819 research outputs found
Fine Arts Gallery: Dylan Mackenzie
No full textDylan has a diagnosis of ASD [Autism Spectrum Disorder]. This impacts his ability to communicate - he is (mostly) non-verbal, and as a result this affects his learning and emotional development. Dylan will likely require support throughout his life. Nonetheless, he is physically fit and active, loving and good humoured.
His love of the outdoors inspires his artistic practice, and he attends regular classes and workshops at Project Ability - a Glasgow-based visual arts organisation which creates artistic opportunities for people of all ages with disabilities and people with lived experience of mental ill-health.
He explores experiences through lyrical and expressive mark making, translating visual scenes into physical, and frequently adding gathered natural materials as mediums, making his work tactile and connecting to an oft visited landscape, while depicting moments of looking and reflecting – of receptivity.
Although his compositions do contain an element of a preconceived notion that guides, they also reveal themselves, discovered and elaborated in the course of their execution and capturing an element of that moment, and at a minimum express the sheer joy of covering something in paint
Airborne measurements from the GEM study
No full textPlease see README file for a detailed description of the data.This archive contains airborne measurements from the GEM campaign. Data are archived in association with the following manuscript: Yu, X., D.B. Millet, K.C. Wells, T.J. Griffis, X. Chen, J.M. Baker,
S.A. Conley, M.L. Smith, A. Gvakharia, E.A. Kort, G. Plant, and J.D. Wood (2020), Top-down constraints on methane point source emissions from animal agriculture and waste based on new airborne measurements in the US Upper Midwest, J. Geophys. Res., 125, e2019JG005429, doi:10.1029/2019JG005429.NASA (#NNX17AK18G, #80NSSC18K1393)Millet, Dylan B.; Conley, Stephan A.; Gvakharia, Alexander; Kort, Eric A.; Plant, Genevieve; Smith, Mackenzie L.; Yu, Xueying. (2019). Airborne measurements from the GEM study. Retrieved from the University Digital Conservancy, https://doi.org/10.13020/f50r-zh70
Dylan: A Commemoration
No full textDylan: A Commemoration. Edited by Stephen Pickering. California, 1971. Philosophical musings of an early Dylan enthusiast. This rare publication explores the author\u27s appreciation for Dylan as the greatest poet of the century, and rejects the rationalist distortions of rock magazines. Released the same year as Tarantula, it hails the work as scintillating and brilliant.https://digitalcommons.lasalle.edu/dylan_popular_culture_response/1000/thumbnail.jp
Bob Dylan and religion
No full textThis article, which is located within the field of research on religion and popular culture, is a discussion of the relations of one particular rock artist, Bob Dylan, to religion. Religion can be seen as a recurring topic in Dylan’s work—particularly during a period at the end of the 1970s and beginning of the 1980s, often referred to as his ‘Christian era’—and also in the discourses around him. This article explores how the topic of religion appears in discourses around Bob Dylan. In this article one particular aspect of the connection between religion and popular culture is looked at: the construction of certain artists or stars as religious figures, and more specifically Bob Dylan as a case. The author does not try to discover whether Dylan is religious or not; or which religion he possibly adheres to. Rather, the author looks at how rock artists and in this case Bob Dylan are ‘constructed’ as religious figures
Bob Dylan and religion
No full textThis article, which is located within the field of research on religion and popular culture, is a discussion of the relations of one particular rock artist, Bob Dylan, to religion. Religion can be seen as a recurring topic in Dylan’s work—particularly during a period at the end of the 1970s and beginning of the 1980s, often referred to as his ‘Christian era’—and also in the discourses around him. This article explores how the topic of religion appears in discourses around Bob Dylan. In this article one particular aspect of the connection between religion and popular culture is looked at: the construction of certain artists or stars as religious figures, and more specifically Bob Dylan as a case. The author does not try to discover whether Dylan is religious or not; or which religion he possibly adheres to. Rather, the author looks at how rock artists and in this case Bob Dylan are ‘constructed’ as religious figures.
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Dylan
No full textThe Indonesian poet and public figure Goenawan Mohamad published "Bob Dylan" in the magazine Tempo and it was also published in the English version of Tempo. Reprinted by permission of the author Goenawan Mohamad and the translator Jennifer Lindsay
Gratitude as a practice to manage uncertainty and foster well being
No full textDylan Le Roy is a Student Affairs and Services Counsellor at Douglas College. He provided a much-needed “Managing Uncertainty with Gratitude” session for the Better Together Conference.
The campus community and the world are experiencing a large amount of uncertainty and change. Dylan Le Roy discusses how this increase in uncertainty may have impacted our sense of wellbeing. Through an experiential practice, participants explore how grounding in gratitude can help foster a greater sense of resiliency, creativity, and connection.presentationBetter Together Conferenc
Tyler Dylan Lotz Artist Lecture
No full textJoin us in the Peeler Auditorium on September 19th, at 4:15pm for an artist talk by exhibiting ceramicist, Tyler Dylan Lotz. Currently a professor at Illinois State University, Lotz\u27s work has been shown previously in both solo and group exhibitions at venues including the Elmhurst Art Museum – Elmhurst, Illinois, Harvey/Meadows Gallery - Aspen, Co, Dubhe Carreño Gallery - Chicago IL, Cervini Haas Gallery/Gallery Materia - Scottsdale, AZ, Cross-Mackenzie Gallery - Washington DC, Franklin Parrasch Gallery - NYC, Santa Fe Clay – NM, The Clay Studio – Philadelphia, PA, and SOFA Chicago. Additionally, his work has been presented abroad at The First World Ceramic Biennale Korea and 2010 Vallauris Biennale Internationale in Vallauris, France. Tyler’s work has been acquired by collections including the Daum Museum of Contemporary Art, in Missouri, and the Icheon World Ceramic Center in Korea. Publications including Ceramics Monthly, American Craft, Studio Potter and the Clay In Art International Yearbook have featured his work. He has been an artist in residence at the Archie Bray Foundation and the Red Lodge Clay Center in Montana, as well as the Watershed Center for Ceramics in Newcastle, Maine. In 2010, he was one of 12 international artists invited to make and exhibit work in Walbrzych, Poland as a member of the XXXIV International Ceramics Symposium “Porcelain Another Way.” Having received his BFA from Penn State and his MFA from the New York State College of Ceramics at Alfred University, we are very excited to have his work on display here at the Peeler Art Center this semester.https://scholarship.depauw.edu/peeler_event/1076/thumbnail.jp
Dylan to English Dictionary
No full textDylan to English Dictionary, by A.J. Weberman. New York, 2005.
This curious resource would seem, at first glance, to be a basic reference work treating Dylan\u27s lyrics to some form of translation. One only needs to read the very first paragraph of this work to learn that its author was deeply obsessed with Dylan, and through various experiences on LSD came to believe he could interpret hidden meaning in all of Dylan\u27s lyrics. He also credits himself for coining the term Dylanology.https://digitalcommons.lasalle.edu/dylan_academic_interpretations/1001/thumbnail.jp
Bob Dylan and American Folk Music: The Pigeonhole Effect
No full textThis article tracks Bob Dylan\u27s early musical career and his relation to the American Folk music movement of the late 1950s into the early 1960s. The author grapples with the question of why Bob Dylan went electric and explores some of the stories around the seminal event in American Folk Music history. The author mainly uses Bob Dylan\u27s personal interviews and songs to draw conclusions
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