42,094 research outputs found
David Mamet A Research and Production Sourcebook
The most complete record of a contemporary American dramatist available, David Mamet: A Resource and Production Sourcebook is the result of ten years' research by a widely published drama and theatre scholar and a university bibliographic specialist. Presenting a complete overview of all reviews and scholarshp on Mamet, the authors challenge assumptions about the playwright, such as the charge that he is an antifeminist writer. This comprehensive sourcebook is an essential purchase for Mamet scholars and students of American drama alike. David Mamet: A Resource and Production Sourcebook reflects the revolution underway in the study of drama, in which not only previous scholarship but performance reviews are a necessary part of research. It gives a complete listing and overview of over 250 scholarly articles and chapters of books on Mamet's plays. It also presents the complete production history of each play, including review excerpts. The authors have produced an invaluable guide to research into this key contemporary dramatist.Intro -- Contents -- Preface -- A Note on Use -- Acknowledgments -- Life and Career -- Chronology -- Primary Bibliography -- Selected Short Writings -- Selected Interviews and Profiles -- Plays: Summaries, Productions, Overviews, Reviews and Scholarly Criticism -- American Buffalo (AB) -- Bobby Gould in Hell (BGH) -- Boston Marriage (BM) -- Three Children's Plays -- The Revenge of the Space Pandas (RSP) -- The Poet and the Rent (PR) -- Frog Prince (FP) -- The Cryptogram (C) -- Duck Variations (DV) -- Edmond (E) -- Glengarry Glen Ross (GGR) -- Lakeboat (L) -- A Life in the Theatre (LITT) -- The Old Neighborhood (ON) -- Oleanna (O) -- Reunion, Dark Pony, The Sanctity of Marriage (R/DP/S) -- Sexual Perversity in Chicago (SPC) -- The Shawl and Prairie du Chien (S/PdC) -- Short Plays -- Death Defying Acts: "The Interview" (DDA) -- Goldberg Street & -- Crosspatch (GS& -- C) -- Jade Mountain (JM) -- Lone Canoe (LC) -- No One Will Be Immune (NWB) -- A Sermon (S) -- Uncle Vanya (UV) -- Speed-the-Plow (STP) -- Squirrels (S) -- The Water Engine: An American Fable (WE) -- The Woods (W) -- Scholarly Criticism of Multiple Plays (MP) -- Dissertations on Mamet (D) -- Selected Film Scholarship (F) -- Bibliographies and Reference Books (BR) -- Name Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZThe most complete record of a contemporary American dramatist available, David Mamet: A Resource and Production Sourcebook is the result of ten years' research by a widely published drama and theatre scholar and a university bibliographic specialist. Presenting a complete overview of all reviews and scholarshp on Mamet, the authors challenge assumptions about the playwright, such as the charge that he is an antifeminist writer. This comprehensive sourcebook is an essential purchase for Mamet scholars and students of American drama alike. David Mamet: A Resource and Production Sourcebook reflects the revolution underway in the study of drama, in which not only previous scholarship but performance reviews are a necessary part of research. It gives a complete listing and overview of over 250 scholarly articles and chapters of books on Mamet's plays. It also presents the complete production history of each play, including review excerpts. The authors have produced an invaluable guide to research into this key contemporary dramatist.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
«Himno de retirada», de David Mamet.
