almost physical relationship between the gardener and the soil. These practices and rituals make use of taste and smell and have been ignored since the mid- 18th century. The suppression of these practices raises questions about the role of gardening or gardens as a liberal art that can be included among the fine arts.A travers la lecture de quelques grands textes de l'époque classique {Le jardin de plaisir d'A. Mollet et La théorie et la pratique du jardinage de Dezallier d'Argenville essentiellement) l'auteur analyse certaines pratiques que l'on qualifiera d'archaïque et qui témoignent d'un rapport singulier et, pour ainsi dire, physique du jardinier à la terre, pratiques ou rituels qui mettent en œuvre l'exercice de sens (le goût, l'odorat) qui seront passés sous silence à partir du milieu du XVIIIe siècle. Le refoulement de ces pratiques posent le problème de la place du jardinage ou de l'art des jardins en tant qu'art libéral pouvant être accueili dans les systèmes des beaux-arts.Mantion Jean-Rémy. La terre évaporée, le jardin en reste(s). In: Journal d'agriculture traditionnelle et de botanique appliquée, 37ᵉ année, bulletin n°1,1995. pp. 17-30
Le lieu du génie. Remarques sur la géographie de l'art
No full textThe Locus of Genius: Remarks on the Geography of Art
This article begins by analyzing eighteenth-century theories about climate (such as those developed most notably by du Bos), according to which England was incapable of being the locus of any form of artistic achievement. Several European authors— Latapie (who in 1771 translated Whately's Observations of Modern Gardening), Kant and Reynolds—are examined with a view to explaining the fracture and theoretical difficulties provoked by the sudden appearance and spread of landscape gardening in Europe. Regarded by some as the expression of English politico-economic genius and as commodity unexportable outside its native land (Walpole) landscape gardening it is argued here- allows us to reexamine the question of the "Englishness of English art", still debated by leading art historians such as Sir Nikolaus Pevsner.Mantion Jean-Rémy. Le lieu du génie. Remarques sur la géographie de l'art. In: Annales. Économies, Sociétés, Civilisations. 38ᵉ année, N. 5, 1983. pp. 1084-1096
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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