1,720,952 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The Middle-(un)man of Desire: A Girardian Reading of Lewis’s Perelandra
The French polymath René Girard presents a compelling argument that all desire is mimetic. According to Girard, we don’t actually know what we want; instead, we imitate the desires of others. This imitation is pervasive: children imitating their parents, athletes emulating their favorite sports stars, writers their favorite authors, and rivals mirroring each other. These models of desire act as mediators, indicating what objects or ways of being are worth pursuing. For Girard, desire exists in this middle place between a subject, a model, and an object. Thus, desire is interdividual. When the object of desire can be shared, mimetic desire leads to friendship. However, when the object cannot be shared, rivalry and violence inevitably ensue. Girard famously argues that all great literature leverages an awareness of mimetic dynamics; the greater the work, the more mimetically perspicacious the author. Given Girard’s theory, we would expect the greatest fantasy authors to erect their subcreative world with an intimate awareness of mimetic desire. When we turn to Lewis, this is exactly what we find. Lewis repeatedly explores this middle place of desire with mimetic characters like Edmund Pevensie, Orual, and the inner-circlehungry Studdocks. But perhaps Lewis’s most insightful exploration of this middle place of desire comes in the middle book of his Ransom trilogy. Perelandra presents a supposal of what might have happened in the garden of Eden when Satan tempted Eve, and Lewis envisions this event as inexorably mimetic. On unfallen Perelandra, the Unman takes up the mantle of the pander or go-between (the most powerful kind of mimetic model) to entice the green woman to break God’s one command. In this paper, I will argue that the Unman’s entire strategy rests on leveraging the power of mimetic desire and explore how Girard’s insights reveal Lewis’s take on Satanic deception
The Middle-(Un)man of Desire: A Girardian Reading of \u3ci\u3ePerelandra\u3c/i\u3e
The French polymath René Girard presents a compelling argument that all desire is mimetic. According to Girard, we don’t actually know what we want; instead, we imitate the desires of others. These models of desire act as mediators, indicating what objects or ways of being are worth pursuing. For Girard, desire exists in this middle place between a subject, a model, and an object. He famously argues that all great literature leverages an awareness of mimetic dynamics; the greater the work, the more mimetically perspicacious the author.
Given Girard’s theory, we would expect the greatest fantasy authors to erect their sub-creative world with an intimate awareness of mimetic desire. When we turn to Lewis, this is exactly what we find. Lewis repeatedly explores this middle place of desire with mimetic characters like Edmund Pevensie, Orual, and the inner-circle-hungry Studdocks. But perhaps Lewis’s most insightful exploration of this middle place of desire comes in the middle book of his Ransom trilogy. Perelandra presents a supposal of what might have happened in the garden of Eden when Satan tempted Eve, and Lewis envisions this event as inexorably mimetic. On unfallen Perelandra, the Unman takes up the mantle of the pander or go-between (the most powerful kind of mimetic model) to entice the green woman to break God’s one command. I argue that the Unman’s entire strategy rests on leveraging the power of mimetic desire and explore how Girard’s insights reveal Lewis’s take on Satanic deception. Therefore, a Girardian reading of Perelandra offers fruitful insight into Lewis’s take on Satanic deception
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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