1,720,952 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Produrre e nutrirsi "bio" : analisi comparata del diritto degli alimenti biologici = Producing and eating "bio" : a comparative analysis of the law of organic food

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    The European Union and the United States represent the world’s largest markets for organic food. Despite the need for harmonization of organic standards, the legal systems of the largest food market of the world have accomplished a merely relative disciplinary convergence on organic food production and consumption. Retracing the most important steps of the organic phenomenon, which was born as a philosophical movement and as a reaction to the industrialization of agricultural production between the two world wars, this paper analyzes the concept of "organic farming" as an agricultural production method which requires farmers to follow certain rules and limit the use of pesticides and other chemicals. Following a general exposure of the legal frameworks in both areas, created during the 90s in order to respond to public concerns about the intensification of livestock production and several food scandals –, the first chapter of the paper analyzes the value of consumer’s trust in the accuracy and truthfulness of organic labeled products, considering that they represent typical credence goods, where consumers lack the possibility to check by themselves the “quality” attached to the food that they have chosen in the market, and if the manufacturer has complied with the rules expressing this quality. As a matter of fact, the quality of organic food is only guaranteed through proper labelling and the certification of the production process or the final product by third-party organizations. The second chapter evaluates the regulations both in the US and in the European model, paying particular attention to import and export regimes in both areas. As regards the U.S. area, traditionally inspired by a very confident approach towards technology, the paper provides a comprehensive exposure of the standards of the National Organic Program and their implementation. In the European Union context, the paper explores the provisions of Council Regulation (EC) No 834/2007 of 28 June 2007, whose compliance enables any food producer to qualify products as "organic". The third chapter considers the implementation of the European regulation by the Italian legislative decree no. 220/1995, which confers the control over actors in the organic sector to private bodies, authorized for this purpose by the Ministry of Agriculture, Food and Forestry, the Italian authority responsible for the coordination of technical and administrative activities related to the application of the EU regulation. For that purpose, the Ministry collaborates with the Italian autonomous regions and provinces, which have taken a leading role in the national organic sector (even anticipating the European Community’s legal initiative of the 90s). Their most significant contributions to the field, like for instance the encouragement of local farmers and the explicit regulation of the coexistence between organic, non-organic and GM crops, will be discussed in further detail, as well as the rules envisaging an alternative agricultural method called “integrated agriculture”. In the last chapter, the paper analyzes whether and what kind of responsibility may arise from the violation of legislation on organic food, considering the possible venues of redress for consumers willing to vindicate the misbranding of organic food against not only the producers but also the intermediaries of the supply chain. In this view a powerful tool is certainly represented by the remodeled class action, as contained within art. 140-bis of the Italian Consumers’ Code. This instrument is inspired by the US class action, whose essential characteristics will be compared with its (often uncertain) application upon the different Italian regulatory environment. Finally, the paper considers the new widespread responsibility in the food supply chain based on food labeling and more generally on any information attached to food placed into the market, which has been introduced by the Regulation (EU) No. 1169/2011

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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