1,720,962 research outputs found

    Apraxia of Speech: Impaired Access to Motor Programs or Damaged Motor Programs?

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    Definitions of apraxia of speech (AOS) describe this motor speech disorder as an impairment in planning and programming of speech movements (Duffy, 2005). The exact underlying mechanism of the impairment, however, is not well understood. The purpose of this investigation is to specify the speech planning impairment in AOS by testing two specific hypotheses framed in the DIVA model (Guenther, 2006)

    Feedback and Feedforward Control in Speech Production in Apraxia of Speech and Aphasia

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    Apraxia of speech (AOS) is considered to be a speech motor planning impairment (e.g., McNeil et al., 2009), but the nature of this impairment remains poorly understood. The present study was designed to test two hypotheses about the nature of AOS, framed in the DIVA model (Guenther et al., 2006). The DIVA model assumes that speech targets are regions in auditory space, and combines two control mechanisms to reach those targets: feedback control and feedforward control. The feedback mechanism generates corrective motor commands when the actual speech sound deviates from the intended speech sound. The feedforward mechanism generates predictive motor commands based on past experiences with the speech target. In the context of the DIVA model, we developed two hypotheses about possible underlying deficits in AOS. The Feedforward Control Impairment (FF) hypothesis states that feedforward control is impaired in AOS, with consequently a greater reliance on feedback control (Jacks, 2008). The Feedback Control Impairment (FB) hypothesis states that feedback control is impaired in AOS; concurrent feedback may be disruptive (cf. Ballard & Robin, 2007). We tested these hypotheses by measuring acoustic vowel contrast in two conditions: normal listening and auditory feedback masking. Under masking conditions, unimpaired speakers maintain segmental contrast (suggesting adequate feedforward commands to support speech without auditory feedback) even though contrast is somewhat reduced (suggesting on-line use of auditory feedback) (Perkell et al., 2007). The FF hypothesis predicts a greater reduction of segmental contrast with feedback masking in speakers with AOS than in controls, because effective removal of the auditory feedback control strategy will reveal the impaired feedforward commands. The FB hypothesis, in contrast, predicts increased segmental contrast with feedback masking, because removal of auditory feedback will allow the intact feedforward commands to produce adequate contrasts. One previous study that used feedback masking in AOS examined vowel duration and found longer vowels with masking in AOS and controls (Rogers et al., 1996); the present study also examined vowel duration

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Feedback and feedforward control in apraxia of speech: Noise masking effects on fricative production

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    The present study tested two hypotheses about apraxia of speech (AOS), framed in the DIVA model (Guenther, Ghosh, & Tourville, 2006). The DIVA model assumes that speech targets are regions in auditory space, and combines two mechanisms to reach those targets: feedback control and feedforward control. The Feedforward System Deficit (FF) hypothesis states that feedforward control is impaired in AOS, with consequently a greater reliance on feedback control (Jacks, 2008; Maas, Mailend, & Guenther, 2013). The Feedback System Deficit (FB) hypothesis states that feedback control is impaired in AOS; for example, self-generated auditory feedback may be disruptive (cf. Ballard & Robin, 2007). We tested these hypotheses by measuring acoustic fricative contrast in normal listening and noise masking conditions. The rationale is that noise masking effectively eliminates the self-generated auditory feedback signal, thus forcing a greater reliance on feedforward control. For unimpaired speakers, we predict a reduction in acoustic contrast, given evidence that speakers monitor and use auditory feedback on-line (e.g., Tourville, Reilly, & Guenther, 2008), though this reduction is expected to be small given the robust feedforward commands presumably available to unimpaired speakers (e.g., Perkell, 2012). For speakers with AOS, the FF hypothesis predicts greater reduction of contrast with masking in AOS patients than in controls, because removal of auditory feedback will reveal the impaired feedforward commands. The FB hypothesis predicts increased contrast with feedback masking, because removal of interfering auditory feedback enables intact feedforward commands to produce adequate contrasts

    Feedforward and feedback control in apraxia of speech: effects of noise masking on vowel production

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    PURPOSE: This study was designed to test two hypotheses about apraxia of speech (AOS) derived from the Directions Into Velocities of Articulators (DIVA) model (Guenther et al., 2006): the feedforward system deficit hypothesis and the feedback system deficit hypothesis. METHOD: The authors used noise masking to minimize auditory feedback during speech. Six speakers with AOS and aphasia, 4 with aphasia without AOS, and 2 groups of speakers without impairment (younger and older adults) participated. Acoustic measures of vowel contrast, variability, and duration were analyzed. RESULTS: Younger, but not older, speakers without impairment showed significantly reduced vowel contrast with noise masking. Relative to older controls, the AOS group showed longer vowel durations overall (regardless of masking condition) and a greater reduction in vowel contrast under masking conditions. There were no significant differences in variability. Three of the 6 speakers with AOS demonstrated the group pattern. Speakers with aphasia without AOS did not differ from controls in contrast, duration, or variability. CONCLUSION: The greater reduction in vowel contrast with masking noise for the AOS group is consistent with the feedforward system deficit hypothesis but not with the feedback system deficit hypothesis; however, effects were small and not present in all individual speakers with AOS. Theoretical implications and alternative interpretations of these findings are discussed.R01 DC002852 - NIDCD NIH HHS; R01 DC007683 - NIDCD NIH HH

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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