1,721,043 research outputs found
Die Stadt aus Papier. Triest und seine Literatur
No full textMagris Claudio. Die Stadt aus Papier. Triest und seine Literatur. In: Revue des sciences sociales de la France de l'Est, N°19, 1991. Villes mémoires, villes frontières. pp. 54-60
Tre lettere a Arturo Colombo
No full textFiducia e amicizia. Un binomio inscindibile. I rapporti professionali sono anche occasioni per
allacciare rapporti umani indispensabili per una completa maturazione. Nella continua ricerca dei
propri obiettivi la fiducia diventa la condizione per vincere dubbi e paure, il pretesto per mettersi
alla prova, l'occasione per trasformare l'amicizia fra un professore universitario e un giovane
ricercatore in un sentimento di profonda gratitudine
At bebo øjeblikket. Intertekstuelle referencer til Henrik Ibsen og J. P. Jacobsen i Claudio Magris' roman Un altro mare / Abitare il momento. Riferimenti intertestuali a Henrik Ibsen e J.P. Jacobsen nel romanzo Un altro mare di Claudio Magris
No full textIbsen (Henrik), Jacobsen (J.P.), Magris (Claudio), Intertekstualite
Der Autor und seine Übersetzer
Full text linkClaudio Magris reports his experience as an author owing a lot to translation, the task of self-translating and the fact of being translated in many different languages. In general, “translations” are underestimated in their intellectual value. As far as literary translations are concerned, they should be considered as real creative activities. Literary texts themselves – such as the short stories “Averroës Search” (“La Busca de Averroes”) by Borges and “Bad Nature” (“Mala índole”) by Javier Marìas – often reflect on translations and on questions dealing with translating issues. Moreover, Magris points out specific translating difficulties concerning his works (such as rhythmic, metaphorical and cross-cultural questions)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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