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    Greek Post-Symbolist poetics

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    This thesis explores the poetics of the Greek Post-Symbolists, a group of early twentieth-century poets whose main period of activity falls in the years between the Generation of the 1880s and that of the 1930s.By focussing on Post-Symbolist concepts of the role of poetry and on the way in which Post-Symbolist poems are constructed, this thesis examines the poetic system of a group of poets who occupy a transitional period in the history of Modern Greek literature.The Post-Symbolists question both the nationalism of poets of the Generation of the 1880s and their own place in society. Post-Symbolist poetry focuses on themes related to the interior landscape of the individual. It promotes negation and absence, de-emphasizes external reality, foregrounding a poetic reality created through the acoustic links between words, and it undermines the importance previously attached to metre and rhythm in poetry.In this way Post-Symbolist poetic language constitutes a reaction against the dominant poetic discourse of the time, and a turning-point in twentieth-century Greek poetry.This thesis explores both the internal structure of Post-Symbolist poetry and the relationship between Post-Symbolism on the one hand and the discourses of the Generation of the 1880s and of the Generation of the 1930s on the other, placing this in the historical, socio-political and ideological context of time

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Greek short stories in the last quarter of the twentieth century: contribution to an exploration of the postmodern

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    The thesis examines Greek short stories written and published since the fall of the dictatorship in Greece in 1974, a year marking the beginning of the country's increasing opening to western lifestyles, mentalities and preoccupations. The present research explores two questions: How do Greek short stories of this period respond to the challenges of the postmodern condition, and what is the picture of the postmodern that one could draw from these texts. To this goal more than a hundred short stories are examined, by Sotiris Dimitriou, Michel Fais, Rhea Galanaki, E. Ch. Gonatas, Yiorgos loannou, Christophoros Milionis, Dimitris Nollas, I. Ch. Papadimitrakopoulos, Ersi Sotiropoulou, Christos Vakalopoulos, and Zyranna Zateli. The thesis is structured on a thematic basis, studying the major themes of reality and the subject, in order to evaluate the kind and degree of subversion that this fundamental bipolar axis of modern thought is undergoing in the postmodern condition. The readings are informed by contemporary theory, ranging from microhistory and Bakhtinian dialogism to poststructuralism and deconstruction, Levinas's ethical theory and Wittgensteinian language games. The textual analysis reveals that the traditional notion of reality as a unified totality is coming under severe strain; the critique mounted by the texts ranges from negative recognition of cosmological plurality through epistemological failure to an increasingly positive recognition of multiple incommensurate universes, be that by means of metafiction or, more radically still, a magic realism that transcends the world of the text to imbue performatively the world of the reader. The reality of the past in the form of historical truth is another target of scrutiny, as the unearthing of multiple insignificant, private and a-systemic events undermines the formerly dominant monolithic representations of the past and uncover its discursive construction, thereby facilitating the emergence of marginal historical subjects by means of fictional terms. Accordingly, the subject is no longer represented as a dominant and autonomous agent but as discursively constructed within a web of power relations. Yet this predicament creates the potential for a narrative identity and an alternative ethics founded on the acknowledgment of difference and interpersonal relations. Lastly, games, and especially language games, as a particular trope of merging reality and the subject, signal the cultural determination of irredeemable difference and plurality that is a constant in postmodern critique. Apart from suggesting the significance of the texts studied and proposing novel approaches to them, the thesis also promotes the re-evaluation of the short story as a genre in the study of the contemporary, while at the same time offering a detailed account of particular instances of postmodern critique on the fundaments of modern thought

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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