1,721,128 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Multi-Scale Banking to 45º
Abstract—In his text Visualizing Data, William Cleveland demonstrates how the aspect ratio of a line chart can affect an analyst’s perception of trends in the data. Cleveland proposes an optimization technique for computing the aspect ratio such that the average absolute orientation of line segments in the chart is equal to 45 degrees. This technique, called banking to 45°, is designed to maximize the discriminability of the orientations of the line segments in the chart. In this paper, we revisit this classic result and describe two new extensions. First, we propose alternate optimization criteria designed to further improve the visual perception of line segment orientations. Second, we develop multi-scale banking, a technique that combines spectral analysis with banking to 45°. Our technique automatically identifies trends at various frequency scales and then generates a banked chart for each of these scales. We demonstrate the utility of our techniques in a range of visualization tools and analysis examples. Index Terms—Information visualization, banking to 45 degrees, line charts, time-series, sparklines, graphical perception
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