El dramaturgo David Mamet ofrece en su obra «Himno de retirada» un retrato alarmante de la actual situación política y cultural en Estados Unidos. Más allá de lo que conocemos como cultura woke y sus manifestaciones más inmediatas: teoría racial, corrección política, degradación de la universidad y las consiguientes restricciones a la libertad de expresión, se desarrolla una feroz batalla cultural y política de la que dicho fenómeno sería la punta del iceberg. En esta recopilación de artículos, David Mamet ataca esos aspectos más evidentes, pero entra, sobre todo, en el fondo político del asunto que, en Estados Unidos, reviste en su opinión una gravedad extrema. Su visión no puede ser más pesimista. Marcados por la obligada brevedad del artículo periodístico, los textos son especialmente contundentes, primando los recursos literarios sobre el razonamiento detenido y matizado. Para Mamet, Estados Unidos asiste a una guerra civil en ciernes en la que está en juego su propia democracia constitucional. Por encima de sus múltiples aspectos (la enseñanza, la prensa, la política, las medidas contra la COVID, el uso del lenguaje…), señala como un asunto capital el que un sector político (la izquierda) no se limite a rechazar las ideas del adversario, sino que le niegue su derecho a existir
O xale, de David Mamet
A peça The shawl, de David Mamet, foi encenada pela primeira vez em 19 de abril de 1985, pela Goodman Theatre´s New Theatre Company, em Chicago, no Briar Street Theatre
The Mamet Project (1997)
Program for The Mamet Project, a collage of sketches and short plays by David Mamet, performed by UMBC Theatre Department in Fall 1997. Excerpts were taken from Passover, Doctor, Australia, House of Games, Sexual Perversity in Chicago, The Water Engine, All Men are Whores, L.A., Reunion, Cold, and The Cryptogram.November 18-22, 199
David Mamet
Questo saggio critico sull'attività di David Mamet, drammaturgo, intende avvicinare il pubblico teatrale italiano a tale controverso grande autore ebraico.Questo saggio riguarda la carriera letteraria di David Mamet, la cui scrittura si può caratterizzare come performativa. Lo scrittore esprime, attraverso le sue opere, il dramma dell'epoca contemporanea, cui è impossibile per l'uomo trovare una possibile soluzione. Il taglio del saggio consente di situare Mamet, noto per l'uso del linguaggio osceno, tra i drammaturghi più seri e impegnati sul fronte linguistico.This is a chapter on American playwright David Mamet's literary career, where attention is drawn to his performative use of the language and the drama of the contemporary age, where all solutions to problems are impossible to find. The essay allows one to become aware of Mamet's engagement - in spite of his notoriety among language "purists" - in the linguistic and stylistic field
David Mamet: Dramatic craftsman
The aphasic speech patterns that typify the vocabulary of so many of David Mamet\u27s characters is the objective correlative of the Russian theatrical giant Constantin Stanislavsky\u27s theory that words create behavior. Unable to find language capable of defining the gap between their spiritual needs as human beings and the reality of their everyday existences, Mamet\u27s characters frequently resort to using words that appear inappropriate or even incoherent on an objective level but metaphorically reveal the characters\u27 understanding of, and relationship to, the external world. Consequently, language functions as the solder that welds Mamet\u27s artistic technique and personal philosophy together, a poetic device through which the playwright portrays an entire culture\u27s failure to examine itself analytically. To stress the importance of his characters\u27 language, Mamet has often chosen to minimize the role of such traditional dramatic techniques as plot, setting, and conflict in his work so that the audience\u27s attention is riveted squarely upon the actors and the dialogue they are speaking, forcing not just plot but also theme to flow naturally from the linguistic rhythms intrinsic within the play. Further, the themes which Mamet explores are inextricably entwined with his subject matter, which encompasses such broad subjects as the mundanity of the American laborer\u27s life; two elderly Jewish men\u27s ruminations about ducks; a group of petty thieves\u27 ineffectual attempts to commit a robbery; the confusion of alienated urban singles; the machinations of real estate salesmen, doctors, actors, and lawyers; the moral dilemmas of a fictionalized version of legendary Chicago gangbuster Eliot Ness; and so on. Mamet\u27s diverse works are vehicles through which he confronts the fundamental mystery of human existence; as he has stated: thinspace\u27How can we live in a world in which we know we\u27re going to die?\u27 thinspace All of the characters in Mamet\u27s canon are personifications of an estranged and confused culture\u27s desperate need to discover worthwhile spiritual values. An examination of Mamet\u27s works, the writings of those who have influenced him, and extent critical commentary reveals the evolution of Mamet\u27s artistic vision, which is firmly grounded within the relationship between his characters\u27 use of language and the author\u27s understanding of human nature
Glengarry Glen Ross
Glengarry Glen Ros by David Mamet, Directed by J.M. SullivanResource Centre for the Arts (RCA
"American Buffalo" by David Mamet: set model
"American Buffalo" by David Mamet: set model. Director: Joy Zinoman, Designer: Russell Metheny, Theater: The Milton Theatre, Opening Date: May 5, 2010
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